Indie Film Hustle® - A Filmmaking Podcast

In this episode, screenwriter and filmmaker S.S. Wilson shares the behind-the-scenes journey of creating the cult classic Tremors, revealing how creative limitations, meticulous story structure, and a deep respect for character and sound design brought the film to life. From his writing process with partner Brent Maddock to the evolution of the Tremors franchise and his advice for aspiring filmmakers, Wilson offers a masterclass in crafting compelling, low-budget cinema with heart and precision.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Brit Cruise—educator, filmmaker, and producer of Pixar in a Box—takes us on a journey through the fusion of storytelling, science, and education. From his early days editing videos with dual VCRs to his innovative work at Khan Academy, Brit reveals how deep focus, analog creativity, and a love for explanation helped shape his approach to teaching complex subjects through immersive visuals. With storytelling as the core, he shares how each lesson in Pixar in a Box connects school-taught concepts like math and physics to the movie magic of Pixar, showing students that what they learn can have real, creative application. Throughout the conversation, Brit explores his philosophy that creativity is “the ability to deal with unknowns,” emphasizing iteration, structure, and the power of simplicity. He also gives us a glimpse into the upcoming storytelling curriculum at Pixar in a Box, where students will storyboard their own shorts from scratch. For filmmakers, educators, and curious minds alike, this episode is a masterclass in how to bring clarity, authenticity, and joy into the learning and creative process.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Len Kabasinski shares his journey from childhood dreams of monsters and martial arts to becoming a prolific force in the world of independent B-movie filmmaking. He recounts the origins of his first feature Swamp Zombies, revealing how a passion for horror and action films, coupled with sheer determination and minimal resources, propelled him into the director’s chair. With stories of on-set challenges, like actors no-showing and rewrites done on the fly, Len highlights the resourcefulness required to survive and thrive in the micro-budget world. His deep respect for martial arts and love for genre films shine through as he explains how even his earliest projects were fueled by vision, grit, and a DIY spirit. As the conversation unfolds, Len Kabasinski reflects on the evolution of his filmmaking, from improving technical aspects like sound and lighting to writing scripts that align with available resources. He discusses working with cult personalities like Dan Severn and Jasmine St. Claire, and how casting is not just about fame but about attitude and collaboration. Looking forward, he shares excitement about upcoming projects like Hellcats Revenge and Challenge of the Five Gauntlets, emphasizing his desire to showcase his martial arts roots in full force. Throughout, Len remains grounded, humble, and fiercely committed to telling the stories he believes in—proving that true creativity doesn’t wait for permission.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

In this colorful and deeply personal episode, Staci Layne Wilson shares her remarkable journey from a childhood surrounded by Hollywood legends and horseback riding to becoming an award-winning filmmaker and bestselling author. Born and raised in Los Angeles to a famed musician father (Don Wilson of The Ventures) and a glamorous pin-up model mother, Staci’s life has always been steeped in creativity. Yet, her entrance into filmmaking wasn’t planned—it evolved naturally through her work as a horror novelist and entertainment journalist. With a passion for storytelling and a love for visual style, she eventually directed short films and features that showcase her unique blend of artistry, grit, and genre flair. Throughout the conversation, Staci Layne Wilson reflects on the confidence she gained through small, creative victories, her experiences navigating the film world as a woman, and her desire to tell authentic stories—whether through film or memoir. Her book So L.A. offers a humorous yet heartfelt look into her unconventional upbringing, filled with wild stories like meeting Malcolm McDowell weekly or being invited to the Playboy Mansion as a teenager. With future projects on the horizon, including a documentary on her father’s legendary band, she continues to blend past and present into meaningful art that captures the spirit of Hollywood’s golden oddities.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Shae Smolik, a talented young actress from Iowa, shared her journey from local modeling to leading a feature film in Los Angeles. Starting with commercials and gradually advancing to TV and web series, Shae embraced each step with enthusiasm and resilience. Her audition technique—spontaneous and emotionally driven—reflects an innate gift for performance. This approach helped her land the lead role in the horror film The Hatred, a major milestone that showcased her ability to handle complex, emotionally intense scenes at a young age.On set, Shae demonstrated a level of professionalism and presence that many seasoned actors strive for. She spoke candidly about initially feeling overwhelmed by the scale of a professional film production, but quickly adapted, delivering performances that resonated with both cast and audience. Her advice to fellow young actors is to stay authentic, enjoy the process, and never fear mistakes—because there's always another audition, and the heart of acting lies in being true to yourself.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

When two Daves walk into a podcast, you don’t expect to stumble upon a meditation on art, failure, persistence, and horror-comedy. But that’s exactly what happened in this electric and delightfully unfiltered conversation with Dave Campfield, a filmmaker, actor, and host of the Troma Now Podcast, best known for his work in the cult Caesar and Otto comedy-horror film series.Dave Campfield is a fiercely independent filmmaker whose journey from a now-defunct film college in New Mexico to directing his own cult horror satires has been a long and winding road paved with hustle, humor, and horror.We start in the sand-colored surrealism of Santa Fe, where adobe buildings and the ghost of City Slickers set the stage for Dave’s early filmmaking dreams. In the land of tumbleweeds and tumble-down gym studios turned sound stages, Dave cut his teeth not just on film but on the art of adaptation.The college no longer exists, but the memories—like chalk lines under studio lights—remain vivid in his story. “It was like going to school on Tatooine,” he says, laughing, but behind that joke is a bittersweet nod to the ephemeral.From there, Dave walks us through the illusion of success—early meetings with Universal and New Line Cinema where hopes were dangled like carrots in front of eager young dreamers. The industry, he quickly learned, speaks its own coded language: familiarity, marketability, and sometimes, plain deception. One mentor told him to “say you're young, from the streets, and have a dark comedy,” regardless of truth. Dave gave it a shot but came away with the haunting realization that "they were intrigued enough to keep me on leash, but not enough to make it happen."That experience seeded his first real film, “Dark Chamber,” a mystery-horror project which deliberately bucked slasher formulas. It took five years to make—five years of blood, sweat, and overdrafts. And yet, when the studios responded with, “We wanted something more familiar,” Dave knew he was swimming upstream. Still, he sold the film to a small distributor, endured its repackaging as something it wasn’t, and got it onto Netflix. A win—just not the one he envisioned.But here’s the heart of it all: Dave didn’t stop. He pivoted, not with bitterness, but with evolution. “I decided I wasn't going to be one of those people waiting for opportunity. You had to make it happen on your own.” And so, he leaned into comedy horror—a genre he describes as “Abbott and Costello meet Frankenstein, but for the splatter generation.” Thus, Caesar and Otto were born: two absurdly lovable doofuses bumbling their way through massacres, monsters, and paranormal mayhem.One of Dave’s secret weapons is loyalty to what’s real. Whether recounting how Lloyd Kaufman forgot him (then remembered) or editing commercials for the Philadelphia Pet Expo, he keeps a kind of grounded magic about his craft. He shares a deeply personal new project, “Awaken the Reaper,” born from a decade of introspection and struggle, calling it “the most personal thing I’ve ever written.” He says, “It’s about being stuck—feeling like every day you’re not moving forward—and finally getting out of your own way.”All along, Dave’s been quietly building a reputation for casting future stars before they break—Trey Byers (Empire), Peter Scanavino (Law & Order)—and hosting a podcast that thrives not just because of brand synergy with Troma, but because he genuinely knows how to talk to people. “They’ve never rejected an episode,” he remarks. “I tease Troma a lot, and they’re always game. It’s a beautiful collaboration.”The conversation wraps not with grandiosity, but a recognition that even the smallest cult followings can keep a creator going. “My fanbase is small, but intense,” Dave says with pride. “I can rattle them off on two hands.” Maybe that’s enough. Maybe that’s everything.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

In this episode, we dive into the wild, wonderful world of Ron Bonk, an indie filmmaker and founder of SRS Cinema known for the cult horror-comedy House Shark. Ron shares his journey from studying accounting and criminal justice to becoming a self-taught director, driven by a passion for storytelling and a deep love for genre cinema. With no Hollywood backing, Ron used camcorders, community college equipment, and his own home as a film set to bring his visions to life. House Shark began as a joke about roof noises and turned into a full-blown production that he wrote, directed, and shot over a year. His philosophy? Use what you have, stay true to your weird ideas, and don't be afraid to break the rules. He talks about the challenges and joys of indie filmmaking, how crowdfunding works behind the scenes, and why authenticity matters more than perfection. As Ron puts it, “You tell people whatever they need to hear in order to keep shooting.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

When the moon is high and the muse is low, we often find ourselves in deep conversation with our own souls, asking, "Why do I do this?" And on today’s episode, we welcome the steadfast and visionary Ron Newcomb, a former Marine and police officer who has traded in his uniform for a camera, answering that very question not just with thought—but with action.Many walk the tightrope between dreams and reality. But Ron doesn’t walk it; he builds it. With a full-time job, family responsibilities, and the unrelenting buzz of daily life, filmmaking becomes more than a pursuit—it becomes a pilgrimage. In our conversation, Ron unveils the raw truth behind being a modern-day storyteller, caught between the 9-to-5 grind and the eternal call of the creative. His journey is not just about making films; it's about making space in a crowded world to remember who we really are when the credits roll.You see, filmmaking, as Ron wisely puts it, "isn't a want—it’s a calling." It’s not about lighting up a screen; it's about lighting a fire.There is a reverence in his approach, a kind of worship in the way he speaks of independent cinema. He isn’t interested in chasing fame or fortune but in answering that whispering voice within that says, “Tell this story. It matters.” In an age where distractions are currency, Ron is cashing in for clarity. He’s figured out that doing the work is the real prayer.As a self-proclaimed “storyteller,” Ron lays out three sacred paths for the indie filmmaker: seeking a manager to break through studio gates, finding a producing partner to align energies with, or rallying investors to go it alone. “I'm going to bang the drum on all three,” he says. That’s not just a plan—it’s a mantra. And true to that vow, he’s organizing a bold, DC-based pitch event to connect filmmakers with gatekeepers. It's a beautiful paradox—waiting for no one while creating opportunities for everyone.We explored how the daily discipline—rising at six, family dinners, late-night writing—becomes the framework for spiritual resilience. This isn't just about making movies; it's about making meaning. Ron explains, “Contentment is found in the process, not the end result.” How very Zen. Each film, each failed Kickstarter, each late-night script rewrite is not a detour—it is the path. As he puts it, “You should feel filmmaking breathe within you.” And if it doesn’t? It may be time to let go.Ron also speaks with reverence for collaboration, knowing that the alchemy of filmmaking lies not in the lone genius, but in the orchestra of souls rowing in rhythm. He is generous in spirit and grounded in grit, reminding us that the true power isn’t just in raising capital or climbing a ladder—it’s in raising each other. "If we all just left ego aside for a moment, I believe that all of us could get what we wanted." There’s more than wisdom in that; there’s a way forward.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

When a zombie filmmaker makes you laugh so hard you forget you're talking about death and destruction, you know you're in for something special. On today’s episode, we welcome Marc V. Price, a fiercely independent British filmmaker whose claim to fame is making a cult zombie feature called Colin for just £45. That alone should make you lean in. But that’s just the prologue. This is a man whose journey into the heart of DIY cinema is paved not with glamour, but with grit, late-night edits, and an undying love for storytelling that’s as infectiously entertaining as the virus in his debut film.Marc V. Price is a visionary guerrilla filmmaker who turns limited budgets into limitless creativity.In this profound conversation, we dive deep into the chaos, comedy, and consciousness of being an indie director who not only survived the industry’s many booby traps, but did so while telling stories worth hearing. His reflections on Colin—a film made while overdrafted and eating whatever he could scrape up—are as humble as they are inspiring. What started as an experiment in shoestring storytelling exploded into a global festival darling, not because it was flashy, but because it was honest. And that's where Marc's strength lies—he doesn’t pander, he creates.We drift into an epic conversation on the Star Wars universe. This isn’t fanboy babble; it’s an existential breakdown of myth, legacy, and the strange, often contradictory reactions that fandom provokes. Marc speaks with wit and clarity about his take on The Last Jedi, “I have a character, I have no idea where Kylo Ren is going in the next film, so I’m really interested now.” There’s no arrogance in his opinion, just a deep appreciation for complexity and imperfection, a theme that winds its way through all his art.But Marc isn’t just waxing poetic about galaxies far, far away. He shares the alchemy behind his newer projects—Nightshooters and A Fistful of Lead. These aren't just action flicks; they’re love letters to the film crews behind the scenes. Imagine a group of low-budget filmmakers caught in a building rigged for demolition while gangsters try to kill them—forced to use their behind-the-camera skills to survive. This isn't satire, it’s celebration. It's also the sort of beautiful madness only someone like Marc could conjure.What stands out most is Marc’s radical respect for collaboration. He believes the true magic of filmmaking lies in giving young talent real responsibility. On his sets, interns aren't coffee runners—they're script supervisors and first ACs.This communal spirit translates into films that are textured, layered, and brimming with the energy of people who actually care. He’s not just making movies; he’s building a village.Even in setbacks—like getting fired from a film he poured his soul into—Marc finds the lesson, finds the momentum. Instead of sulking, he pivots. He doubles down. He makes another movie. And another. By the end of the month, he’ll have two features under his belt. He’s not chasing Hollywood; he’s chasing the muse, armed with a battered camera, a mischievous grin, and a hell of a lot of heart.And perhaps most beautifully, Marc wears his humanity like armor. He laughs at himself, calls out his own missteps, and embraces the contradictions of the creative life. From living broke with roommates in London, to pitching ridiculous Star Wars spin-offs, to dreaming of snow-covered Westerns in the UK, he embodies what it means to stay playful—even when things get dark.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

The world is far more peculiar than most of us dare to admit. Somewhere between a demolition derby and a wrestling ring, between the crackle of VHS tapes and the shriek of late-night public access, lies a man who has turned mayhem into meaning. On today’s episode, we welcome the unparalleled and unfiltered Mad Man Pondo, a professional wrestler and author whose life has been a whirlwind of body slams, topless TV hosts, and late-night green room oddities. With a voice still rough from last night's match, he guides us into a tale of chaos, tenacity, and triumph.Mad Man Pondo—real name Kevin Canady—is not merely a character in the ring. He is a living mosaic of outrageous stories and unshakable spirit.Raised in a reserved household, he found himself drawn to the fever-pitched passion of pro wrestling his grandparents once yelled at on their living room TV. That early spark lit a fire, and he never let it go out. As he says in this episode, “My mom still has the paper I filled out in grade school that said I wanted to be a professional wrestler.” That dream, written in crayon, would become a 30-year odyssey through blood, barbed wire, and blinding spotlights.The journey to the ring was not paved with ease. Pondo describes the brutal, often humiliating, early days of wrestling school—the beatings, the busted lips, the sheer will required to prove he belonged. He tells of how many walked away, unwilling to endure it, while he pressed on. That kind of devotion would become his defining trait. When the legendary Abdullah the Butcher told him he had the talent to wrestle in Japan, Pondo drove through the night, edited his best matches on two old VCRs, and mailed the tape by sunrise. The result? Forty-three trips to the Land of the Rising Sun.But Pondo’s life wasn’t confined to the ring. Ever curious, ever mischievous, he created “Skull Talk,” a public access show featuring wrestling commentary and, yes, topless women sitting on his lap.Equal parts performance art and rebellion, the show sandwiched between two church broadcasts caused outrage and fandom in equal measure. “One preacher would send me scripture every week,” he laughs. “But I knew he watched every episode.” This was Pondo in his purest form—pushing boundaries, dancing at the edge of decency, and always keeping his audience on their toes.What’s perhaps most impressive is his ability to weave these escapades into something strangely noble. Whether talking about riding shotgun in a demolition derby car painted with horror icons or booking outrageous guests for the Jerry Springer Show, there’s a heart beneath the madness. His creation of “Girl Fight,” an all-women’s wrestling promotion, is a testament to his desire to give others a platform, to share the stage, to pass the torch. He’s not just fighting for himself anymore—he’s built a ring where others can rise too.And then there’s the book, Memoirs of a Mad Man, a wild ride through his memories, filled with stories that make you laugh, cringe, and occasionally tear up. One story he held secret for decades—a deeply personal moment with wrestling legend Junkyard Dog—was finally shared in its pages. “I thought, you know what, let’s put this in there,” he says. “It was time.” In telling that story, and many others, he transformed scars into stories and chaos into legacy.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.