Film Stories with Simon Brew

In this episode of Film Stories with Simon Brew, a hugely risky studio movie, and a bit of a breakthrough role for Daniel Craig.The Insider, from Michael Mann, was telling a story about a piece of modern history just years old when the movie was made. As such, there was a huge risk of litigation, and whichever studio took the movie on was opening itself to huge risks, with no obvious box office upside. Incredibly, Disney said yes.Matthew Vaughn meanwhile had come to prominence producing Lock, Stock & Two Smoking Barrels and Snatch, that Guy Ritchie had directed. A trip to a football match unlocked the path to a new project, Layer Cake, that he'd planned for Ritchie to direct too. But when Ritchie said no? Vaughn swiftly moved to plan B...---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, we're digging into the story of a much-loved modern classic.Two films in 1990 arrived based around the story of real-life gangster Henry Hill. Martin Scorsese's Goodfellas though is something very special: Scorsese took a rare co-writing credit on the film, although at one stage, it was being suggested that Tom Cruise and Madonna take lead roles...In the second half of the episode, we're joined by Kathleen Kennedy and Frank Marshall, chatting not just Indiana Jones, but also films such as Noises Off, Jurassic Park III and Alive.---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a very special episode of Film Stories, Simon is joined by the co-writer and director of the latest – and last – Indiana Jones film, James Mangold.The pair spend some time chatting about Indiana Jones & The Dial Of Destiny, and also explore parts of the making of Cop Land and Heavy. There’s chat about Le Mans ’66 and Brummie accents, before a chunter too about Mangold’s hugely underappreciated film, Girl, Interrupted.Hope you enjoy the conversation. As this podcast episode is being released, Indiana Jones & The Dial Of Destiny is playing in cinemas around the world. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, a pair of films that might just have had a bit of overlap to them!Olympus Has Fallen began life many years before it got to the screen, but it had an added advantage over its rival in that it had a movie star in place - and Gerard Butler wanted to up the violence quotient a little too. Sony meanwhile was spending a lot more money on a rival project, White House Down, that started filming last, but tried to release first. Turns out it had a bit of a film story of its own to it, too.---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, a pair of films that both hit problems with one of their lead roles...2004's Spider-Man 2 is (rightly) regarded as one of the finest superhero films, and that's impressive in itself given the tight turnaround that Sony wanted on the film. However, just weeks before filming was about to begin, there was even sizeable doubt that its leading man would be returning.2022's The Menu meanwhile did have to change things around, having originally been set up in 2019 with a different director and a different star in one of its lead roles. And when it did come back together, there were serious doubts about whether people were even going out to the cinema to watch films like it too...---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, a massive hit sci-fi movie that came from smaller origins, and a baseball film that, well, hit problems.The story of I, Robot the movie - in theory based on the work of Isaac Asimov - started with an indie script that was set effectively in one room. But over time, the film escalated, at one stage attracting Arnold Schwarzenegger. Still, when it got made, there was a disagreement ahead...There was a hell of a disagreement on 1999's baseball movie For Love Of The Game too, regarded as the forgotten Kevin Costner baseball movie. Directed by Sam Raimi, things were going find - right up until very different views on the final cut of the film...---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

A very special episode of Film Stories, with a very special guest: producer Barbara DeFina.She tells us what's she currently up to, and takes us through her early work with Sidney Lumet. Then, the many films she produced for Martin Scorsese, including the particular challenges of The Last Temptation Of Christ, Casino, and finding the right house for Cape Fear. There's a bit of Goodfellas in the conversation as well. It's a far-ranging conversation. Hope you enjoy it. Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, two relatively low budget films that both proved bigger hits than expected.For writer/director Zach Cregger, he was in 'director jail' following the commercial disappointment of his first couple of films. Still, he managed to get his new film, Barbarian, into place (with a bit of help from a spreadsheet). The problem? Funding fell away just days before filming...In the case of Superbad, Seth Rogen and Evan Goldberg were teenagers when they first wrote the script. In fact, Rogen at one point was going to star - but it took a little too long to get to the screen for that to happen.---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, the difficult journey back to Middle Earth, and the first animated film from DreamWorks.Following the success of the Lord Of The Rings trilogy, it seemed straightforward that at some point, The Hobbit would make it back to the screen. But the path there would prove far more difficult than originally thought, thanks to legal issues, financial issues, and a late change of director.With Antz, the first animated film from DreamWorks had a lot of pathfinding to get through just to get made - and then its release date was moved forward, meaning it was a race against time to get the film completed, before Pixar's A Bug's Life stole its thunder.---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Film Stories with Simon Brew, the continued attempt to find box office life in the Terminator films, and a modestly-priced movie that demonstrated the power of a trailer.For the third attempt to make a new Terminator trilogy of movies, the plan this time was more straightforward: bring James Cameron back to the series, and give him a big chunk of creative power again. With Deadpool director Tim Miller also on board, hopes were high - but problems were mounting.The simple concept of a bear taking a lot of cocaine meanwhile became fuel for a very R-rated studio film - even if there was some dispute about the title for a while...---Find Simon on Twitter at @simonbrew, and the podcast can be found at @filmstoriesSupport this podcast: www.patreon.com/simonbrew.Find our print magazines at store.filmstories.co.uk Hosted on Acast. See acast.com/privacy for more information. Learn more about your ad choices. Visit megaphone.fm/adchoices