Soul Music

The Carpenters - brother and sister duo Richard and Karen - were one of the most popular groups of the 1970s. His outstanding compositions and her stunning vocals created several massive hits including We've Only Just Begun. Originally written as a TV advert for a bank portraying happy young couples embarking on married life full of hope, they loved it and released it as their third single in 1970. Karen's wistful voice gave the song a melancholy that has long resonated with fans. After her premature death from heart failure due to anorexia nervosa, the song took on an extra poignancy with lyrics like "so much of life ahead".Fans tell their stories about the song and how it relates to their own life journeys.For Professor Karen Tongson (named after the singer), We've Only Just Begun is about growing up in the Philippines where The Carpenters epitomised the American Dream. When she emigrated to the USA, the song became a metaphor for the immigrant experience.Nomad and writer Jeff Read remembers his childhood in a poor part of Los Angeles brought up by a single mother who eventually died homeless on the street. The song brings back memories of childhood optimism and his longing for a stable family life.Poet Abigail George recalls seeing a film about Karen Carpenter's life and identifying with the singer's struggles with an eating disorder as she herself had to cope with a difficult family life in South Africa. Retired policeman John Weiss was reminded of the song when he attended the death of an elderly person at a care home. John looked at the deceased man's wedding photos and was struck by the brevity of life. The singer Natasha Khan aka Bat For Lashes always loved The Carpenters and recorded her own version of We've Only Just Begun as part of an album where things don't end well for the young bride. Ironically, her version now features in a commercial for a British bank so the song has come full circle.Randy Schmidt is the author of Little Girl Blue (The Life of Karen Carpenter).Versions of the song featured are byGrant Lee Buffalo Paul Williams Natasha Khan The Carpenters The Carpenters with the Philharmonic OrchestraProducer: Maggie AyreA BBC Audio production for BBC Radio 4, first broadcast in July 2021.

This disco classic tells a powerful story: that of a young, gay man leaving his homophobic small town for the freedom of the big city. Released in 1984, Smalltown Boy continues to resonate and has become an anthem for the LGBTQ+ community. The track appeared on their album 'The Age of Consent' which drew attention to the inequality between the ages at which heterosexual people and homosexual men were legally able to have sex.Taking part in the programme: Shaun Dellenty, an ex primary school leader and author who developed an award winning LGBT+ training programme 'Celebrating Difference-Inclusion For All' which he now delivers to students and staff around the world. Paul Flynn, journalist and author of 'Good As You, 30 Years of Gay Britain'. Diane Anderson-Minshall, CEO and Editorial Director of Pride Media. Colin Crummy, freelance journalistNeil Brand, pianist, composer, writer and broadcasterAdam Carver aka Fatt Butcher, drag artist, creative producer, and community organiser. Archive: The audio of Jimmy Somerville is taken from the BBC archivesMusic:: various versions of Smalltown Boy by Jimmy Somerville, and Bronski Beat. Also covers by Dido, and Orville Peck.Produced by Karen Gregor for BBC Audio in Bristol.

Sunshine on Leith was released in 1988 but didn't become the big hit The Proclaimers had hoped for. However it has endured and become an anthem of love and a celebration of life. It is the song played at Hibs FC matches and has come to symbolise the sense of community felt by supporters. Margaret Alcorn recalls how she and her husband were involved in the Hibs Supporters Club organising and taking part in social events for local people in Leith. When their club came under threat from a merger with rival Edinburgh team Hearts she and her husband worked tirelessly to preserve it - and when her husband passed away the song was played at his funeral. Musician Ross Wilson grew up in Leith and is also a passionate Hibs Supporter. The feelings of comfort and solidarity he experiences at home games led him to create his own version of the song which he performed with a choir to celebrate one of his favourite songs that reminds him of home and that he calls true soul music.Melinda Tetley's family would always sing Proclaimers songs at home in Edinburgh while her three children were growing up. But when her teenage son fell ill with leukaemia, the song took on a special significance for them culminating in a spontaneous joyful singalong on a walk along a lochside.The human rights lawyer Clive Stafford-Smith is a big fan of The Proclaimers and remembers seeing them perform Sunshine on Leith in New Orleans just days after 9/11 to an audience of exactly eight people - half of whom were the prosecuting team in a Death Row murder case he was defending. Musicologist Dave Robb who toured with The Proclaimers explains the song's lasting emotional appeal and spiritual beauty.Producer: Maggie AyreFirst broadcast on BBC Radio 4 in December 2020.

Life on Mars was released on David Bowie's Hunky Dory album in 1971. Two years later it came out as a single in its own right. Famous for its exploration of disillusionment and alienation, there is no one single definitive story behind it. But that is perhaps the song's beauty and the secret behind its appeal - that its cryptic lyrics are open to interpretation, and can mean different things to different people. Musicians and fans talk about what Life on Mars? means to them, and its lasting emotional impact.Special programme made to mark Bowie's birthday on January 8th 1947 and commemorating his death on January 10th 2016.And what does the question mark in the song's title mean?With contributions from:* Musician Dana Gillespie whose autobiography is Weren't Born A Man * Bowie author Chris O'Leary * Scientist Abigail Fraeman of NASA's Mars Mission * Artist Bridget Griggs * Reverend Steve Stockman * Screenwriter Ashley Pharoah (Life on Mars)Producer: Maggie Ayre for BBC Audio BristolFirst broadcast on BBC Radio 4 in January 2021.

Stories from people about how ‘Once In A Lifetime’, Talking Heads' existential hit from 1980, touched their lives.Talking Heads emerged out of the post punk scene of the late 1970s. 'Once In A Lifetime' is the iconic single taken from their album Remain In Light. With its looped synthesizer and Afrobeat inspired by Fela Kuti it seemed to pre-empt the consumerism and ennui of the 1980s. Writer Ian Gittins interviewed David Byrne and later wrote his book Once In A Lifetime. He says David Byrne had in mind people of a certain middle class existence who seemingly breeze through life with ease when he wrote the lyrics. They may get to middle age or reach a crisis point and ask "How did I get here?" For a song that invites us to question our lives it has a surprisingly emotional core that encourages people to be grateful and make positive changes in their lives where necessary. For Glaswegian Gerry Murphy that meant becoming more present for his family after serious illness forced him to reconsider the amount of time he devoted to his career. He went on to write a book about his experience - And You May Find Yourself: A Guided Practice To Never Fearing Death Again.Ian Peddie was inspired by the song to leave his dead end existence in Wolverhampton in the mid 1980s to 'find himself in another part of the world' following his dreams. Kelly Waterhouse says the song symbolises gratitude for all the things she takes for granted and sometimes struggles with in her life as a busy working mother.And singer Angelique Kidjo recorded her own version of Once In A Lifetime in 2018 after coming full circle with the song from her arrival in Paris in 1983 after fleeing the dictatorship in her home country of Benin. She heard the song at a student party and recognised the Afrobeats adopted by David Byrne and Brian Eno that made her feel both joyful and homesick at the same time.Producer: Maggie AyreFirst broadcast on BBC Radio 4 in December 2020.

As Christmas approaches, Soul Music leads you through Advent with the Appalachian carol "I Wonder as I Wander".Written by American folklorist and singer John Jacob Niles, its origins come from a song fragment collected in 1933. Mysterious, inspiring, this traditional Christmas carol reflects on the nativity and the nature of wondering. While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police. He wrote of hearing the song:“A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievably dirty and ragged, and she, too, was unwashed. Her ash-blond hair hung down in long skeins. ... she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song”.The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with "three lines of verse, and a magnificent idea". Based on this fragment, Niles composed the version of "I Wonder as I Wander" that is known today.This most unusual of carols touches people in different ways. With childhood memories from a 1960’s RAF base in Oxfordshire, a Nigerian school girl who found her place in Winchester Cathedral, reflections from a candlelit vigil in an Appalachian town, and a Christmas gift as described by world renowned singer Melanie Marshall. With guests: * Performer Melanie Marshall * Ron Pen (biographer John Jacob Niles) * Viva Choir member Louise Sheaves * Author Chibundu Onuzo * Music scholar John McClain. Featuring music from:* John Rutter * Burl Ives Consultant: Ted Olson.Producer: Nicola HumphriesFirst broadcast on BBC Radio 4 in December 2020.

An enduring classic which delivers a message of support and friendship. Never more so than in 2020 when Lean On Me by Bill Withers was the musical backdrop to the Covid crisis in the UK, and at Black Lives Matter protests in the US.Featuring: Andy Greene, a senior writer at Rolling Stone magazine, who tells the remarkable life-story of Bill Withers. Composer, Neil Brand, explains how the simplicity of this track is what enables it to pack such a strong emotional punch.Sara Morrell is a nurse whose version of Lean On Me, recorded quickly at home as a way of cheering-up colleagues, caught the attention of some big names in the music industry.Sharmila Bousa organised a community flash-mob to show support to her local shops in Westbury-on-Trym which had suffered a spate of armed-robberies.Arianna Evans has become a voice of the Black Lives Matter protests. She recalls a powerful moment at one of the Washington DC rallies where local singer, Kenny Sway, sang Lean On Me creating a memorable and much-needed moment of joy and unity.Thanks to: Ian DeMartino who recorded the speech given by Arianna Evans; Zaranyzerak who provided the recording of Kenny Sway's performance; and to Tristan Cork who filmed the Westbury-on-Trym flashmob for Bristol Live. Produced at BBC Bristol by Karen Gregor. A BBC Audio production for BBC Radio 4, first broadcast in December 2020.

"At first I was afraid, I was petrified"... From a breakup to a shipwreck, emotional true stories of what Gloria Gaynor's iconic disco anthem I Will Survive means to different people around the world.A woman sets out to become the first female rower to cross the Atlantic solo.A woman listens to the song 35 times in a row after a breakup.A drag queen steps onto the stage of a Berlin nightclub.A mother watches her daughters sing karaoke at a holiday club on the first foreign holiday since leaving her abusive marriage.And women gather on the steps of the Courts of Justice to sing the song together as they await a verdict. Featuring: Elisabeth Hoff Latrice Royale Penny Arcade Pragna Patel Nadine Hubbs Series about pieces of music with a powerful emotional impactProducer: Mair BosworthFirst broadcast on BBC Radio 4 in 2020.

It's a love song about growing old. Neil Young's Harvest Moon released in 1992 is a nod to the 1970s country rock.It's loved by music blogger Alyson Young. It's also a grown up song about love says singer-songwriter Ricky Ross. How do you make the magic last and how do you keep love alive? People tell their stories about what the song means to them: jazz singer Maureen Washington danced to the song with her late husband. Amanda Legere played it to her premature baby daughter when she went to see her in the ICU. She knows the baby responded to that song. Mary Divine and her husband were serenaded on their wedding anniversary during lockdown. The whole neighbourhood came out to watch a teenage neighbour play Harvest Moon for them. Margy Waller drove to work at the White House on the final days of Bill Clinton's Presidency listening to Harvest Moon because she needed to cry. For her it's a song about loss. She is still touched by it today during the pandemic in what she describes as another period of great loss.Versions of Harvest Moon include those by: Neil Young Cassandra Wilson Maureen Washington Nils Lofgren Neil Young UnpluggedSeries about pieces of music with a powerful emotional impactProducer: Maggie AyreFirst broadcast on BBC Radio 4 in 2020.

Ravel's beautiful Pavane For A Dead Princess touches many people. While it is not actually about a dead princess it does evoke a sense loss. For Carla van Raay it symbolises the loss of innocence she experienced after sexual abuse as a child which led her to make some difficult life choices. Deal Hudson played it to prisoners in Atlanta and was moved by their reaction. At an academy for troubled teenagers in California the Pavane had a similar effect. Genevieve Monneris comes from the town where Ravel was born on the border with Spain. Her film Henri and Pat tells the story of three French airman who were stationed in York during World War Two. Just days before Henri's plane was shot down the three young men went to a concert of Ravel's music in York. So the piece has a strong emotional meaning for Genevieve whose own father was also stationed with the RAF in York. Professor Barbara Kelly of the Royal Northern College of Music explains the background to the Pavane's composition and why it appeals to the emotions in such a powerful way. Although it was written at the end of the 19th century it became more widely known in the 1920s. That was when a young woman called Lucia Joyce daughter of James Joyce danced to it with her avant garde dance group. The writer Annabel Abbs tells Lucia's tragic story of how her life ended in a mental asylum and how she almost became the imaginary 'dead princess'.Versions used: Pavane Pour Une Infante Défunte William Orbit Julian Bream James Rhodes Maurice Ravel Ravel Pavane arrangement for harp and celloProducer: Maggie AyreFirst broadcast on BBC Radio 4 in 2020.