Money on the Left

We are excited to rerelease our inaugural episode of Money on the Left alongside a brand new transcript. Conversation originally published on May 27, 2018 Money on the Left is the official podcast of Modern Money Network: Humanities Division (@moneyontheleft).In our inaugural episode, we consider the recent resurgence of full employment politics in the United States from both a political and historical perspective with historian David Stein (@davidpstein). Stein is currently a fellow at UCLA’s Luskin Center for History and Policy and a lecturer in the departments of History and African American Studies. Check out his recent article in Jacobin: David Stein, “Full Employment and Freedom.”Intro music by Hillbilly Motobike.

Mark Paul joins Money on the Left to discuss his new book, The Ends of Freedom: Reclaiming America’s Lost Promise of Economic Rights (University of Chicago Press, 2023). Paul is assistant professor in the Bloustein school of Planning and Public Policy at Rutgers University. In his book, Paul scours U.S. political and economic history to recover, reclaim, and adapt the rhetoric of economic rights for our current political moment. For too long, Paul demonstrates, progressives and leftists have let conservative and sometimes charismatic economists define the boundaries of our economic thinking. This even as the left has underappreciated its own rich reserves of heterodox political thinking and radical rhetorical action. Hence Paul’s outspoken advocacy–within and beyond the book–for durable and democratic policy interventions like Medicare for All, a federal jobs guarantee, and a Green New Deal. Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula: www.nahneenkula.com

We’re joined by Jennifer Mittelstadt (@MittelstadtJen), professor of history at Rutgers University, to discuss her involvement with Scholars for a New Deal for Higher Education. We speak with Mittelstadt about how Scholars for a New Deal for Higher Education is organizing to address the most pressing threats to US public higher education today, as well as about how her own scholarship on publicly-provisioned welfare systems in the United States shapes her political organizing and advocacy. We also consider the role of Modern Monetary Theory in the struggle to democratize university finance, including Money on the Left’s controversial proposal for a federally backed university currency called the “uni.” Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula: www.nahneenkula.com

In the third installment of Superstructure’s “Postmodern Money Theory!” series, Rob Hawkes and Scott Ferguson wrap up their discussion of B.S. Johnson’s novella, Christie Malry’s Own Double-Entry, which self-consciously weaves money and accounting into the very fabric of literary form. Rob and Scott tease out the text’s lingering potentials and blindspots in order to problematize dominant forms of political economic and aesthetic critique.   (Click the following links for Part 1 and Part 2.)To start, our co-hosts zero in on the book’s estrangement of taxation. Characterizing taxation as a zero-sum game that breeds extreme pettiness, resentment, and violence, the book critically distances itself from orthodox visions of money, while providing only faint hints of possible alternatives. Next, Rob and Scott read Christie Malry’s generative tensions alongside two misleading tendencies in critical theory, both of which are predicated on the false barter story of money’s origins. The first tendency links the end of gold standards to the rise of modernism and postmodernism, respectively. Advanced by the likes of Jean-Joseph Goux, Jean Baudrillard, and Fredric Jameson, this expressly lapsarian tendency frets an absolute volatilization of forms and values across political economy and aesthetics, rather than affirming a contestable and imaginative politics of public inscription unencumbered by legally sanctioned austerities and inequalities. The second tendency, meanwhile, casts the orthodox problem of dyadic exchange in terms of debt and credit. From Friedrich Nietzsche to David Graeber, this discourse reduces debt to narrow oppositions between domination and freedom, while foreclosing credit’s collective and always disputable caretaking capacities. Although both impulses inform Christy Malry’s construction, Rob and Scott underscore the ways that Johnson’s constant formal experimentation subtly reframes and exceeds these tendencies’ erroneous totalizing judgments.  Finally, Rob and Scott uncover money’s repressed public foundations and alternatives in Christy Malry’s allegorical conclusion. Working to redeem Johnson’s unrealized longings for socialism, the co-hosts consider the text’s enigmatic appeals to credit overdrafts and debt write-offs in relation to its tragicomic play on Christ’s sacrificial death. Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting.http://flirtingfullstop.bandcamp.comTwitter: @actualflirting

Dan Rohde (@DanEricRohde) joins Scott Ferguson to discuss his Superstructure Vertical piece, “Bank of the People: History for Money’s Future.” The piece is based on a longer scholarly article titled, “The Bank of the People, 1835-1840: Law and Money in Upper Canada,” which is forthcoming from Osgoode Journal of Law.  Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting.http://flirtingfullstop.bandcamp.comTwitter: @actualflirting

Elizabeth S. Anker, Associate Professor of English at Cornell University and Professor of Law in the Cornell Law School, discusses her book 'On Paradox' and critiques the role of paradox in left intellectualism. She argues for a theory toolkit that escapes the traps of paradox and explores alternatives to critical theory. Topics include the paradox of rights, challenging the liberal understanding of money, and the limitations of trauma theory.

Money on the Left presents a public conversation with Dan Berger about his important new book, Stayed on Freedom: The Long History of Black Power through One Family’s Journey (Basic Books, 2023). Berger’s Stayed on Freedom tells a new history of Black Liberation through the intertwined narratives of two grassroots organizers. The Black Power movement, often associated with its iconic spokesmen, derived much of its energy from the work of people whose stories have never been told. Stayed On Freedom brings into focus two unheralded Black Power activists who dedicated their lives to the fight for freedom. Zoharah Simmons and Michael Simmons fell in love while organizing tenants and workers in the South. Their commitment to each other and to social change took them on a decades-long journey that traversed first the country and then the world. In centering their lives, Berger shows how Black Power united the local and the global across organizations and generations. Based on hundreds of hours of interviews, Stayed On Freedom is a moving and intimate portrait of two people trying to make a life while working to make a better world.  This public dialog took place on February 24, 2023 at the University of South Florida. It was graciously moderated by Tangela Serls (Professor of Instruction in the Department of Women’s and Gender Studies and Special Advisor to the USF College of Arts and Sciences Dean on Diversity, Equity, and Inclusion) and K. Stephen Prince (Professor in the USF History department).Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula: www.nahneenkula.com

In Part 2 of Superstructure’s “Postmodern Money Theory!” series, Rob Hawkes and Scott Ferguson explore B.S. Johnson’s postmodern novella, Christie Malry’s Own Double-Entry (1973), which self-consciously weaves money and accounting into the very fabric of literary form. Regarded as brokering a broader transition between modernism and postmodernism, Johnson paradoxically conceded that “to tell stories is to tell lies,” while remaining committed to the revelatory “truthfulness” of literary form. In Christy Malry’s Own Double-Entry, Johnson tells the metafictional story of a disaffected young man, Christie Malry. Throughout the book, Malry applies the principles of double-entry bookkeeping in response to injustices in his life, "crediting" himself against society in an increasingly violent manner for perceived "debits.” Our co-hosts trace Christy Malry’s multifaceted approach to accounting, which cuts across questions of money, narrativity, enumeration, and reckoning in economic, ethical, historical, and even biblical senses. Affirming the text’s defamiliarizing insights, Rob and Scott unpack how Johnson’s satirical and estranging use of language unsettles dominant visions of money as a merely finite and located particular. At the same time, however, they also weigh the book’s problems and limits, flagging Johnson’s unquestioned white masculine framing of accounting, for example, despite his socialistic aspirations and attentiveness to form’s social restrictions. Stay tuned for the third installment of “Postmodern Monetary Theory!,” in which Rob and Scott further plumb Christy Malry’s Own Double-Entry for its postmodern lessons about the aesthetics and politics of credit and debt. Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting.http://flirtingfullstop.bandcamp.comTwitter: @actualflirting

Will Beaman (@agoingaccount) inaugurates the first of a lecture series on the work and ideas of Mikhail Bakhtin. Drawing parallels with right wing attacks on contemporary drag performance and ballroom traditions, Will discusses Bakhtin’s analysis of the Medieval carnival humor, its manifestation in Renaissance literature, and its unique aesthetics of what he terms “grotesque realism.” Quotations are drawn from the Introduction and first chapter of Bakhtin’s text, Rabelais and His World (1965), with additional references made to Siegfried Kracauer’s 1927 essay “The Mass Ornament” and Marx’s Capital. Music: Music: “Lilac” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting.http://flirtingfullstop.bandcamp.comTwitter: @actualflirtingVisit our Patreon page here: https://www.patreon.com/MoLsuperstructure

In this bonus episode of Money on the Left, Rohan Grey joins co-hosts Scott Ferguson and Billy Saas to assess the epistemological and political implications of the Silicon Valley Bank (SVB) failure. While orthodox economics and law tell us that economic crises are essentially matters of private risk and market discipline, Rohan, Scott and Billy argue that blatant federal mediation throughout the ongoing SVB crisis exposes money’s public and contestable nature. Rather than another story of capitalist contradiction or bankers behaving badly, then, the SVB crisis opens contemporary money politics to a host of invaluable tools for a stable, just, and green transition: democratic state and municipal credit issuance; public digital banking; focused credit regulation and demand management; and full deposit insurance without arbitrary and destabilizing caps. For more on the significance of the unfolding crisis, see Nathan Tankus, “Every Complex Banking Issue All At Once: The Failure of Silicon Valley Bank and Five Quick Implications.”Visit our Patreon page here: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula: www.nahneenkula.com