My guest in this week's Book Club podcast is Nathan Thrall, author of the Pulitzer Prize winning book A Day In The Life of Abed Salama – which uses the story of a terrible bus crash in the West Bank to describe in ground-up detail the day-to-day lives of Palestinians living under Israeli occupation. Speaking to me from Jerusalem, Nathan tells me why he believes it's right to call Israel an 'apartheid state', how the bureaucracy of the Occupied Territories made the fatal crash 'an accident that wasn't an accident'; and what he thinks needs to change to bring hope of an end to the conflict. 

My guest on this week’s Book Club podcast is the writer and comedian David Baddiel, talking about his new book My Family: the Memoir. He talks about childhood trauma, what made him a comedian, and how describing in minute detail his mother’s decades long affair with a slightly crooked golfing memorabilia salesman is an act not of betrayal but of loving recuperation.

My guest on this week's Book Club podcast is the writer and film director Neil Jordan, who joins me to discuss his new book Amnesiac: A Memoir. He talks, among other things, about writing for the page and the screen, the uses of myth, putting words into the mouths of historical figures, seeing ghosts in aeroplanes, being ripped off by Harvey Weinstein, and failing to persuade Marlon Brando to play King Lear. 

My guest in this week's Book Club podcast is Roger McGough, whose new The Collected Poems: 1959-2024 anthologises a poetic career 65 years long and counting. Roger tells me about revisiting his old work and making it new, why he's 'not being serious' about the future of Poetry Please, and how he narrowly missed being on the Pyramid Stage at Glastonbury. 

My guest on this week's Book Club podcast is Michael Nott, author of the new biography Thom Gunn: A Cool Queer Life. He tells me about the poet's early trauma, his transatlantic identity, his unconventional family and his compartmentalised life, part teaching and writing, part sex, drugs and rock and roll. 

In her new book Cairn, the Scots poet Kathleen Jamie sets a capstone of sorts on her trilogy of short prose collections Findings, Surfacing and Sightlines. She joins Sam on this week’s Book Club podcast to talk about why she hesitates to call herself a nature writer, how prose found her late in life, and why whale-watching isn’t what it used to be. Produced by Patrick Gibbons.

My guest for this week's Book Club is the journalist and author Åsne Seierstad. She tells me about her new book The Afghans: Three Lives Through War, Love and Revolt; how and why she constructed a novelistic narrative about real-life people and events, and what her encounters with human rights activist Jamila, Taliban commander Bashir and thwarted student Ariana can tell us about the past, present and future of that troubled country. Produced by Patrick Gibbons.

My guest on this week’s Book Club podcast is Mark Bostridge. In his new book In Pursuit of Love: The Search for Victor Hugo’s Daughter, Mark describes his quest to uncover the traces of Adele Hugo and the doomed love affair which cost her her sanity. He tells me how Adele’s story chimed in poignant ways with his own life and what it taught him about the unstable emotional contract between biographer and subject.

My guest in this week’s Book Club podcast is Marlon James, who ten years ago published his Booker Prize winning novel A Brief History of Seven Killings. He tells me how that remarkable book came about, how he feared it would be 'my Satanic Verses', what genre means to him, the importance of myth, and what he learned from the X-Men.

In this week's Book Club podcast, my guest is the Booker Prize winning novelist Richard Flanagan, talking about his extraordinary new book Question 7. It weaves together memoir, reportage and the imaginative work of fiction. Flanagan collides his relationship with his war-traumatised father and his own near-death experience with the lives of H G Wells and Leo Szilard, the Tasmanian genocide and the bombing of Hiroshima. He talks to me about the work fiction can do, the intimate association of memory with shame, and the liberations and agonies of thinking of non-linear time.