Anatomy of a Scream Pod Squad

This episode is an examination of aging and disability, with a specific focus on Alzheimer’s disease. Nichole looks at the fantastic 2020 film, Relic, and discusses how it looks at disease and caregiving.Additional reading/references:Alzheimer’s AssociationCaregiver Action NetworkEmbracing CarersWant to reach out and say hello? Of course you do! Shoot me an e-mail at bodiesofhorror@gmail.com.Intro and outro music is “The Wind Frazzled Your Long Brown Hair” by Flashback81. Follow them at Twitter now, too: @81flashbackIf you like the podcast, please rate, review, and subscribe!Discover more fabulously spooky Anatomy of a Scream Pod Squad shows at anatomyofascream.com and follow the network on Twitter and Instagram @aoas_xx Hosted on Acast. See acast.com/privacy for more information.

April is Joe's pick so we're stepping outside of conventional Erotic Thriller territory into some sci-fi sex-shenanigans with Spieces, which has an extremely 1995 take on feminism and motherhood.Up for discussion: speculating about Alfred Molina's purpose, exploring Marg Helgenberger's shifting role in the film, relating to Natasha Henstridge's Sil (via baby Michelle Williams) and why you shouldn't have sex in hot tubs!Wanna connect with the show?Gena: @genadoesthingsJenn: @jennferatuJoe: @bstolemyremoteMusic Credit: Sexy Time by Anthony VegaIf you like the podcast, please rate, review, and subscribe!Check out Anatomy of a Scream for more great content and the other Network pods.  Hosted on Acast. See acast.com/privacy for more information.

It's time for a double feature of Jordan Peele’s films Get Out (2017) and Us (2019). Both films not only touch on disability through direct representation via characters, but give us plenty to dissect in terms of broader social-political issues and their impact on (and relation to) the disability community.Additional reading/references:Appropriation in the Disability Community: We Are Our Own Worst Enemy - Ramp Your VoiceWant to reach out and say hello? Of course you do! Shoot me an e-mail at bodiesofhorror@gmail.com.Intro and outro music is “The Wind Frazzled Your Long Brown Hair” by Flashback81. Follow them at Twitter now, too: @81flashbackIf you like the podcast, please rate, review, and subscribe!Discover more fabulously spooky Anatomy of a Scream Pod Squad shows at anatomyofascream.com and follow the network on Twitter and Instagram @aoas_xx Hosted on Acast. See acast.com/privacy for more information.

St. Patrick’s Day festivities may have wrapped up but I am continuing the fun by discussing 1993’s Leprechaun and talking about star Warwick Davis.Additional reading/references:Size Matters Not: The Extraordinary Life and Career of Warwick Davis. Classic American Movies – Cult Classics with Chris – Ep.9 – Mark Jones (Leprechaun)Want to reach out and say hello? Of course you do! Bodies of Horror is BACK on Twitter at @BodiesOfHorror! And, of course, you can always shoot me an e-mail at bodiesofhorror@gmail.com.Intro and outro music is “The Wind Frazzled Your Long Brown Hair” by Flashback81. Follow them at Twitter now, too: @81flashbackIf you like the podcast, please rate, review, and subscribe!Discover more fabulously spooky Anatomy of a Scream Pod Squad shows at anatomyofascream.com and follow the network on Twitter and Instagram @aoas_xx Hosted on Acast. See acast.com/privacy for more information.

March is Jenn's pick so we're getting into familial/revenge territory with this month's Erotic Thriller, The Hand That Rocks The Cradle (1992) C/W: sexual assault.It turns out that the film is far more than a killer nanny and an iconic set piece in a greenhouse. It also opens with an uncomfortable sexual assault! Up for discussion: Ernie Hudson's mentally disabled character, Claire (Annabella Sciorra)'s underlying racism, normalizing breast feeding, Julianne Moore's "modern" woman and debates about whether the film is actually an erotic thriller.Wanna connect with the show?Gena: @genadoesthingsJenn: @jennferatuJoe: @bstolemyremoteMusic Credit: Sexy Time by Anthony VegaIf you like the podcast, please rate, review, and subscribe!Check out Anatomy of a Scream for more great content and the other Network pods.  Hosted on Acast. See acast.com/privacy for more information.

Rural horror often brings up images of “cannibalistic mutants” hiding out in the woods, mountains, or desert – ready to kill off the outsiders passing through for their next meal. But it is a subgenre that is more expansive than that.In this episode, I will walk through some of my complicated feelings with the subgenre and how it manages to often feature and completely ignore disability connected to its characters.Shoutout to Horror Queers and their fantastic Patreon series on the subject (March 2021) for being my inspiration for this episodes. If you have the means and are looking for wonder content from two amazing people, please support them. Additional reading/references: Hillbilly horror: Reckoning with a genre 15 years after "Wrong Turn" Want to reach out and say hello? Of course you do! Bodies of Horror is now on Twitter at @BodiesOfHorror! And, of course, you can always shoot me an e-mail at bodiesofhorror@gmail.com.Intro and outro music is “The Wind Frazzled Your Long Brown Hair” by Flashback81. Follow them at Twitter now, too: @81flashbackIf you like the podcast, please rate, review, and subscribe!Discover more fabulously spooky Anatomy of a Scream Pod Squad shows at anatomyofascream.com and follow the network on Twitter and Instagram @aoas_xx Hosted on Acast. See acast.com/privacy for more information.

On the examination this episode is 2014/2015’s It Follows. We’ll discuss the themes of stigma and isolation as they relate to disability, as well as touch on the poignancy of watching the film in a pandemic-informed world.Want to reach out and say hello? Of course you do! Shoot me an e-mail at bodiesofhorror@gmail.com.Intro and outro music is “The Wind Frazzled Your Long Brown Hair” by Flashback81. Follow them at Twitter now, too: @81flashbackIf you like the podcast, please rate, review, and subscribe!Discover more fabulously spooky Anatomy of a Scream Pod Squad shows at anatomyofascream.com and follow the network on Twitter and Instagram @aoas_xx Hosted on Acast. See acast.com/privacy for more information.

February is Gena's pick so for the first time White Ladies in Crisis is checking out a rape/revenge film, The Perfection (2019) C/W: sexual assault, grooming.The inclusion of two female protagonists (Allison Williams and Logan Browning) allows us to elaborate on the pod's name, as well as tackle class and race.  Up for discussion: more smouldering sex, Jenn's love of Stephen Weber, getting sick in public, "gorgeous and fucked up" horror and an extended discussion on grooming, sexual assault, ableism and the power of the words "just rape".Wanna connect with the show?Gena: @genadoesthingsJenn: @jennferatuJoe: @bstolemyremoteMusic Credit: Sexy Time by Anthony VegaIf you like the podcast, please rate, review, and subscribe!Check out Anatomy of a Scream for more great content and the other Network pods.  Hosted on Acast. See acast.com/privacy for more information.

Disability, and the view of disability as a product of sin are the topics at hand as we discuss Brian De Palma’s 1976 film, Carrie.Want to reach out and say hello? Of course you do! Bodies of Horror is now on Twitter at @BodiesOfHorror! And, of course, you can always shoot me an e-mail at bodiesofhorror@gmail.com.Intro and outro music is “The Wind Frazzled Your Long Brown Hair” by Flashback81. Follow them at Twitter now, too: @81flashbackIf you like the podcast, please rate, review, and subscribe!Discover more fabulously spooky Anatomy of a Scream Pod Squad shows at anatomyofascream.com and follow the network on Twitter and Instagram @aoas_xx Hosted on Acast. See acast.com/privacy for more information.

If there is one thing we have all learned over the last two years of global pandemic, it’s that we have to take our wins where we can get them! It is with that spirit that we jump into 2022 with a nice long episode on a movie that means the world to us.This month, Sophie and Hannah are joined by first-time guest and absolute gem of a human, Thor, to talk about everything we love about Ghostbusters (2016), the joy and comfort that it provides, and the heartbreaking way it was received by a certain segment of “fans.”Sophie did lots of homework for this episode so we have lots of links for you!Ghostbusters: Paul Feig Confirms Kate McKinnon character is gay but studio stopped him from saying so – The GuardianKate McKinnon’s 10 Gayest “Ghostbusters” Gay Moments of Gay – AutostraddleOn My Dad Harold Ramis and Passing the Ghostbusters Torch to a New Generation of Fans – VultureGhostbusters’ Leslie Jones: “The US is the most depressed nation in the world and I blame comedians’ – The GuardianJason Reitman Knows Who The Real Fans Of ‘Ghostbusters’ Are – Whiny Misogynists – Wonkette Ghostbusters Box Set Digitally Adds 2016 Reboot After Director Slammed Sony – Screenrant In Praise of Paul Feig’s Beautiful Male Idiots – SlateThe Spiritualist Origins of Ghostbusters – The New RepublicCheck out Thor’s podcast Thor’s Hour of Thunder wherever you get your podcasts and keep an eye out for their upcoming episode that is a table read of an early script for Labyrinth. Sophie and Hannah play the Goblins!Follow 28 Days Ladyer on Twitter @28DaysLady_er and Instagram @28daysladyer. You can find Sophie on Twitter and Instagram @philliesfemme and check out Hannah’s hand-painted shirts @better_shirts_chicago.If you like our podcast please rate/review/subscribe! And check out Anatomy of a Scream for more great content and the other Network pods.  Hosted on Acast. See acast.com/privacy for more information.