Thriller 101

Send me a Text Message!Ever wondered why it feels nearly impossible to land a literary agent these days? In this episode, I had a chat with Vicky Weber, a literary agent, bestselling children's author, and marketing strategist, who pulls back the curtain on the harsh realities facing today's publishing industry. Vicky reveals why the bar for getting agented has skyrocketed, how agents are making just $20 on some deals, and why editors no longer do the developmental work they used to. But more importantly, she shares a few of the strategies that helped one of her books profit over $18,000 and explains exactly what agents are really looking for when they say a manuscript "isn't the right fit." If you're serious about getting published, this conversation will fundamentally change how you approach querying, revisions, and building relationships in the industry.What You'll Learn:Why developmental editing now falls on authors, not editorsThe marketing plan framework that can ensure your book doesn’t flopHow to signal coachability and professionalism in queriesClick here to learn more about VickyAt Home Author BlogGuest Bio: Vicky Weber is a literary agent, bestselling children’s book author, and publishing industry expert with years of experience helping authors navigate both traditional and self-publishing. As the founder of At Home Author, she has guided countless writers through the process of crafting, publishing, and marketing successful books. With a background in education, Vicky is passionate about breaking down complex industry concepts into actionable steps. Whether securing book deals for her clients or sharing insights on the ever-evolving publishing market, she is dedicated to helping authors turn their creative dreams into reality.Episodes I think you'll loveTurn Your Manuscript into a Page-Turner Using The Central Question Framework with Julie Tyler RuizAuthor Liz Alterman Reveals Her Weekly Writing Ritual That Transforms First Drafts Into Gold And How to Know When Your Story Idea Is Worth WritingLiterary Agent Amy Nielsen on How to Fix Your Opening Pages (Part 2)Literary Agent Jessica Berg Shares How to Catch an Agent's Eye Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Send me a Text Message!Developmental editor and former literary agent Mary Kole breaks down the exact process that transforms manuscripts from "just okay" to "must-read." In this episode, you'll learn why most writers approach feedback and revision completely wrong.You’ll discover the important difference between revision and editing. And you’ll master the "boring edit" technique that ensures your story grips readers from page one to the end. Mary reveals When to seek feedback (and when not to)How to create a mission statement that guides every revision decisionWhy cause-and-effect logic is the secret weapon of successful storytellers. Whether you're drowning in feedback or paralysed by perfectionism, this episode gives you the roadmap to finish your manuscript and make it as good as you’d always hoped it would be.What You'll Learn:How to filter feedback and reject notes that don't serve your story.The mission statement technique that guides every revision decision.Why big-picture changes must come before sentence-level editing.Click here to learn more about Mary Kole Guest Bio: Former literary agent Mary Kole provides consulting and developmental editing services to writers of all categories and genres. She founded Good Story Company in 2019 to create valuable content for writers—like the Thriving Writers Podcast, YouTube channel, and Thriving Writers classes and resources. ​​Mary has presented at hundreds of regional, national, and international writing conferences, and guest lectured at Harvard, the Ringling College of Art and Design, the Highlights Foundation, and the Loft.  She also develops unique and commercial intellectual property for middle grade, young adult, and adult readers with Bittersweet Books.Episodes I think you'll love…Agent Carleen Geisler Reads a Submission & Shares How Agents Evaluate Opening PagesLiterary Agent and Author Jenna Satterthwaite on Making it in the Publishing IndustryTurn Your Manuscript into a Page-Turner Using The Central Question Framework with Julie Tyler RuizFirst Page Formula: Author and Writing Coach April Davila on What Agents & Readers Want to See in Your Thriller Manuscript Opening Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Send me a Text Message!Former Scholastic editor Shelly Romero just made the leap to literary agent. And she's spilling the industry secrets most writers never hear. After eight years of editorial experience and now with an agent's perspective, Shelly reveals…What really happens when agents read your opening pagesWhy manuscripts need to be more polished than everThe submission mistakes that trigger instant rejections. What You'll Learn:Why voice trumps plot in manuscript submissionsExact polish level needed for today's publishing marketQuery red flags that guarantee instant rejectionsClick here to learn more about Shelly RomeroConnect with Shelly on InstagramGuest Bio: Shelly Romero began her publishing career in 2017 at Scholastic, where she rose up the ranks from editorial assistant to associate editor, where she acquired her own titles and assisted on series publishing for The Bad Guys and Goosebumps. She later joined Cake Creative as Lead Editor, and she was most recently a freelance editor. She graduated from Stephens College with a bachelor’s degree in English and attended the 2017 NYU Summer Publishing Institute. Shelly was selected as a 2020 Publishers Weekly Star Watch Honoree and is a member of Latinx in Publishing & People of Color in Publishing. Born and raised in Miami by Honduran parents, she now resides in New York City, where she might be found at a movie theatre viewing the latest release from her Letterboxd watchlist.Episodes I think you'll love…3 Keys to Nailing the Opening of Your NovelLiterary Agent and Author Jenna Satterthwaite on Making it in the Publishing IndustryTurn Your Manuscript into a Page-Turner Using The Central Question Framework with Julie Tyler RuizLiterary Agent Jessica Berg Shares How to Catch an Agent's Eye Get the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Send me a Text Message!Every thriller, mystery, suspense, and crime writer faces the same dilemma…How do you craft a story that keeps readers turning pages? In this episode, Julie Tyler Ruiz reveals a simple framework that separates forgettable genre fiction from the stories readers obsess over for years. You'll discover…How to identify the one central question that must drive your entire manuscriptLearn the specific prompts that will transform vague plot ideas into page-turning goldMaster the art of creating payoffs that leave readers breathless. Whether you're stuck in the middle of a manuscript or planning your next story, this conversation will give you the confidence to craft questions worth answering. And (most importantly) answers that readers will never forget.What You'll Learn:How to transform questions into page-turning hooksWhy character stakes must connect to your main questionHow to build toward answers that create lasting impactClick here to learn more about Julie Tyler RuizConnect with Julie on InstagramGuest Bio: Julie Tyler Ruiz, PhD, is a writer, educator, and creator of StoryBold. With a decade of experience in higher education and a PhD in English, she combines business savvy with a deep passion for storytelling to help writers craft their best work. Through self-study courses, group masterminds, in-depth articles, and private coaching, Julie empowers writers to unlock their authentic voice and bring their stories to life. Now a sought-after voice in the writing world, she’s dedicated to guiding storytellers toward clarity, confidence, and creative success.Episodes I think you'll love…1. Pacing and Process: Writing Thrillers and Mysteries with Elle Grawl2. Thriller Writing Secrets: Building a Writing Process with Leslie Conner3. How to Hook Readers with Alex Kenna’s Expert Thriller-Writing Advice4. Literary Agent Jennifer Chevais Shares What Grabs Attention in a Query SubmissionGet the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Liz Alterman, a bestselling author known for her gripping thrillers like 'You Shouldn't Have Done That', shares her unique approach to writing. She discusses her weekly read-aloud sessions to refine character voices and emphasizes testing story ideas before deep diving into writing. Alterman reveals her shift from traditional publishing to a flexible indie model, and how innovative pricing strategies can enhance book success. This conversation is packed with actionable insights for aspiring writers navigating their creative journeys.

Send me a Text Message!Ever wondered what it's really like behind the scenes of being a literary agent?What You'll Learn in this episode:• Why agents prioritize story over polished prose• The brutal financial reality of the publishing industry• What makes manuscripts stand out in queriesJenna's honesty about the industry might just shift how you approach your writing career. Join Jenna's Substack HEREGet the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Send me a Text Message!Writing coach April Davila reveals the non-negotiable elements that make first pages irresistible to readers and agents. Learn why most manuscripts fail in the opening paragraph, discover the strategic approach to character revelation that transforms boring descriptions into magnetic hooks. Then find out which common opening mistakes instantly kill reader interest. Plus, April shares her surprising advice about when to actually write your first page (hint: it's not when you think).What You'll Learn:The essential elements every first page needsWhy dream sequences and flashbacks kill reader interestStrategic character reveals through environmental detailsClick here to learn more about April Davila. Guest Bio: April Davila is an award-winning author, speaker, and writing coach. Publisher's Weekly called her debut novel, 142 Ostriches, a "vivid, uplifting debut" and the book went on to win the WILLA Award for Women Writing the West. Writer's Digest listed her blog (at aprildavila.com) as one of the Best 101 Websites for Writers and she is the creator of the Sit Write Here writing coaching program, which integrates mindfulness meditation techniques to help writers quiet their inner critics, overcome writer's block, and edit more effectively. Her second novel is forthcoming.Episodes I think you'll love…Literary Agent Amy Nielsen on How to Fix Your Opening Pages (Part 2)How to Write an Opening Chapter that Keeps Readers Reading with Author David McCloskey3 Keys to Nailing the Opening of Your NovelAgent Carleen Geisler Reads a Submission & Shares How Agents Evaluate Opening PagesWriting Your Opening Scene with Thomas MullenGet the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Cindy Cisneros, a creativity coach dedicated to helping writers maximize their efficiency, shares her revolutionary Creative Silos method. She exposes how traditional productivity tips often fail creatives and introduces her silos strategy for batching tasks to enhance flow. Cisneros emphasizes the importance of waiting for natural motivation instead of rigid word counts. Discover why incubating ideas is crucial for creative minds and learn techniques to conquer persistent blocks in your writing journey!

Send me a Text Message!Your opening page has 30 seconds to hook an agent or it's as good as a rejection.Literary agent Amy Nielsen reveals the cliché openings that kill manuscripts, the scene structure 90% of authors get wrong, and her "General-Specific-Personal" formula that eliminates info-dumping while building irresistible voice.What You'll Learn: - How to avoid cliché openings that scream "amateur"- A literary agent's simple test to tell if your opening is actually a scene - The inciting incident strategy that finds your perfect entry point Episodes to Check Out Next- 2 Literary Agents & an Author Weigh in on How to Write Your Opening Pages- Agent C.L. Geisler Reads a Submission & Shares How Agents Evaluate Opening Pages- Literary Agent Amy Nielsen on How to Write a Query Letter that Gets Attention- 90% of Writers Make THESE Writing Mistakes Interview with Ex-Literary Agent Karyn FischerGet the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now

Send me a Text Message!Find out more about Eloise here.In this interview, I talk to author Eloise Corvo about her debut novel OFF THE BEATEN PATH. Eloise reveals her practical three-part framework for crafting effective red herrings, which is a vital skill for any thriller, mystery, suspense, or crime fiction writer.You’ll discover essential writing tips for balancing misdirection with reader satisfaction and gain insider insights into publishing options beyond traditional routes.Whether you're drafting your first mystery or refining your tenth thriller, Eloise's practical advice on how to write compelling suspense will transform your approach to planting clues and creating satisfying twists.This episode packed with actionable writing techniques is perfect for mystery authors looking to elevate their craft and engage readers from page one to the final reveal.What Listeners Will LearnThe Three-Element Formula for Red HerringsMystery Structure and PacingPublishing Journey InsightsGet the list of 125+ Literary Agents who rep Thriller, Mystery, Suspense, and Crime Fiction Study the Opening Paragraphs of the Top Authors Writing Thrillers Right Now