note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Song: Murda Blocc by Maxo Kream feat. A$AP Ferg

note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. additional note: Jimmy later found much, much more on Detachment 202, which was very difficult to do for reasons which may become clear. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: Billy by 6ix9ine

note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Additional note: Jimmy was able to confirm that Mitchell Livingstone WerBell III was not Russian or Scottish but in fact Jewish on both paternal and maternal sides. This was confirmed in the 1920 census which listed their mother tongue as Hebrew and his parents coming from Poland/Romania/Russia. The 1930 census listed his parents' origins as Odessa, Russia. Further, WerBell's grandparents were listed as speaking "Russian Yiddish" in the 1910 census, and were buried in Har Nebo Jewish cemetery in Philadelphia. There is no doubt that Mitch WerBell III was Jewish. The implications are truly staggering. WerBell portrayed himself as Russian and Scottish, never Jewish, and in fact his family pretended to be Russian nobility. The whole white Russian thing. Kevin Coogan's books on Goleniewski, Yockey, and National Bolshevism are the keys to understanding this bizarre milieu of crypto-Jewish fascists. It also borders into the exact same territory as the fictional chivalric orders of the SoSJ and SoM that Coogan and Steven Snider have been studying. There was never any clear indication whether WerBell (or his sons) even knew he was Jewish, although it is unlikely that he was completely ignorant given his connections to Rich's Department store, advertising, his time in China, and the Israelis generally. Jimmy never found any indication that WerBell was antisemitic although he was constantly interacting with extreme far-right actors who were. It raises new questions about some of his interactions with Israeli military officials (episode 11), as well as the nature of his interactions with these extreme far-right groups. The fact that WerBell was Jewish raises many more questions than answers, and the question was never fully resolved before Jimmy discontinued his project. This was only one of several bizarre revelations between Jimmy writing the podcast and writing the book. Songs: Little Lord Fauntleroy by Upper Crust

note from the archivist: Jimmy did not write episode notes for the remaining episodes. However, an explanation is required. umgelenkt. Jimmy wrote these episodes, recorded them, and then began writing a book on WerBell. He wrote expanded the podcast manuscript into a book (and fixed some errors) but was required to stop writing for personal reasons. Jimmy did not stop due to what he found. incredibly hard artwork by Robert Voyvodic (@rvoy__) Songs: Guns 4 Sale by 50 Centavo

note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Jimmy and Dakota using found media Songs: Two Potato by Elite One Potato by Elite On Some Faraway Beach by Brian Eno

note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Jimmy and Dakota using found media Songs: Changing Limited Beliefs by Power Tape Programs Achieving Goals and Outcomes by Power Tape Programs

note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Jimmy and Dakota using found media Songs: It's The End Of The World As We Know It (And I Feel Fine) by REM Apocalypticism by Moon Walker

note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Jimmy and Dakota using found media Songs: I Love a Man in Uniform by Gang of Four Party at the NSA by Yacht Devil by Moon Walker

note from the archivist: Jimmy did not write episode notes for the remaining episodes. artwork by Dark Margaritaville (@dark_margaritaville) Songs: Banana Republics performed by Lucio Dalla and Francesco De Gregori Cheeseburger in Paradise performed by Plastic Flamingos Jimmy Buffet Doesn’t Live in Key West by David Allen Coe Margaritaville performed by Richard Cheese & Lounge Against The Machine Witches and Wizards by Louise Huebner One More Step by Church of the Cosmic Skull Margaritaville performed by Tejas Amanecer

note from the archivist: Jimmy did not write episode notes for the remaining episodes, however in this case Reid wrote, "On this episode we explore the strange & winding tale of Belita Adair. From musical medium & child prodigy to Puharich test subject to Satanic black metal artist, we trace her life from Ojai, CA to Ossining, NY. Along the way we revisit themes of coercive hypnosis, entity channeling, and encounter Ira Einhorn yet again." artwork by Dakota (@DEEP_RED_BELLS) Songs: Surfin’ Moon by the Mayhems Circle of Hate by Satanic Corpse Blood Benediction by Satanic Corpse Diamonos by Behemoth