Reading McCarthy

In this thought-provoking discussion, guests Russell Hillier, a McCarthy scholar known for exploring morality in literature, Dianne Luce, a leading voice on McCarthy’s life and works, and Bryan Giemza, a literary commentator with insights on film history, dissect 'The Counselor.' They dive into McCarthy's complex narrative style, contrast the screenplay with the film, and examine themes of moral blindness and cultural critique. The conversation also highlights Malkina's agency and the screenplay's reflection on global capitalism, making for an illuminating dialogue.

Lydia Cooper, a literature professor specializing in Native American texts and author of a significant McCarthy analysis, joins Brent Cline, an expert on disability representations in literature and McCarthy critic. They dive deep into The Passenger, exploring its complex themes of grief, quantum entanglement, and moral ambiguity. They debate the plot's challenges, the richness of sibling relationships, and the philosophical implications of characters' choices. Through an intricate discussion, they highlight McCarthy's stylistic evolution and the novel's profound social commentary.

Stacey Peebles, a film-studies scholar and the president of the Cormac McCarthy Society, delves into McCarthy's screenwriting journey. She explores his early film experiences and how they influenced his screenplays, like the evolution of *No Country for Old Men*. Stacey discusses unproduced works like *Whales and Men*, highlighting their philosophical depth and cinematic challenges. The conversation also covers the reception of *The Counselor* and the difficulties in adapting *All the Pretty Horses* and *Child of God*. A fascinating look at McCarthy's cinematic legacy!

Dianne Luce, a literary scholar and co-founder of the Cormac McCarthy Society, returns to delve into McCarthy's play, The Sunset Limited. They explore the intense debate between a cynical professor and a hopeful ex-con, touching on themes of faith, despair, and the nature of existence. Dianne illustrates the work's unique format as both a play and philosophical dialogue. They discuss audience interpretations, the symbolic train motif, and McCarthy's comfort with ethical ambiguities, highlighting the play's powerful emotional stakes and its relevance in contemporary discussions.

Katie Salzmann, Lead Archivist at The Wittliff Collections, shares her journey into the world of archives, emphasizing the joy of connecting scholars with unique materials. She discusses the treasures housed at the Wittliff, including significant works by Cormac McCarthy, and offers insights into upcoming accruals, featuring personal papers and letters. The conversation delves into the challenges of digital preservation and the importance of maintaining original order in archival processing. Katie's enthusiasm for literature shines as she reflects on her favorite authors, including her experiences reading McCarthy's works.

This episode has a history that winds like a West Texas border road.  My guests are the Brothers Elmore, and we originally recorded it in April but one of the tracks went bad.  So finally at the end of our collective academic semesters, we once again discussed No Country for Old Men, speculating about its origins, its commentary on neo-liberalism, the film adaptation, and how some critics tried to read the author through the novel.  Twin brothers, the Elmores collaborate on their work on McCarthy.  Jonathan Elmore is Associate Professor of English at Louisiana Tech University and the Managing Editor of Watchung Review.. He is the editor of Fiction and the Sixth Mass Extinction: Narrative in an Era of Loss (Lexington) and co-author of An Introduction to African and Afro-Diasporic Peoples and Influences in British Literature and Culture before the Industrial Revolution (ALG). His scholarship has been published in The Cormac McCarthy Journal, Mississippi Quarterly, The British Fantasy Society Journal, Orbit, The Journal of Liberal Arts and Humanities, and The Criterion, among others.    Thanks as well to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society, although in our hearts we hope that like Hank Williams they will someday see the light.  Download and follow us on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts.  If you’re agreeable it’ll help us if you provide favorable reviews on these platforms.  If you enjoy this podcast you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt. To contact me, please reach out to readingmccarthy(@)gmail.com.  The website is readingmccarthy.buzzsprout.com.Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

Ron Rash, an award-winning novelist and professor known for his exploration of Appalachian life, shares his insights on the literary influence of Cormac McCarthy. He discusses his upbringing in Western North Carolina and the early works that shaped him as a writer. Rash reflects on his admiration for McCarthy, particularly the poetic qualities in 'Suttree,' and the emotional complexity of McCarthy's characters. He also defends the importance of the short story form and emphasizes the need for students to engage deeply with literature.

This episode of READING MCCARTHY welcomes to the podcast for the first time Austin Smith.  Austin studied history and literature at the University of Georgia. He has worked as a photographer and a professional adventure photographer, following the art into aviation, mountaineering, and motorcycle racing. He now leads a human resources consulting business in Denver, Colorado. A couple of years ago he hooked up an Airstream fifth wheel RV to his truck and, armed with a load of McCarthy novels, followed the books’ trails across the southwest.  At one point things maybe even get a little Indiana Jones for Austin (or possibly Bobby Western).  Austin’s blog on the subject may be found here: http://www.austincameronsmith.com/photo-essay-cormac-mccarthys-borderlandsThomas Frye composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. If you’re agreeable it’ll help us if you provide favorable reviews on your favorite podcasting platforms.  If you enjoy this podcast, you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt. To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening redness in the west Reading McCarthy is still nominally on X aka Twitter that was.  The website is at readingmccarthy.buzzsprout.com, and if you’d like to support the show you can click on the little heart symbol at the top of the webpage to buy the show a cappuccino. Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

This 53rd episode of READING MCCARTHY takes a long ramble down THE ROAD, McCarthy’s 2006 Pulitzer Prize winning novel of a father and son enduring life in a harrowing, ashen landscape after some undisclosed apocalypse. For this discussion I’m glad to welcome back guest Dr. Bryan Vescio. Professor and Chair of English at High Point University in North Carolina, Dr. Vescio has previously joined us for discussions on Suttree and Cities of the Plain, among others. He is the author of the 2014 book Reconstruction in Literary Studies: An Informalist Approach, as well as numerous articles on American authors including Mark Twain, William Faulkner, John Steinbeck, and Nathanael West, and articles on works by Cormac Mccarthy  including Suttree, Blood Meridian, and The Road.Thomas Frye composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society. If you’re agreeable it’ll help us if you provide favorable reviews on your favorite podcasting platforms.  If you enjoy this podcast, you may also enjoy the GREAT AMERICAN NOVEL PODCAST, hosted by myself and Kirk Curnutt. To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening redness in the west Reading McCarthy is still nominally on X aka Twitter that was.  The website is at readingmccarthy.buzzsprout.com, and if you’d like to support the show you can click on the little heart symbol at the top of the webpage to buy the show a cappuccino.Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

Episode 52 is a round table considering the impact of Ernest Hemingway’s writing on the works of Cormac McCarthy.  Joining us for this discussion are Dr. Olivia Carr Edenfield, Professor of English at Georgia Southern University.  She is a founding member of the Society for the Study of the American Short Story and Director of the American Literature Association.  She has recently published a defense of the mother in The Road  in the CMJ.     Dr. Brent Cline is an associate professor of English at Hillsdale College.  He has published articles and chapters involving disability on Walker Percy, James Agee, and Daniel Keyes. His review of The Passenger/Stella Maris was published with The University Bookman. His article on The Mexican Revolution and All the Pretty Horses was just published in the CMJ.   Dr. Bryan Giemza is an Associate Professor of Humanities and Literature in the Honors College at Texas Tech University. He  is author or editor of  numerous books on American literary and cultural history, ten book chapters, and more than thirty published articles and reviews. His books include Irish Catholic Writers and the Invention of the American South, and more recently Science and Literature in Cormac McCarthy’s Expanding Worlds (2023), and the forthcoming Across the Canyons: Transdisciplinary Approaches to Divisive Communications in West Texas and Beyond, Texas Tech UP.   Dr. Allen Josephs joined us for a discussion of All the Pretty Horses.  A past president of the Ernest Hemingway Foundation and Society and the South Atlantic Modern Language Association in 2008, where he was awarded the continuing honorary membership.  He is the author of some 15 books, including On Hemingway and Spain: Essays and Reviews 1979 – 2013; White Wall of Spain: The Mysteries of Andalusian Culture; and For Whom the Bell Tolls: Ernest Hemingway’s Undiscovered Country. He is the author of four critical editions of the poetry of Federico García Lorca and a book of translations of Lorca’s poetry and prose, Only Mystery: Federico García Lorca’s Poetry in Word and Image. . His book On Cormac McCarthy: Essays on Mexico, Crime, Hemingway and God, was published in 2016. Dr. Josephs is professor emeritus from the University of West Florida where has taught for more than five decades and now resides in Spain.  As always, readers are warned: there be spoilers here.  Thanks to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society, although in our hearts we hope they’ll someday see the light.  If you enjoy this podcast you may also enjoy the GREAT AMERICAN PODCAST, hosted by myself and Kirk Curnutt. To contact me, please reach out to readingmccarthy(@)gmail.com. Despite the evening redness in the west Reading McCarthy is nominally still on Twitter/X.  The website is at readingmccarthy.buzzsprout.com.Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...