Rabindranath Tagore returned again and again to the voiceless women of Bengal, as in his short story The Postmaster, says Anita Desai

Lucy Wood builds a story from glimpses and suggestions in ‘Notes from the House Spirits’, says Jon McGregor

Yiyun Li reads William Trevor’s ‘Three People’, a short story which moved her to write a story in reply, ‘Gold Boy, Emerald Girl’

Penelope Fitzgerald looks at the world anew in her short story ‘At Hiruharama’, says AS Byatt

Franz Kafka’s story of a man who starves himself for entertainment, The Hunger Artist, is ‘absurb, moving and timely’, says Hanif Kureishi

Chimamanda Ngozi Adichie admires the ‘old-fashioned social realism’ of Ama Ata Aidoo’s ‘No Sweetness Here’

José Saramago tackles the conflict between mind and body in ‘The Centaur’, says Nadine Gordimer

Charles Dickens celebrated Christmas throughout his writing life. His autobiographical story ‘A Christmas Tree’ is ‘almost Proustian’, says Simon Callow

Ruth Rendell doesn’t believe in ghosts, of course, but MR James’s stories, like ‘Canon Alberic’s Scrapbook’, frighten her nonetheless

Despite their restraint, Raymond Carver’s ‘early-period’ stories, such as The Student’s Wife, are full to the brim, says Richard Ford