This Anthro Life

Think you could eat a cricket? What about a spider? In this episode of TAL Adam Gamwell and guest host Andrea Eller are chatting with Julie Lesnik about her new book, Edible Insects and Human Evolution. Listen in as they discuss why Americans tend to be so grossed out by bugs, and if it’s always been that way. Edible Insects, part 2We know many of you are educators, and some are already using TAL in the classroom. Great! To help support the educational impact of TAL, we are including some discussion questions from each episode. Please feel free to use these (in whole or part) for classroom discussion prompts, essay questions, or larger research inspirations. We think we cover a lot of quality anthropological knowledge on TAL, and we hope you think so too! TAL and their contributors are dedicated to the value of audio scholarship. Let us know how you end up using these questions in the comments below. We’d like to know how you want us to make more educational materials in the future. Check out the discussion questions here: http://www.thisanthrolife.com/insects--- Send in a voice message: https://anchor.fm/thisanthrolife/message

Edible Insects part 1. Will crickets ever catch on as an alternative source of protein in the United States? How about cockroach “milk”? Why do people in so many parts of the world NOT eat insects? Where does that disgust for or against eating certain things come from? Adam is joined once again by guest host and biological anthropologist Andrea Eller to dig into edible insects, what just might be a new marketing idea for McDonald's, and how insects reveal underlying cultural trends of disgust, environmental resource use, gender and economic trends.

Part 2 of The Social Life of Robots, with Emma Backe. In this episode hosts Adam Gamwell, Ryan Collins and Emma Backe tackle sex and gender norms underlying digital voice assistants like Siri, Cortana and Alexa, the history and gendering of science and technology studies (STS) and what this means in an era of AI and robots, and third, theories of rights such as the right to work, the right to sex and how robots clarify and confound these issues.--- Send in a voice message: https://anchor.fm/thisanthrolife/message

Welcome to CultureMade: Heritage Enterprise in a World on the Move, an audio collaboration between the Smithsonian Folklife Festival, the American Anthropological Association, and This Anthro Life Podcast. In this fifth and final episode, Adam Gamwell, Leslie Walker, and Ryan Collins focus on cultural survival, a complex subject framed by migration, misconceptions over language and identity, as well as by resilience of the human spirit across borders. With a subject like cultural survival, the question comes to mind, what factors threaten shared heritage, tradition, and disband communities? Here we are joined by Alejandro Santiago González (Ixil), and Mercedes M. Say Chaclan (K’iche) representatives of Washington, DC-based Mayan League, an organization working to sustain Maya culture, communities, and lands. Alejandro and Mercedes share their experiences and give insight into the ongoing struggles Maya peoples face today, including issues of language, translation, and communication for indigenous immigrants who are currently in the United States. Helping to elucidate this subject, we are joined by Ph.D. Folklorist Emily Socolov, a frequent collaborator with the Smithsonian Institution’s Division of Folklife and Cultural Heritage and an Executive Director of the Non-Profit Mano a Mano: Mexican Culture Without Borders, serving the Mexican immigrant community in New York. --- Send in a voice message: https://anchor.fm/thisanthrolife/message

In the pop culture imagination, perceptions of robots and AI occupy a space of mystery and intrigue that gravitates between harbingers of impending societal collapse and bringers of mythical salvation. However, where does contemporary science and technology stand? Moreover, how do the social experiences of the past and in the present color our understandings of emerging technological realities? On this episode, hosts Adam Gamwell and Ryan Collins are joined by Emma Backe to discuss these questions and more. In Part I of Making Robots Human our conversation embraces the humor of pop culture AI while making room to address that our fears and hopes of robotic futures are revealing of our complex social concerns today. --- Send in a voice message: https://anchor.fm/thisanthrolife/message

Welcome to CultureMade: Heritage Enterprise in a World on the Move, an audio collaboration from the Smithsonian Folklife Festival, the American Anthropological Association, and This Anthro Life Podcast. In this episode, Adam Gamwell, Leslie Walker, and Ryan Collins dive into the topic of curation. What does it mean to put on a festival or put on a museum exhibit? How can we understand culture on display and introduce outsiders to other social realms? Sharing their narratives and experiences with different forms of curation are Diana Baird N’Diaye, Cultural Specialist and Curator at the Smithsonian Center for Culture and Folklife, Arman Atoyan, CEO and Founder of the (AR) and virtual reality (VR) app and game development company Arloopa, and Pablo Girona, a researcher from Tucuman, Argentina who studies cultural heritage in Catalonia and Quebec. To learn more about Diana Baird N’Diaye’s work visit: https://folklife.si.edu/authors/diana-n-diaye. And, to learn more about Arman Atoyan and Arloopa, visit: http://arloopa.com/--- Send in a voice message: https://anchor.fm/thisanthrolife/message

On this episode of This Anthro Life, hosts Adam Gamwell and Matt Artz are joined by assistant professor and musicologist Nate Sloan and music journalist and songwriter Charlie Harding, the hosts of Switched on Pop, a podcast about the making and meaning of popular music. On Switched on Pop, Charlie and Nate break down pop songs to figure out what makes a hit and what is its place in culture. They also help listeners find "a-ha" moments in the music, make you laugh, dance, and dig deeper into the world of pop music. Here Nate and Charlie speak with TAL on the study of popular music, the appropriation of musical elements, what defines “pop” and how that is changing. This episode focuses on Nate and Charlie’s choice to use podcasting as the narrative venue to house their storytelling and dives into the value of deep listening. Tune in to hear more. To learn more about Switched on Pop check out: www.switchedonopop.com andhttp://gideonandhubcap.com --- Send in a voice message: https://anchor.fm/thisanthrolife/message

Welcome to CultureMade: Heritage Enterprise in a World on the Move , an audio collaboration from the Smithsonian Folklife Festival, the American Anthropological Association and This Anthro Life PodcastIn the US, fashion has been relegated to large impersonal retail spaces and increasingly online stores. Fashion in the US, as many know all too well, is transactional. The sense of community one has through clothing is often expressed through style though it is exceedingly rare for truly deep relationships to develop between the designer and the purchaser, even if an article of clothing is commissioned. But, community and fashion can be much more integrated. With this episode, we invite you into the conversations we had with participants in the Crafts of African Fashion program at the Smithsonian Folklife Festival in 2018. We speak with Soumana Saley a Nigerian leather worker and designer, Cynthia Sands and her mentee Tomara Watkins, also known as Tam, two fashion designers who work between the United States and the African continent, and the program’s curator Diana Baird N’Diaye. This episode was broken into three underlying themes of African fashion, and craft production focused on: the local marketplace, transnational and international fashion trends, and the relationships between consumers and producers within a community. The Crafts of African Fashion is an initiative promoting the continuity of heritage arts in Africa, exploring the vital role of cultural enterprises in sustaining communities and connecting generations on the continent and throughout the diaspora. The activities for this portion of the Festival took place in the Folklife Festival Marketplace.About our Speakers:Diana N’Diaye is a Cultural Specialist and Curator at the Smithsonian Center for Folklife and Cultural Heritage. She holds a PhD in anthropology and visual studies from The Union Institute.Soumana Saley is a leather craft artisan from the West African country of Niger. He currently lives in Millersburg, Pennsylvania running his own business. You can learn more about Soumana and see his products on his online store accessible at https://www.facebook.com/pg/soumanasaleyonline/ and you can learn more about Soumana’s school at https://www.ngodima.org/.Cynthia Sands is an African American textile artist and businesswoman in Washington, DC. Sands’ art career includes experimenting and blending contemporary and original African artistic methods, materials, and dying techniques. She also works closely with African artisans to sustain the use of indigenous art and craft making tradition for social development, income generation, skills-transfer, and art education. You can learn more about Cynthia and her work at the website: www.entuma.com.Tomara (Tam) Watkins, is a mentee of Cynthia Sands and is the founder of Loza Tam, a hair accessory line created in collaboration Ghanaian women artisans and entrepreneurs. Visit Tam’s online store at www.Lozatam.com. Adam Gamwell is the co-host and executive producer of the This Anthro Life (TAL). He is the founder and director of Missing Link Studios www.missinglink.studio a new media collective dedicated to producing creative media for social impact. Adam holds a Ph.D. in Anthropology from Brandeis University.Ryan Collins is the co-host and editor of This Anthro Life (TAL). Ryan holds a Ph.D. in Anthropology from Brandeis University.Leslie Walker is the project manager of the Public Education Initiative at the AAA. He served as a special guest host, collecting stories during the Folklife Festival the forthcoming podcast series with This Anthro Life.Contact UsContact Adam and Ryan at thisanthrolife -at - gmail.com or individually at adam -at- thisanthrolife.com or ryan -at- thisanthrolife.comFind us on Facebook, Twitter, Instagram @thisanthrolife.All of our content can be found on thisanthrolife.com. Be sure to leave us a review, let us know if you like the show. We love to hear from you.--- Send in a voice message: https://anchor.fm/thisanthrolife/message

“I hope that more people will listen to more music outside of their own little comfort zone. I think that we enrich ourselves, we are better human beings when you open up your heart to other cultures, other music, to other worlds to other points of view. Because ultimately, as I said in the very beginning, we’re all the same. We’re all humans, and we all can connect in different ways with the things that we like. But, when we see it through the eyes of a different person. Then we better ourselves. We enrich ourselves.”Welcome to CultureMade: Heritage Enterprise in a World on the Move , an audio collaboration from the Smithsonian Folklife Festival, the American Anthropological Association and This Anthro Life Podcast.The above quote comes from Betto Arcos, music journalist and host of NPR’s The Cosmic Bario. Music, whether you create it or are an avid listener, pulls you in a deep sensory allure. The connection humans make with music is so deep that it can impact us physically and serve as a key point of return for our memories. As our guests from the Smithsonian Folklife Festival can attest, as much as it conjures deep feelings and memories, we learn something through the experience of music. Joining the distinct artists together in their views on music is a central theme, that music can help us overcome social difference. For Betto, this recognition is central to his desire to create music. Betto Arcos, in his own words:“I think that’s ultimately why I do it [create music]. I feel like there is a responsibility. There is a sense of a higher reason, why I do this. But deep down it’s also because I love music. Because I’m passionate about it and I feel like we can only do better as a human race, as people, if we know about each other a little more.”About our SpeakersBetto Arcos is a music journalist based in Los Angeles, host of The Cosmic Barrio, a reporter for NPR, and regular reporter for PRI. You can learn more about Betto at: http://bettoarcos.com/Or follow him on Twitter @ArcosBettoAmy Horowitz is an activist, promoter, feminist scholar, Roadwork team putting women artists and musicians on the road, the first multiracial, multicultural coalition. You can learn more about Amy Horowitz at: https://amyhorowitz.org/And read about RoadWork https://www.roadworkcenter.org/Arpan Thakur Chakraborty, Rabi Das Baul, Girish Khyapa and Mamoni Chitrakar are the Baul performers, mystic minstrels from the Indian state of Bengal. The Bauls are known for devotional songs that honor the divine within. Additionally, Mamoni Chitrakar is a traditional Indian patachitra singer and painter from West Bengal. You can learn more about their causes at: www.banglanatak.comThe purpose of this series is to create narratives linking the diverse peoples, perspectives, and activities across the Festival from a series of micro ethnographies like those above. The open format interview style allowed participants to define in their own words the relationships between their artisanship, musical ability, or experiences and how migration and movement shape their lives. Conversations with curators and other researchers supplemented the interviews with Festival participants and helped us to identify the research involved in selecting participants and the presentation of cultural heritage for the Festival. This approach allows us to foreground a central or thematic conversation and narrate events and activities at the Festival that listeners can paint in their minds as if they had been there to experience it.About Our HostsAdam Gamwell is the co-host and executive producer of the This Anthro Life (TAL). Adam holds a Ph.D. in Anthropology from Brandeis University. He founded and produces narrative media out of Missing Link Studios.Ryan Collins is the co-host and editor of This Anthro Life (TAL). Ryan holds a Ph.D. in Anthropology from Brandeis University.Leslie Walker is the project manager of the Public Education Initiative at the AAA--- Send in a voice message: https://anchor.fm/thisanthrolife/message

Welcome to CultureMade: Heritage Enterprise in a World on the Move, an audio collaboration series from the Smithsonian Folklife Festival, the American Anthropological Association and This Anthro Life Podcast. Join hosts Adam Gamwell, Leslie Walker and Ryan Collins as they explore what it means to craft, form, and make culture in a world defined by movement, migration, and changing borders. Step into behind the scenes conversations and candid interviews from the Smithsonian Folklife Festival. Hear from artists, fashion designers, dancers, weavers, and craftsmen who give life to heritage and shape the many worlds of traditional culture in a planet on the move."Art is a Movement" How does art help contribute to political protest? Should art never be sold for money? How can dance unify a community? How are traditions like calligraphy and traditional dances passed on between generations?In this episode, we overview the subject of art as informed by representatives from The Armenian program and the Catalonia program of the Smithsonian Folklife Festival. The above ideas on art put forth by Ruben Malayan encompasses the complex feelings, ideas, and understandings that art not only evokes within society but also those of who seek to understand art from a more holistic perspective. Art is complex. Though what counts as art within a society is often recognizable to insiders, the rationale as to why is often much more difficult to discern. Anthropology, at its best, can help us explore the complexities of art. Through critical dialogue, anthropologists can ask what it means to experience art from the vantage point of different cultures and explore the messages that the artist intended to convey.The purpose of this series is to create narratives linking the diverse peoples, perspectives, and activities across the Festival from a series of micro ethnographies like those above. The open format interview style allowed participants to define in their own words the relationships between their artisanship, musical ability, or experiences and the ways in which migration and movement shape their lives. Conversations with curators and other researchers supplemented the interviews with Festival participants and helped us to identify the research involved in selecting participants and the presentation of cultural heritage for the Festival. This approach allows us to foreground a central or thematic conversation and to narrate events and activities at the Festival that listeners can paint in their minds as if they had been there to experience it.Read more and see photos here: https://www.thisanthrolife.com/art-is-a-movement/ --- Send in a voice message: https://anchor.fm/thisanthrolife/message