

Indie Film Hustle® - A Filmmaking Podcast
Indie Film Hustle
The Indie Film Hustle Podcast is your #1 source for how to hack the film business and indie film world! The show is here to help as many indie filmmakers as I could. We wanted to bring the best guests, industry leaders, creative legends, and film business friends to you, the IFH Tribe. Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Barry Sonnenfeld (Men in Black), Alex Proyas (The Crow, I, Robot), James V. Hart (writer Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls (writer of Fight Club), Oscar® Winner Russell Carpenter (DP of Avatar, Titanic) Joe Carnahan (Smokin' Aces, The Grey), and David F. Sandberg (Shazam!) to name a few. We hope this podcast can help you along your journey as an artist, filmtrepreneur, filmmaker, screenwriter, and as a human being.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
Episodes
Mentioned books

Apr 15, 2019 • 1h 16min
IFH 312: FBI Witness Relocation Interview with Boris "The Cinematographer" from Shooting for the Mob
Today we have a very special episode of the Indie Film Hustle Podcast. My guest is coming from an undisclosed location somewhere in Los Angeles. His code name is BORIS: The Cinematographer. We changed his voice and image for his protection. Boris was my cinematographer on the film I almost directed for the mob. I met him while prepping the infamous feature film discussed in my book Shooting for the Mob. If you want to learn more about the story of the book take a listen to this podcast. (http://indiefilmhustle.com/shooting-for-the-mob-alex-ferrari/)I asked Boris, an industry-recognized cinematographer if he would be willing to do an interview on his experience working with Jimmy the gangster, the craziness that happened all those years ago and what it was like being in the center of that filmmaking tornado with me.Boris jumped at the chance but he asked that we change his voice to protect his identity. He doesn't want to put himself out there at this time. Trust me you are going to love this episode.Boris lets loose on all things Shooting for the Mob and even tells me stories I didn't know about. If you want to know what it's like trying to shot an indie feature film for a bi-polar, egomaniacal gangster then perk up those ears cause you are going to love this extremely entertaining episode.Enjoy my EPIC conversation with BORIS - The Cinematographer.Here's a summary on the book: A bipolar gangster, a naive, young film director, and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion-dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? Alex did. By the way, did we mention that this story is based on true events? no, seriously it is.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Apr 9, 2019 • 1h 25min
IFH 311: Making Your First Blockbuster - Write It. Film It. Blow it Up! with Paul Dudbridge
Today's guest is Paul Dudbridge, author of Making Your First Blockbuster: Write It. Film It. Blow it Up! Paul Dudbridge is a British director, producer, cinematographer, and educator, making feature films, television, commercials, and music videos. Paul started producing at the age of 11 when he roped in his father to shoot his first short film. When the resulting footage didn’t match up to what he had seen in his head, Paul decided to go behind the camera himself, and from there the whole notion of making films; directing, scripts, shots and angles started to come about. With over 20 years of experience in the business, Paul has numerous film and television credits to his name. His first broadcast credits include producing and directing ITV’s The Christmas Storybook, featuring legendary actor Joss Ackland, as well as directing music promos for MTV. His work as a cinematographer includes the action thriller By Any Name based on the best-selling book by Katherine John. As a producer and director, he helmed the science-fiction series Horizon, which went on to win a number of awards at international film festivals, as well as earning Paul a Best Drama Director nomination at the Royal Television Society (WoE) awards in 2016. When not filming, Paul guest lectures at various universities and colleges around the country. Most recently, he ran the Writing and Directing module for the Master's course at the University of Bristo, taught Cinematography at Falmouth Film School, and Advanced Cinematography workshops for BECTU, the UK’s media and entertainment trade union. Enjoy my conversation with Paul Dudbridge.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Apr 1, 2019 • 29min
IFH 310: How to "Fake It Till You Make It"
Today I wanted to discuss the concept of "Fake it till you make it. There are a lot of misconceptions on how to do it properly, when you should or shouldn't do and if it's ever a good idea. I can tell you that without faking it till you make it I wouldn't have gotten anywhere in the film business. Without creating opportunities for yourself it can be impossible to get a leg up in the business.“You must be the person you have never had the courage to be. Gradually, you will discover that you are that person, but until you can see this clearly, you must pretend and invent.”― Paulo CoelhoI discuss the proper way to fake it till you make it without hurting yourself, your reputation or anyone around you. There is an art to it, trust me. I tell Fake it till you make it stories from my own career, Oscar winners and the mythical story on how Steven Speilberg got his start. Guess what, he faked it too. This will be an eye-opening episode. Still back and enjoy.If you find value in this episode please share it with someone who needs to hear it. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Mar 19, 2019 • 1h 11min
IFH 309: How to Find REAL Investors for Your Indie Film with Matthew Helderman
Today's show is going to be EPIC. Our guest is Matthew Helderman, CEO, and Co-Founder of Buffalo 8 and the BondIt Company. Buffalo 8 operates seven core divisions: development, production, post-production, distribution, client management, marketing, and creative branding services with accolades from the Sundance, Berlin, Toronto, Tribeca, and SXSW festivals.At Buffalo 8, Matthew is endlessly passionate about creative storytelling, media technology, and the business of entertainment in equal quotients; we are the fusion of entrepreneurial ethos and quality content creation with a unified ambition to provide first-class service. With a background rooted in media production, finance, and digital technology he leads the team of both businesses on a daily basis.We get DEEP into the weeds on how to raise money for indie films, how to approach investors, what companies like him are looking for and so much more. I learn a ton for this conversation and I know you will as well. Get ready to have your mind blown.Enjoy my conversation with Matthew Helderman.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Mar 15, 2019 • 1h 3min
IFH 308: How to Make Money with a Micro-Budget Horror Film with Antonio Pantoja
Today on the show we have an amazing and inspirational story from filmmaker and entrepreneur Antonio Pantoja. Antonio is an Indie Film Hustle School graduate, as he puts it. He has been listening to the podcast since the beginning and has used everything he has learned to build up his career and finally direct his first feature film One Must Fall.Antonio's story is one of the most inspirational stories I've had on the show. Coming from being homeless on the streets to building up a production company, photography business and directing career. He personifies H U S T L E.He is proof that if you have the will, positive mindset and the hustle you can make anything happen for yourself in life! If you need some motivation or inspiration then take a listen to this interview.Enjoy my inspirational conversation with Antonio Pantoja.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Mar 12, 2019 • 1h 4min
IFH 307: Understanding the Magical World of Stock Footage with James Forsher
Today on the show we have the Stock Footage Yoda James Forsher. James has nearly forty years of experience in producing, writing, and directing documentaries and television commercials. Forsher's productions, ranging from half-hour shows to feature-length documentaries, have aired on the Discovery Channel, The Movie Channel, Cinemax, A & E, and PBS.Forsher's productions range from this year's hour-long show Elvis and the Girl from Vienna back to his 1977 documentary Conrad Hilton: Insight into a Giant. Forsher has also taught film and video production at the college and university level for nearly two decades directed the broadcast program at California State University, East Bay, and has taught communication courses as a Fulbright Scholar in Europe.His new book Stock Footage + Everything Under the Sun: Using Archival Material to Make Your Good Film Great is the bible of stock footage. It is the only book that gives an overview of the use of archival footage and how it played an expanding and crucial role in documentary and TV films. Readers learn how to research images and clear the rights.Part One is an overview of archival footage, reviewing exactly what constitutes archival material and how it fits within the broader history of film and TV production. It also introduces the areas of research and legal parameters to the reader.Part Two examines the variety of styles of entertainment programming that use archival footage, including separate sections on network magazine formats, cable reality shows, webisodes, PBS documentaries, feature-length documentaries, and how documentaries can sway public opinion. Each Part offers interviews with experts who give a realistic idea of how they’ve used stock footage in their own work.Part Three covers Visual Literacy 101, a short course on how to “read” a film. By looking at only a few seconds of footage, one can deduce some very important facts about the film. This part makes a detective out of any researcher or editor who is determined to find the most authentic setting and context for their film.Part Four discusses how to use archival footage, writing a script that includes archival material, editing archival material, negotiating rights and budgeting constraints.If you ever wanted to know how to get, use or sell stock and archival footage for your film get ready to take notes. Enjoy my conversation with James Forsher.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Mar 6, 2019 • 31min
IFH 306: Why Filmmakers Are Programmed to Fail
Before we begin I need to reveal a truth to you."The Matrix is not a movie, it's a documentary"Believe it or not, this is true. Our internal operating system in our mind was programmed years ago when we were children. That programming runs our life through the subconscious. Don't believe me?Did you drive a car today?Did you brush your teeth?Did you think about walking to the kitchen to make breakfast?Did you think about breathing or making sure your heart beats?Probably not. You would be exhaust mentally if you had to think about all of this every day. This is all run by our operating system (aka the subconscious), the problem is many of us are still running Windows 95. In this episode, I go deep down the rabbit hole and discuss how our subconscious can and does stop us from achieving not only our filmmaking dreams but how it affects all areas of our lives. I discuss how my life changed dramatically when I discovered this and made those upgrades. I also go over the two ways you can upgrade the old operating system in your head. “This is your last chance. After this, there is no turning back. You take the blue pill – the story ends, you wake up in your bed and believe whatever you want to believe. You take the red pill – you stay in Wonderland and I show you how deep the rabbit-hole goes.” - MorpheusLet's all take that Red Pill and see how deep the rabbit-hole goes. Get ready to have your mind blown, literally. Enjoy!If you find value in this episode please share it with someone who needs to hear it. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Mar 5, 2019 • 17min
IFH 305: From Rapper to Indie Film Director with Xzibit
I had the pleasure of speaking to the legendary Xzibit at the Mammoth Film Festival last month. Why is a rapper on the podcast you may ask? Well not only is Xzibit a rapper, actor, and producer but he’s also a director as well. His new indie film/series is called BROKEN GROUND.“BROKEN GROUND” is the semi-autobiographical story of James Savage, a man who went to prison, lost his promising career, and now wants to transform into a better man.We discuss his work with some of the greatest directors working today, his approach to directing and what fear he broke through to make the jump in his career. It’s an eye-opening discussion. Enjoy my conversation with Xzibit.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Feb 28, 2019 • 28min
IFH 304: The Meditating Filmmaker - How to Be More Creative
Over the years I have mentioned my meditation practice and how important it is in my daily routine on the show. Many of the IFH Tribe have asked me to do an entire episode on meditation and the importance it has in the creative process. Today is that day.In this episode, I go over:My personal meditation practiceWhy it's impossible to CLEAR YOUR MINDHow to embrace your minds inner voiceHow science view meditationWhat actually happens to your brain when you meditateHow meditation can make you more creativeI discuss practical everyday uses for meditation in your creative life. Some of my greatest ideas and thoughts have come to me during my meditations. I'll also teach you how to meditate for 10-15 min to start and then over time, you can grow your practice to 1-2 hours a day like I do. Once you start meditating it becomes addictive.Get ready to open your creative channels to full flow. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Feb 26, 2019 • 1h 12min
IFH 303: How to Hire a Producer's Rep or Sales Agent with Glen Reynolds
Today on the show we have a good friend of mine, producer's rep Glen Reynolds of Circus Road Films. With 21 years in the indie film biz, he has produced 20 films and sold over 500 films. He founded Circus Road Film in 2006. Glen is also a producer, known for Blood and Bone (2009), Becoming and Conversations with Other Women (2005)Glen has been around the block and has seen a lot in the indie film space. We met because of my scathing commentary on producer's reps in one of my very first podcast episode.We get into the weeds on how to hire a producer's rep and/or sales agent, film festival strategies what to look out for and how to choose the right one for your project. Enjoy my conversation with Glen Reynolds.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.