In this week's Book Club podcast, I'm joined by the novelist Jonathan Lethem. Two decades after his breakthrough book The Fortress of Solitude crowned Lethem the literary laureate of Brooklyn, he returns to the borough's never-quite-gentrified streets with the new Brooklyn Crime Novel. He tells me why he felt the need to go back, and talks about race, intimacy, realism, the 'non-fiction novel' – and why he regrets his beef with the critic James Wood.

In this week's Book Club podcast, my guest is Nicholas Shakespeare, author of Ian Fleming: The Complete Man. He tells me about the astonishing secret life of a writer whose adventures in espionage were more than the equal of his creation's; and about the damaged childhood and serially broken heart of a man far kinder and more sympathetic than his biographer had ever suspected.  

My guest on this week’s Book Club podcast is the film writer Peter Biskind. In his new book Pandora’s Box, he tells the story of what’s sometimes called “Peak TV” – and how a change in business model (from network to cable to streaming) unlocked an extraordinary era of artistic innovation, and uncovered an unexpected darkness in the public appetite to be entertained.

My guest in this week’s Book Club podcast is the novelist Sandra Newman, whose new book Julia retells George Orwell’s Nineteen Eighty-Four from Julia’s point of view. We discuss the spaces Orwell’s classic left for her own novelistic imagination, what we do and don’t know about the world of Big Brother, and whether the misogyny in Orwell’s original belongs to the author or the dystopia he depicts.

In this week's Book Club podcast, we're celebrating 50 years of a unique classic – Richard Adams's Watership Down – and its forthcoming adaptation in graphic novel form. I'm joined by Richard Adams's two daughters Juliet and Rosamund, who tell me how a story that their dad started telling them to beguile a long car journey became one of the best selling children's books of all time, how that changed their father's life, and how Fiver's prophesy, alas, is finally coming true. 

My guest in this week's Book Club podcast is Caspar Henderson, whose new book A Book of Noises: Notes on the Auraculous really is a journey into sound. He tells me why the music of the spheres – at least in this solar system – is a terrible racket, what we can learn from whale earwax, and why bat-squeaks are, in fact, very very loud indeed. 

My guest in this week’s Book Club podcast is the writer, broadcaster and academic Mary Beard. In her new book, Emperor of Rome, she explores what we can and can’t know about the men who ruled the Roman Empire, and what the lurid stories about so many of them tell us about the anxieties and fantasies of Rome’s ordinary citizens and the remarkable resilience of the regime. We also discuss, among other things: decapitated ostriches, fatal rose petals, and Mary’s robust reappraisal of Marcus Aurelius’s 'sub-Stoic' maundering.

Sarah Ogilvie discusses the unique structure of the Oxford English Dictionary, the crowdsourcing method used to gather quotations, and how it became 'the Wikipedia of its day'. She uncovers the unsung heroes behind the making of the dictionary, including crowdsourcing in the Victorian era and the surprising contributions of a murderer and patient in a mental asylum. The chapter also explores the involvement of women in the dictionary's creation, highlighting the correlation with the suffragette movement.

Francesca Peacock discusses Margaret Cavendish, a feminist writer ahead of her time, and challenges the misconceptions surrounding her. They delve into her unique perspective, the impact of the English civil war, her unconventional marriage, and her memorable visit to the Royal Society. The podcast also highlights Francesca's book 'The Blazing World', a feminist utopian vision, and examines the posthumous reputation of a female writer.

The Book Club podcast returns next week. In the meantime, here's another from the archives, and one which looks more timely now even than it was when we recorded it in 2017. Here's perhaps Russia's most prominent dissident writer, Masha Gessen, talking about their book The Future Is History: How Totalitarianism Reclaimed Russia.