Film Stories with Simon Brew

In this episode of Film Stories with Simon Brew, a trouble Marvel Studios production, and a hugely expensive independent movie. Thor: The Dark World was a sequel quickly greenlit - but it'd prove to one of Marvel's most troubled productions, with problems arising from pretty much the get go. Roland Emmerich meanwhile raised over $130m to shoot one of the world's most expensive independent films, Moonfall. He didn't have studio problems to contend with - but there were plenty of other challenges. Stories of both are told in this episode. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, a dose of Nicolas Cage, and a futuristic prison movie. National Treasure (2004) was originally announced for a summer 2000 release. Yet by the time it finally got going, it had nine writers who'd worked on it - and Nicolas Cage agreeing to star. 1992's Fortress meanwhile was originally developed as a vehicle for Arnold Schwarzenegger. When he turned it down, the budget was slashed - but in the hands of star Christopher Lambert and director Stuart Gordon, it'd be in profit before it opened in America. Stories of both are told in this episode. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, an attempt to launch a cinematic universe, and an attempt to not directly follow-up an earlier success. The Mummy (2017) was the starting point for Universal's planned Dark Universe of movies. Things changed a little when Tom Cruise was cast - but it became clear too late the project was in trouble. Following the success of Four Weddings & A Funeral, there was an assumption that 1999's Notting Hill would be a sort-of follow up. Not so, the filmmakers insisted - as they faced the challenge of bringing a huge movie star to the streets of London. Stories of both are told in this episode. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the new episode of Film Stories with Simon Brew, a James Bond film that arrived quicker than expected, and a small remake that ultimately soared. The World Is Not Enough (1999) brought in new writers, an unlikely director, and the press for an American star. And it got on the nerves of some British MPs... Coda (2021) meanwhile was shot quickly, after nearly a year of preparation. The wait for its release was a long one - and then it looked like it'd come and gone. But then awards season kicked in. Stories of both are told in this episode. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the new episode of Film Stories with Simon Brew, a notorious film of the 1990s, and an early hit of the 1980s. Last Action Hero was Arnold Schwarzenegger's eagerly-awaited first action movie following Terminator 2. It was billed as the big ticket for summer 1993. Things did not go to plan. Burt Reynolds meanwhile vowed to never go faster than 35mph in a movie again following a string of car films. But a cheque making him the most expensive movie star in the world for The Cannonball Run helped change his mind... Stories of both are told in this episode. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a special episode of the Film Stories podcast, Simon is joined by actor and writer Simon Farnaby.  They talk about The Phantom Of The Open, Farnaby's latest work as screenwriter. Plus, other topics that come up include Ghosts, Mindhorn, Bill and a little bit of Paddington 2. Oh, and a tractor as well... Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the new episode of Film Stories with Simon Brew, one film that found an audience, one that struggled to. Few were enthused at the idea of another Rocky movie, yet alone a spin-off. But a young filmmaker had a pitch for Sylvester Stallone - and the worst case scenario would be he got a signed copy of a Rocky II DVD for his dad. The Postman meanwhile was Kevin Costner's first directorial outing following his Oscar-winning success with Dances With Wolves. This time though, the reception would be very different. Stories of both are told in this episode. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Academy Award-winning producer Lord David Puttnam - a giant of the British film industry - joins Simon for a very special episode of the podcast. They chat about Lord Puttnam's career, his early successes with David Essex-headlined movies, his lifelong friendship with the late Alan Parker, and films as varied as Local Hero, Memphis Belle, Chariots Of Fire, The Mission and more. Plus: no shortage of thoughts on modern film, the future of the UK industry and a whole lot more... Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the new episode of Film Stories with Simon Brew, two films that both struggled to fully find their audience. The Iron Giant was quickly regarded as a modern masterpiece. But Brad Bird's directorial debut was made as Warner Bros was shutting down hand drawn feature animation - and the film was only given a release date very late. The A-Team meanwhile was in development for a good decade at 20th Century Fox before making it to the screen. And it faced some uphill battles of its own. Stories of both are told in this episode. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support this podcast: www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the new episode of Film Stories with Simon Brew, two films facing very different challenges. James Cameron knew he was trying to do things that hadn't been done before on film with 1989's The Abyss. The film would be such a difficult shoot that even its trailer would boast about it. Big meanwhile earned Tom Hanks his first Oscar nomination. But Robert De Niro nearly starred, and director Penny Marshall had some difficult tonal challenges to balance. Stories of both are told in this episode. Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriespod. Support our work at www.patreon.com/simonbrew. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices