Rebecca L. Spang, Stuff and Money in the Time of the French Revolution (Page 6)In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective’s method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later.Subscribe to our Patreon for more: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula (https://www.nahneenkula.com)

Inferno, by Dante Alighieri (Canto 1, lines 1-15)In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective’s method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later.Subscribe to our Patreon for more: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula (https://www.nahneenkula.com)

The Stars Down to Earth, by Theodor W. Adorno (Pages 48-49)In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective’s method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later.Subscribe to our Patreon for more: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula (https://www.nahneenkula.com)

Simulation and Simulacra, by Jean Baudrillard (Page 1)In Processions, host Maxximilian Seijo reads and reflects on one page of a given text, five days a week. Taking a tour through a vast array of thinkers, concepts and methods, one snapshot at a time, Maxx explores the redemptive capacity of the Money on the Left Editorial Collective’s method of analogical critique. After the first five episodes, Processions will be released as a Patreon delayed exclusive. Episodes will be available for public listening seven days later.Subscribe to our Patreon for more: https://www.patreon.com/MoLsuperstructureMusic by Nahneen Kula (https://www.nahneenkula.com)

This Money on the Left/Superstructure teaser previews our sixth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure.  If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access.  Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)

Money on the Left speaks with Sibel Kusimba, Associate Professor of Anthropology at University of South Florida, about her work on mobile money and digital finance in Kenya. In her recently published book with Stanford University Press titled Reimagining Money: Kenya in the Digital Finance Revolution, Kusimba both theorizes and critiques Kenya’s thriving M-Pesa mobile phone-based payment system as a constitutive component of Kenyan social life. In doing so, Kusimba explicitly eschews the postcolonial drive to develop more effective approaches to microloans or means for so-called “financial inclusion.” Instead, she offers a sophisticated culturally embedded analysis of mobile money, informed by her twenty-plus years of ethnographic study and archaeological fieldwork in Kenya. Understanding money as “wealth-in-people,” she traces mobile money’s role in shaping complexly gendered social networks and agencies, while simultaneously underscoring the political injustices of public austerity and privatized payment systems.Theme music by Hillbilly Motobike.Link to our Patreon: www.atreon.com/MoLsuperstructureLink to our GoFundMe: https://charity.gofundme.com/o/en/campaign/money-on-the-left-superstructure 

@moltopopulare joins co-hosts Natalie Smith, Will Beaman & Maxximilian Seijo to problematize unquestioned leftist critiques of the “Professional Managerial Class,” or “PMC,” past and present. As exemplified by a recent episode of The Dig podcast, leftists frequently invoke the epithet “PMC”--as well as its cousin, “ultra leftist,” or simply “ultra”--in order to shore up class solidarity against capitalist cooptation and ward off allegedly unfeasible political aims. Yet in reality, the Superstructure gang argues, the left PMC trope conceals deeply zero-sum and exclusionary logics that undercut universal emancipation and caretaking. Often stemming from a place of self-loathing or a desire for self-exculpation, such logics not only police leftist discourse according to a univocal workerist ethos, but also violently divide supposedly legitimate from illegitimate horizons of contestation in a manner that reduces universalism to exceptionalism. Tracing the PMC figure’s theoretical and historical roots, the episode culminates with a sustained reading from Karl Marx’s controversial essay, “On the Jewish Question.” Link to our Patreon: https://www.patreon.com/MoLsuperstructureMusic: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting.http://flirtingfullstop.bandcamp.comTwitter: @actualflirting

¡Llegó el primer episodio de Superstructure en Español!  Andrés Bernal (@andresintheory) y Natalie Smith (@orangeasm)  conversan sobre la relevancia de la Teoría Monetaria Moderna para Latinoamérica con dos expertos económicos de la región, Jesus Resendiz (@Tlacuachito) y Daniel Rojas (@DanielRMed). Analizamos las protestas recientes en Colombia, con sus formaciones reaccionarias y las posibilidades para la izquierda, incluyendo la candidatura de Gustavo Petro, una carta abierta de economistas Colombianos heterodoxos criticando una tendencia común a la izquierda de entender los impuestos como la fuente del gasto público, y una propuesta para una ley de garantía de trabajo. Después, vamos a México para conversar sobre los supuestos ortodoxos de austeridad asumidos sin crítica por el gobierno de la izquierda de AMLO. **It's the first Superstructure episode in Spanish! Andres Bernal and Natalie Smith discuss the relevance of MMT for Latin America with two Latin American economic experts, Jesus Resendiz and Daniel Rojas. We discuss the recent protests in Colombia, reactionary formations there and prospects for the left, including  the candidacy of Gustavo Petro, a recent open letter from Colombian heterodox economists criticizing left tilt towards understanding taxes as funding the government, and a job guarantee proposal. Then we move to Mexico and discuss the orthodox austerity assumptions uncritically taken on by the purportedly left government of AMLO. Look out for the English and Spanish transcripts in the coming weeks!Link to our Patreon: https://www.patreon.com/MoLsuperstructureMusic: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting.http://flirtingfullstop.bandcamp.comTwitter: @actualflirting

Andrés Bernal joins Scott Ferguson and Maxximilian Seijo to discuss the historical and political implications of the latest Marvel streaming series, The Falcon and The Winter Soldier. Together, they tease out unstable contradictions between the show’s desires for racial and geopolitical reparation and justice, on one hand, and its punishingly zero-sum Malthusian drama, on the other. The result is a fascinating and, at moments, surprising Marvel offering, which struggles to keep up with the contemporary crises of American imperialism and white patriarchy. Music: “Yum” from “This Would Be Funny If It Were Happening To Anyone But Me” EP by flirting.http://flirtingfullstop.bandcamp.comTwitter: @actualflirting

This Money on the Left/Superstructure teaser previews our fifth premium release from Scott Ferguson's "Neoliberal Blockbuster" course for Patreon subscribers.For access to the full lecture, subscribe to our Patreon here: https://www.patreon.com/MoLsuperstructure.  If you are interested in premium offerings but presently unable to afford a subscription, please send a direct message to @moneyontheleft or @Superstruc on Twitter & we will happily provide you with membership access.  Course DescriptionThis course examines the neoliberal Blockbuster from the 1970s to the present. It focuses, in particular, on the social significance of the blockbuster's constitutive technologies: both those made visible in narratives and the off-screen tools that drive production and reception. Linking aesthetic shifts in American moving images to broader transformations in political economy, the course traces the historical transformation of screen action from the ethereal “dream factory” of pre-1960s cinema to the impact-driven “thrill ride” of the post-1970s blockbuster. In doing so, we attend to the blockbuster’s technological forms and study how they have variously contributed to social, economic, and political transformations over the past 40 years. We critically engage blockbusters as "reflexive allegories" of their own technosocial processes and pleasures. Above all, we think through the blockbuster's shifting relationship to monetary abstraction and the myriad additional abstractions monetary mediation entails.Blockbusters:2001: A Space Odyssey (Stanley Kubrick, 1968)Jaws (Steven Spielberg, 1975)Star Wars (George Lucas, 1977)RoboCop (Paul Verhoeven, 1987)Toy Story (John Lasseter, 1995)Jurassic Park (Steven Spielberg, 1993)The Matrix (Wachowskis, 1999)Avengers: Infinity War (Joe & Anthony Russo, 2018)