Tonebenders Podcast

We talk about the challenge of creating the sound design for Marvel's newest super hero, Kahhori, introduced in the new season of the Disney Plus series, What If...? Supervising Sound Editor/Sound Designer Mac Smith and Re-Recording Mixer Jeff King take us through their design process, how the final mix came into focus and lots more. Show Notes: https://tonebenderspodcast.com/244---what-if/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

For the first time in a long time, all 4 Tonebenders hosts get together to hang out and do a draft of our favorite genres to do sound design for. Tim, René, Teresa and Mark take turns picking the types of movies we have always wanted to tackle in our own work. We each have to pick one genre from each of the following subsets: 1 - Talkies: Mystery (Knives Out, Memento, Twin Peaks) War Film (1917, All Quiet On The Western Front, Saving Private Ryan) Historical Drama (The Revenant, The Favourite, 12 Years A Slave) Oscar Bait (Tar, The King's Speech, House Of Gucci) 2 - Guns and Punches: Police/Gangster (The Departed, Serpico, Goodfellas) Action/Adventure (Raiders of The Lost Ark, Fast And Furious, Bourne films) Martial Arts (Kill Bill, Crouching Tiger, Drunken Master) Western (Hateful 8, True Grit, Power of the Dog) 3 - Scary Stuff: Zombie (The Last of Us, World War Z, Dawn of the Dead) Slasher (Scream, Child's Play, Elm Street) Thriller (Fatel Attraction, Get Out, American Psycho) Paranormal (The Ring, The Conjuring, Exorcist) 4 - Out of This World: SciFi (Alien, 5th Element, Nope) Fantasy (Lord Of The Rings, Harry Potter, The Witcher) Superhero (Ironman, The Batman, Guardians of The Galaxy) Monster Movie (Godzilla, Pacific Rim, Cloverfield) 5 - Real Life: Doc (March of the Penguins, Kid Stays in the PIcture, They Shall Not Grow Old) Music Doc/Concert Film (Moonage Daydream, Get Back, Woodstock) Bio Pic (King Richard, Social Network, Ferrari) Sports Film (Rocky, Friday Night Lights, Iron Claw) 6 - Lighter Fair: Comedy (Bridesmaids, Zoolander, Rushmore) Family Animation (Puss In Boots, The Bad Guys, Toy Story) RomCom (Harry Met Sally, Always Be My Maybe, Red White & Royal Blue) Musical (LaLa Land, West Side Story, Tick Tick Boom) Show Notes: https://tonebenderspodcast.com/243---year-end-hang-out--genre-draft/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Hosts This Episode: Timothy Muirhead, René Coronado, Teresa Morrow, Mark Kilborn

Learn how the audio team created authentic and lively crowds for the wrestling scenes in 'The Iron Claw' film. From capturing extras on set to sound design and final mixing, experts discuss the intricacies of making crowds sound fantastic. They also delve into mixing music in film scenes and the use of sound in wrestling matches.

Picture Editor Hilda Rasula is joined by Supervising Sound Editor Mandell Winter and Supervising Dialog /ADR Editor Sang Jun Kim, to talk about their work on American Fiction. This film has excellent writing and acting, so it was up to the post production team to live up to those standards and carry it through to the end. They discuss the tight rope walk of keeping the comedy alive while also not letting it tip over into farce, and making buildings and spaces rich with sonic character to help tell story points. Show Notes: https://tonebenderspodcast.com/241---the-sound--picture-of-american-fiction/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

Michael Mann's new film "Ferrari", is a personal drama at heart, but we all know that it is the CARS that will draw people to see this one. Fortunately those cars sound amazing and we have the sound team with us, to talk about how they created and designed those sounds. Production sound mixer Lee Orloff, Supervising Sound Editors Tony Lamberti & Bernard Weiser, and Re-recording mixer Andy Nelson tell us about how they recorded the antique cars, how they differentiated the sounds for each vehicle in the races and lots more. This is a spoiler free conversation. Show Notes: https://tonebenderspodcast.com/240---ferrari/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

Johnnie Burn joins in to talk about his work on the new Yorgos Lanthimos film, Poor Things. He discusses his working process with Yorgos, the sonic differences between the black and white portion and the full color parts of the film as well as how he figured out the vocals for the hybrid animals. We even briefly touch on his work on Zone Of Interest. Show Notes: https://tonebenderspodcast.com/239---poor-things-with-johnnie-burn/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

Friend of the podcast Mark Mangini invites us into his studio to talk about his work on the new documentary 32 Sounds. He tells us about his experience learning how to mix for headphones, what his personal "ghost sounds" are and lots more. Show Notes: https://tonebenderspodcast.com/238---32-sounds-with-mark-mangini/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

Doing sound design for water is incredibly difficult, and this film involves a lot of water! We talk with Deborah Wallach & Grant Elder about their work on new Netflix film Nyad. They tell us about the challenges of making long cinematic swimming sequences sound dynamic and varied. Show Notes: https://tonebenderspodcast.com/237---nyad/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

Production Sound Mixer Nina Rice and Supervising Sound Editors Ai-Ling Lee & Dan Kenyon tell us about the rules of what sounds can exist in Barbie Land, how that contrasts with the Real World and lots more. Show Notes: https://tonebenderspodcast.com/236---barbie/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead

We dig into the sound of the sonically amazing race scenes in the Neill Blomkamp film, Gran Turismo. Re-recording Mixer Beau Borders and co-supervising sound editors Erin Oakley & Kami Asgar talk us through how they wanted the sound of the cars to feel like they are always from the POV of the drivers, so they felt hyper real. They also discuss how the story is being told through the race teams comms and headsets, how they earned the director's trust and made him at least a little less scared of using ADR. Show Notes: https://tonebenderspodcast.com/235---gran-turismo/ Podcast Homepage: https://tonebenderspodcast.com info on how to submit your fav field recording stories by Nov 19th: https://tonebenderspodcast.com/field-recording-story-submissions/ Tonebenders Host This Episode: Timothy Muirhead