New Books in Gender

A man is arrested for a single typo, a woman gets on buses at random, and two friends reunite in a changed world.... Diverse in form, scope and style, Amanat: Women's Writing from Kazakhstan (Gaudy Boy, 2022) brings together the voices of thirteen female Kazakhstani writers, to offer a glimpse into the many lives, stories, and histories of one of the largest countries to emerge from the breakup of the Soviet Union.The twenty-four stories in Amanat, translated into English from Kazakh and Russian, comprise a groundbreaking survey of women's writing in the Central Asian country over its thirty years of independence, paying homage to the rich but largely unrecorded oral storytelling tradition of the region. Contemplating nostalgia, politics, and intergenerational history in a time altered by modernity, Amanat acutely traces the uncertainties, struggles, joys, and losses of a corner of the post-Soviet world often unseen and overlooked.Utterly absorbing, Amanat is an invitation to listen-the women of Kazakhstan have stories to tell. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Monica Juneja and Sumathi Ramaswamy's Motherland: Pushpamala N.'s 'Woman and Nation' (Roli Books, 2022) examines Motherland, an important series of photo-performances by the acclaimed artist Pushpamala N. on the Indian nation personified as woman, mother, and goddess. The series shows Pushpamala taking on Mother India's myriad personifications: nubile beauty and saintly renunciant; militant goddess wearing a garland of skulls or receiving the ultimate sacrifice of a warrior's head; the mother-surgeon activating the birth of model citizens; and destitute widow, bent from years of abject labor. As she does so, she reveals that nations are invented, as are national embodiments. The artist's burden is to reveal the ingredients of such inventions.Ujaan Ghosh is a graduate student at the Department of Art History at University of Wisconsin, Madison Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Kwasi Konadu's book Many Black Women of this Fortress: Graça, Mónica and Adwoa, Three Enslaved Women of Portugal's African Empire (Hurst, 2022) presents rare evidence about the lives of three African women in the sixteenth century--the very period from which we can trace the origins of global empires, slavery, capitalism, modern religious dogma and anti-Black violence. These features of today's world took shape as Portugal built a global empire on African gold and bodies. Forced labor was essential to the world economy of the Atlantic basin, and afflicted many African women and girls who were enslaved and manumitted, baptised and unconvinced.While some women liaised with European and mixed-race men along the West African coast, others, ordinary yet bold, pushed back against new forms of captivity, racial capitalism, religious orthodoxy and sexual violence, as if they were already self-governing. Many Black Women of this Fortress lays bare the insurgent ideas and actions of Graça, Mónica and Adwoa, charting how they advocated for themselves and exercised spiritual and female power. Theirs is a collective story, written from obscurity; from the forgotten and overlooked colonial records. By drawing attention to their lives, we dare to grasp the complexities of modernity's gestation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In a pathbreaking new book, today’s guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row’s scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison.John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In this interview, we speak with Dr. amina wadud about her latest book Once in a Lifetime (Kantara Press, 2022), a book that started out as a blog for her hajj journey back in 2012.Dr. amina wadud is Professor Emeritus of Islamic Studies at Virginia Commonwealth University. She earned her PhD in Arabic and Islamic Studies from the University of Michigan in 1988. Her other books are Qur’an and Woman: Re-reading the Sacred Text from a Woman’s Perspective published in 1992 with Oxford UP and Inside the Gender Jihad: Women's Reform in Islam, published with Oneworld in 2006.The book is rooted in her experience of the famous five pillars of Islam, through a feminist, inclusive, and faith-centered lens. Each chapter includes relevant experiences related to the theme of the chapter, such as her specific experiences at hajj or the gendered nature of certain Islamic rituals and the ways that common understandings of these rituals might affect women.In our conversation, we talk about the theme of the masculine and the feminine that figures throughout the book, the gender of God, the Islamic concept of tawhid (monotheism, unity of God) and its relation to fractals and nature and the cosmos, and her experiences at hajj, which serve as the basis of the book. But mostly, I attempt to utilize my time with her to hear her speak about her journey through the last several decades as a Muslim academic committed to social justice and faith.The book’s accessible and approachable style makes it especially useful for undergraduate religion courses, including Islam and Islam and gender specific courses. Anyone interested in personal journeys in religion, Islam and gender, Islam and religion would also benefit from this book. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Gendering the GOP: Intraparty Politics and Republican Women's Representation in Congress (Oxford UP, 2022), Catherine N. Wineinger argues that to truly understand the evolution of women's congressional representation, it is necessary to move beyond an analysis of legislative behavior and toward an analysis of intraparty gender dynamics. Unlike previous research on women in Congress, Wineinger focuses exclusively on the experiences of Republican congresswomen to uncover some of the gendered implications of congressional polarization.Developing a novel theory of partisan-gender identity, defined as a categorical identity that sits at the intersection of one's partisan affiliation and gender identity, Gendering the GOP argues that Republican women in Congress are not merely gender-blind partisans. In fact, polarization and party competition have incentivized Republican women to organize around their partisan-gender identity and distinguish themselves from both Democratic women and Republican men. In so doing, Republican congresswomen have increased their visibility as party messengers, while simultaneously upholding a party culture that limits women's presence and power in the institution. Through extensive interviews with women members of Congress and in-depth analyses of House floor speeches, Wineinger details how women have both navigated and shaped existing gender dynamics within the House GOP conference. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In queer culture, silence has been equated with voicelessness, complicity, and even death. Queer Silence: On Disability and Rhetorical Absence (U Minnesota Press, 2022) insists, however, that silence can be a generative and empowering mode of survival. Triangulating insights from queer studies, disability studies, and rhetorical studies, J. Logan Smilges explores what silence can mean for people whose bodyminds signify more powerfully than their words.Queer Silence begins by historicizing silence’s negative reputation, beginning with the ways homophile activists rejected medical models pathologizing homosexuality as a disability, resulting in the silencing of disability itself. This silencing was redoubled by HIV/AIDS activism’s demand for “out, loud, and proud” rhetorical activities that saw silence as capitulation.Reading a range of cultural artifacts whose relative silence has failed to attract queer attachment, from anonymous profiles on Grindr to ex-gays to belated gender transitions to disability performance art, Dr. Smilges argues for silence’s critical role in serving the needs of queers who are never named as such. Queer Silence urges queer activists and queer studies scholars to reconcile with their own ableism by acknowledging the liberatory potential of silence, a mode of engagement that disattached queers use every day for resistance, sociality, and survival.J. Logan Smilges is Assistant Professor of English Language and Literatures at the University of British Columbia.Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In Cistem Failure: Essays on Blackness and Cisgender (Duke UP, 2022), Marquis Bey meditates on the antagonistic relationship between blackness and cisgender. Bey asks, What does it mean to have a gender that “matches” one’s sex---that is, to be cisgender---when decades of feminist theory have destroyed the belief that there is some natural way to be a sex? Moving from the The Powerpuff Girls to the greeting “How ya mama’n’em?” to their own gender identity, Bey finds that cisgender is too flat as a category to hold the myriad ways that people who may or may not have undergone gender-affirmative interventions depart from gender alignment. At the same time, blackness, they contend, strikes at the heart of cisgender’s invariable coding as white: just as transness names a non-cis space, blackness implies a non-cis space. By showing how blackness opens up a way to subvert the hegemonic power of the gender binary, Bey makes a case for an antiracist gender abolition project that rejects cisgender as a regulatory apparatus.Marquis Bey is Assistant Professor of African American Studies and English at Northwestern University and author of several books, most recently Black Trans Feminism, also published by Duke University Press.Sohini Chatterjee is a PhD Candidate in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Western culture has endlessly represented the ways in which love miraculously erupts in people's lives, the mythical moment in which one knows someone is destined for us; the feverish waiting for a phone call or an email, the thrill that runs down our spine at the mere thought of him or her. Yet, a culture that has so much to say about love is virtually silent on the no less mysterious moments when we avoid falling in love, where we fall out of love, when the one who kept us awake at night now leaves us indifferent, or when we hurry away from those who excited us a few months or even a few hours before.In The End of Love: A Sociology of Negative Relations (Polity Press, 2021), Eva Illouz documents the multifarious ways in which relationships end. She argues that if modern love was once marked by the freedom to enter sexual and emotional bonds according to one's will and choice, contemporary love has now become characterized by practices of non-choice, the freedom to withdraw from relationships. Illouz dubs this process by which relationships fade, evaporate, dissolve, and break down "unloving." While sociology has classically focused on the formation of social bonds, The End of Love makes a powerful case for studying why and how social bonds collapse and dissolve.Particularly striking is the role that capitalism plays in practices of non-choice and "unloving." The unmaking of social bonds, she argues, is connected to contemporary capitalism that is characterised by practices of non-commitment and non-choice, practices that enable the quick withdrawal from a transaction and the quick realignment of prices and the breaking of loyalties. Unloving and non-choice have in turn a profound impact on society and economics as they explain why people may be having fewer children, increasingly living alone, and having less sex.The End of Love presents a profound and original analysis of the effects of capitalism and consumer culture on personal relationships and of what the dissolution of personal relationships means for capitalism.Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Today I talked to Elissa Bassist about her memoir Hysterical: A Memoir (Hachette, 2022)For two years author Elissa Bassist saw over twenty medical specialists for pain that none of them managed to diagnose or resolve. Some of their treatments led to other medical problems but never relief. Then an acupuncturist suggested that she simply needed to take control of her voice, and Bassist was shocked when it worked. How, as far as we think we’ve come, is it still the case that a girl born in 1984 could have so much in common with generations of women who were expected to be silent, to "get along," to accept whatever was happening even when their souls ached, their heads pounded, and their bodies withered? Bassist was accused of "being dramatic" when she experienced pain and "inappropriate" when she expressed her sadness or suffering. She said “yes,” when she meant, “no,” and accepted others’ opinions that she was too emotional, too loud, or too aggressive. In her justifiably angry voice, the one she had to take control of, Bassist shares her personal journey from broken and bleeding, scared and lonely, to acerbically funny and quick to call out nonsense. She’s straightforward and unashamed in sharing the moments she’s least proud of and the times she’d rather forget, because now she wants to teach other women that it’s okay to "look bad" in service of unmuting their own voices.Elissa Bassist is the editor of the “Funny Women” column on The Rumpus and the author of the award-deserving memoir Hysterical. As a founding contributor to The Rumpus, she’s written cultural and personal criticism since the website launched in 2009. She also teaches humor writing at The New School, Catapult, 92NY, Lighthouse Writers Workshop, and elsewhere, and she is probably her therapist’s favorite. Bassist lives in Brooklyn with her dog Benny, a very good boy, and when not writing or reading or teaching, she watches horror movies, rides roller coasters, and does light witchcraft.G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies