Material Girls

Special guest, poet and educator Mercedes Eng, joins us to take a closer look at Azkaban, the carceral logic of the wizard world, and how it reflects our own ideas about monstrosity, punishment, and innocence. We take a look at restorative and transformative ideas of justice and debate whether the nightmarish portrayal of Azkaban is a radical call for prison abolition or an insidious device meant to make our own prison system look reasonable. Content warning: this episode discusses trauma linked to incarceration, settler colonialism, racism, police brutality and sexual assault.  Hosted on Acast. See acast.com/privacy for more information.

Greetings, Witches!Our last two episode on Animal Studies and Disability Studies laid the groundwork for this week's episode all about how to read Remus Lupin and his Lycanthropy. In an ebook released on Pottermore, J.K. Rowling stated that she meant Lupin's werewolf condition to be a metaphor for AIDS. This week we look at the way that metaphors of illness circulate ideologies about those who are ill - implying certain truths about their worthiness, deviance, and threat to society. We discuss specifically the history of AIDS and its metaphors, and examine how reading Lupin as a character with AIDS reinforces rather than challenges dangerous narratives about queer and disabled folks.Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!Resources:How She Read by Chantal Gibson Illness as Metaphor + AIDS and its Metaphors by Susan Sontag Hosted on Acast. See acast.com/privacy for more information.

Greetings, Witches!In this episode, we're once again applying a disability studies lens to the wizarding world. This time, we're looking at questions of access, accommodation, and community support for characters we might read as disabled in Harry Potter and the Prisoner of Azkaban. We're joined by disabled poet and visual artist, Tea Gerbeza, who is an MFA in Writing candidate at the University of Saskatchewan. With Tea, we dive deep into the interpretation of Remus Lupin as a disabled character whose existence and bodily difference as a werewolf marks him in sharp contrast to normative wizarding society. We explore alternate futures for Lupin where, instead of social isolation and mistreatment, Lupin is met with the resources and accommodation he needs. We discuss the vital importance of community support for disabled people that goes beyond the limitations of formal institutions. For Tea, to read Lupin as disabled is to resist the failure of this text to meaningfully include disabled perspectives, and we invite you to join us in this expansive, resistant reading!Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13! Hosted on Acast. See acast.com/privacy for more information.

Witches, meet us at the edge of the Forbidden Forest.We're returning to the rich territory of animal studies to understand the limitations of human vs. animal hierarchies. We'll spend some time with marginal figures in the wizarding world who cross the human/animal divide, challenge social and political norms, and invite us into new ways of being. In particular, we'll be spending quite some time with Remus Lupin and his fellow marauders. We'll also discuss how systemic dehumanization, or the rendering of certain people as animalistic or less than human, is a tool of state violence.Content note: Throughout this episode, there are references to historical and contemporary instances of racism, violence, and dehumanization as enacted upon Black people and Indigenous people.Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13! Hosted on Acast. See acast.com/privacy for more information.

Greetings, Witches!As always, we're eternally grateful for the time you spend listening with us. In this episode, we're unpacking the mechanics of time and time-travel as they play out in Harry Potter and the Prisoner of Azkaban. We identify the connections between western time-travel narratives and the industrial revolution and the infinitely insidious force of capitalism. We plunge into the philosophical implications of this book's particular kind of time-travel narrative, which desires to predict the future and to change the past. How fixed is our reality? How much agency do we have over our fates? Hosted on Acast. See acast.com/privacy for more information.

Attention, class!This is the episode all of you superbly studious witches have been waiting for! We draw upon our own expertise as longtime students and educators to discuss the, frankly, wild and unpredictable pedagogical approaches of Hogwarts faculty. Have any Hogwarts faculty managed to create affirming and generative learning environments, even within a school that routinely places students in dangerous circumstances, wields discipline unevenly, and lacks student support services of any kind? How can looking at Hogwarts help us to understand our own educational institutions and our place within them (or outside of them)? Ready your quills and refer to your books, witches, because we've got a lot to say on this topic!Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13! Hosted on Acast. See acast.com/privacy for more information.

Greetings, Witches!We’re excited to bring you a special something from our partners at Not Sorry Productions. The Real Question is a new podcast from Vanessa Zoltan and Casper ter Kuile, the magical minds behind Harry Potter and the Sacred Text. Like us, they’re two friends who like to put their heads together and pour over their favorite texts as they navigate life’s questions. In every episode of The Real Question, Vanessa and Casper will investigate one of their own questions through the lenses of two texts. They'll reach far and wide, across the broad spectrum of media that's touched them—using shared dialog to uncover new meaning. We hope you'll listen along side us! Hosted on Acast. See acast.com/privacy for more information.

Well, Witches, we've reached the end of another book together. We spend this episode, among other things, revisiting the tragic squandering of Hermione's talent and expertise as part of the adventure squad, detailing Gilderoy Lockharts' luscious wardrobe and its implications, tearing up at another round of Marcelle's Devastating Fun Facts from the Harry Potter World, and digging deeper into the Weasley's class status and other lingering questions we have about the series.Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13! Hosted on Acast. See acast.com/privacy for more information.

Beloved bookish witches, join us for a discussion of print culture as it appears in the wizarding world. We'll unpack our own biases and beliefs about the significance of books as physical objects and how capitalism and commodification created the sentimental, coveted idea of the book many of us hold in our hearts. We will page through Harry Potter and the Chamber of Secrets in search of printed matter and the ways it circulates in wizarding society, how it intersects with notions of class and ideas of good and evil, and how it governs access to knowledge.Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13! Hosted on Acast. See acast.com/privacy for more information.

This week we've brought together the Who's Who of the Wizarding World for the event of the season you won't want to miss – an episode on Celebrity Studies! Notable guests include the winner of Witch Weekly's Most Charming Smile Award (five times in a row!) and Poor Famous Harry Potter, who can't even go into a bookshop without making the front page. With a little help from Colin Creevey's camera, we focus our critical lens on how celebrity is constructed in the Wizarding World and our own, what it means to be a 'reluctant celebrity', and how the fame of a certain Author Who Shall Not Be Named gives her license to publish utter nonsense and get away with it.NB: You may notice that mid-way through this episode, Marcelle's voice starts to sound different. Unfortunately, her microphone failed while recording and we couldn't find the right spell to fix it!Be sure to follow Witch, Please on Twitter and Instagram @ohwitchplease and let us know what you think of the episode through a review on Apple Podcasts. As always, you can join our Patreon for exclusive content including bonus interviews, Q&As, Watch Alongs and more — our tiers range from $2-$13!---Citations: Trevor Parry-Giles (2011) Harry Potter and the paradoxical critique of celebrity culture, Celebrity Studies, 2:3, 305-319, DOI: 10.1080/19392397.2011.609338Susan K. Martin & Kylie Mirmohamadi (2014) Harry Potter’s Secret: The Rise of Publishing Sensations from Mary Braddon to J. K. Rowling, English Studies, 95:2, 131-148, DOI: 10.1080/0013838X.2014.882126Su Holmes & Sean Redmond (2010) A journal in Celebrity Studies, Celebrity Studies, 1:1, 1-10, DOI: 10.1080/19392390903519016 Hosted on Acast. See acast.com/privacy for more information.