Soul Music

Long before it was a worldwide hit for Rod Stewart, the Cat Stevens song 'First Cut is the Deepest' made a name for Ike and Tina Turner's former backing singer, PP Arnold. PP describes the emotional connection she felt to the lyrics, having emerged from an abusive marriage shortly before recording it.The song's original producer, Mike Hurst describes how he achieved the huge 'wall of sound' production using double drums, a huge string section, and a harp instead of a guitar to play the signature riff at the the start of the track.There are many personal stories associated with the track: Carsten Knauff recalls a childhood sweetheart - his first true love - and explains why the Cat Stevens' version brings back bitter-sweet memories for him.Rosemarie Purdy saw PP Arnold give an extraordinary live rendition at a club in Portsmouth in 1967. Never before had she seen such a heartfelt, emotionally charged performance. It's something she's never forgotten.The Sheryl Crow version reminds Rachel Batson of a very difficult phase in her life; it's a song she says reflects her own faith journey.And former Radio Caroline DJ, Keith Hampshire, describes the circumstances that led to him having a No.1 hit with the song in Canada. It was the first time 'First Cut' reached No.1 anywhere in the world.Series about pieces of music with a powerful emotional impact.Producer: Karen GregorFirst broadcast on BBC Radio 4 in April 2015.

Johann Sebastian Bach's Cello Suite No I in G major is one of the most frequently performed and recognisable solo compositions ever written for cello. Yet it was virtually unknown for almost 200 years until the Catalan cellist, Pablo Casals discovered an edition in a thrift shop in Barcelona. Casals became the first to record it and the suites are now cherished by musicians across the globe. The world renowned cellist, Steven Isserlis describes his relationship with the piece and why it still surprises and excites him. Fellow cellists Richard Jenkinson and Jane Salmon talk about the challenge of playing it and we hear from the Dominic Martens, a member of the National Youth Orchestra and his teacher, Nick Jones as they explore the piece together.Garden designer Julie Moir Messervy, describes how Yo-Yo Ma's recording inspired her to design The Toronto Music Garden and doctor Heidi Kimberly explains why she chose the piece for her wedding and why she believes the suite to have healing powers. While historian and author, Eric Siblin, reveals the extraordinary history of the suites and why some still argue that they was written by Bach's second wife Anna Magdalena.Series about pieces of music with a powerful emotional impact. Producer: Lucy LuntFirst broadcast on BBC Radio 4 in April 2015.

Leonard Cohen's 'Hallelujah' took him years to write. It originally had as many as 80 verses. Recorded for his 'Various Positions' album, it was almost ignored when first released in 1984. Only Bob Dylan saw its true worth and would play it live. John Cale eventually recorded a version which was heard by an obscure musician called Jeff Buckley.The song has been covered by hundreds of artists including Rufus Wainwright, K.D.Lang and Alexandra Burke.We hear from those whose relationship with the song is deep and profound: singer Brandi Carlisle listened to it over and over again as a troubled teenager; it became a sound-track to James Talerico falling in love and Jim Kullander made a connection with the song after the death of his wife.

"La Boheme is a work of genius, for me it's the perfect opera. There's not a bar or a word or anything you'd want to alter. It just gets to you" - Opera Director John Copley CBE.Soul Music ventures back into the Parisian winter of Puccini's beloved 'La Boheme' where legendary Opera Director John Copley CBE reflects on his 40 years of bringing this tale of friendship, love and loss to the stage of London's Royal Opera House. Alongside his memories of sharing pasta with a young Pavarotti we hear the stories from those whose lives have been touched by - and often reflect - the essence of this most popular of operas.From the romantic gesture of a probationary constable serenading his soon to be bus conductress wife in 1950's Torquay to the moment that a devoted husband passed away - La Boheme has touched the lives of opera lovers around the world.Featuring interviews with: * Author Mavis Cheek * Opera devotees, Ray Tabb and Nancy RossiProducer: Nicola HumphriesFirst broadcast on BBC Radio 4 in December 2014.

'There Is a Light That Never Goes Out' by The Smiths is explored through personal stories. Released in 1986 on 'The Queen Is Dead' album, it's become an anthem of hope, loss and love. As a teenager, Andy listened to it with his father, as he drove him to work. They had a moment of connection, and when his father died suddenly a few weeks later, the song took on huge significance. When her young son was ill, Sharon Woolley drew strength from this music as she sat by his bedside in the small hours of the morning. For comic artist Lucy Knisley, the song got her through a bad break-up with her long-term boyfriend - and its meaning changed for her when unexpected events unfolded.Also featuring: Mike Garry Teddy Jameison Mark Gatiss Simon GoddardProducer: Sara Conkey First broadcast on BBC Radio 4 in December 2014.

Gracias A La Vida - thank you to life - is a song that means a lot to many people around the world. Recorded by artists as diverse as Joan Baez and the magnificent Mercedes Sosa, it reflects the bittersweet nature of life's joys and sadnesses. To the people of Chile where it was written in 1966 by Violetta Parra, it has become an anthem that brings people together in times of trouble. One man tortured and imprisoned under the Pinochet regime in 1973 recalls how playing the song on guitar in prison for other inmates helped keep their spirits and hopes alive under the most brutal circumstances. Australian writer and actor Ailsa Piper recalls being gifted the words to Gracias A La Vida by a fellow walker along one of the holy routes in Spain, and how the song has become a poignant reminder of the fragility of life.Producer: Maggie Ayre.First broadcast on BBC Radio 4 in November 2014.

Marianne Faithfull recalls the classical French Love song which went on to inspire a 1960s hit record by Elvis Presley. 'Plaisir d'Amour' somehow found its way through 18th century orchestration (Hector Berlioz) and 1960's folk revival, to an unexpected re-invention as Elvis’s 'I Can't' Help Falling in Love with You'.Written in 1784 by Jean-Paul-Égide Martini, the song muses on the pleasures and pains of love and was inspired by a poem in Jean-Pierre Claris de Florian's novel 'Célestine'.For 17 year old Marianne Faithfull, it was a song of innocence, recorded in a tiny booth in London’s old Decca studios whilst happily pregnant with her first child. Meanwhile, author Julia Donaldson and husband Malcolm busked it on the streets of Paris. This was in the summer of 1969 and police hid in alleyways, still fearful of students following the 1968 riots.Inspired by Elvis, West Point Military Academy Freshman Andrew Scott learnt to pick the tune on guitar – helping him win the heart of his wife. For Henry and Christine Wallace, it summed everything up "It was what I was looking for, someone to share my life and the words 'take my whole life too was in tune with what I wanted'. Producer: Nicola HumphriesFirst broadcast on BBC Radio 4 in November 2014.

"Into my heart an air that kills From yon far country blows: What are those blue remembered hills, What spires, what farms are those? That is the land of lost content, I see it shining plain, The happy highways where I went And cannot come again."So wrote the poet AE Housman lamenting the loss of his brother in the Boer war in his epic poem A Shropshire Lad. It harks back to a simple idyllic rural way of life that is forever changed at the end of the 19th century as hundreds of country boys go off to fight and never return. George Butterworth adapted his words to music in 1913 just before the outbreak of the Great War. We hear from those whose lives continue to be touched by the loss of so many young men between 1914 and 1918. Broadcaster Sybil Ruscoe recalls visiting her Great Uncle's grave in a military cemetery in France with Butterworth's Rhapsody as the soundtrack to her journey. A concert at Bromsgrove School in Worcestershire where Housman was a pupil remembers the former schoolboys killed in action, and singer Steve Knightley discusses and performs his adaptation of The Lads In Their Hundreds. The Bishop of Woolwich connects his love of the countryside and Butterworth's music with his father's battered copy of Housman's poems which comforted him while held captive in Singapore during the Second World War.Contributors:James McKelvey Phillip Bowen Tish Farrell Michael Ipgrave Steve Knightley Stephen Johnson Sybil Ruscoe Sam AdamsonSeries about pieces of music with a powerful emotional impact Producer: Maggie AyreFirst broadcast on BBC Radio 4 in November 2014.

Albinoni's Adagio in G Minor, is one of the most popular and moving pieces of music.But, as academic and composer Andrew Gant explains, it wasn't written by Albinoni and is now attributed to 20th century Italian composer, Giazotto.Award-winning veteran BBC foreign correspondent, Malcolm Brabant recalls the ' cellist of Sarajevo', Vedran Smailovic, playing it everyday for weeks amidst the wreckage of the beautiful city, as Serbian gunfire raged around.Actress Virginia McKenna explains its importance to her and her late husband, actor Bill Travers, who died in 1994. The piece was played at the beginning and end of his memorial service.And TV producer, Gareth Gwenlan reveals why it was chosen as the theme for the character played by Wendy Craig, in the BBC’s 1970s TV sitcom, Butterflies.Producer: Lucy LuntFirst broadcast on BBC Radio 4 in April 2014.

The hauntingly beautiful Welsh song Myfanwy 'is in the air in Wales' according to singer Cerys Matthews.She along with others discuss what the melodic tale of unrequited love means to them. They include a Welsh woman living in Sicily for whom the song represents 'hiraeth', a longing or homesickness for Wales and another who believes it expresses the 'wounded soul of the Welsh'. A man remembers how his late brother and he used to sing it in pubs in North Wales and how the song symbolises the unrequited love he felt for him. Members of the Ynysowen choir, started after the mining disaster in Aberfan as a way of dealing with the emotion, talk about the song's power, and an ex soldier recalls digging for survivors with lines from it playing in his head "Give me your hand, my sweet Myfanwy".Series about pieces of music with a powerful emotional impact.Producer: Maggie AyreFirst broadcast on BBC Radio 4 in April 2014.