Slate Race and Identity

During this LGBTQ Pride month, many members of the community are reflecting on a year of unprecedented political and legal attacks. One of the biggest battlefields has been in public schools and libraries, where books featuring LGBTQ stories have been the targets of censors. On today’s episode of A Word, guest host journalist Aisha Mills is joined by George M. Johnson, author of one of the most banned books, All Boys Aren’t Blue. They talk about the intersection of race and gender identity, and how Johnson has fought back against critics who call the book dangerous and inappropriate for children.Guest: George M. Johnson, author of All Boys Aren’t BluePodcast production by Kristie Taiwo-MakanjuolaYou can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anita Hill’s accusations launched urgent and heated conversations about racism and sexual harassment. They also stoked an anger in Clarence Thomas that’s never stopped raging.Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.Josh Levin is the editorial director of Slow Burn.Derek John is Slate’s executive producer of narrative podcasts.Susan Matthews is Slate’s executive editor.This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer.Merritt Jacob is our senior technical director.Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out… an archaeology of grievances.In honor of the third Juneteenth being celebrated as a national holiday, it’s worth unpacking symbolic gestures like Juneteenth — and, as many states are finding out, like Reparations.The movement to compensate the descendants of slaves is gaining more traction than ever before, in many parts of the country. Could this be our chance to clear a massive, lingering blight on our nation’s history? Our guest today argues no. Podcast host and columnist Coleman Hughes joins us to make the case that compensating the victims of slavery was something we should’ve done long ago – and now, it’s too late for it to be anything other than a problem. If you have thoughts you want to share, or an idea for a topic we should tackle, you can now email the show: hearmeout@slate.comPodcast production by Maura CurrieYou can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Police killings of Black men have their own grim, but established, rituals in American society. But what happens to those who survive police violence? On today’s episode of A Word, Jason Johnson is joined by Leon Ford, who survived being shot multiple times by Pittsburgh police more than a decade ago. In his new memoir An Unspeakable Hope, Ford candidly describes his legal, physical, and mental health challenges, and why he eventually dedicated himself to working with police, including reaching out to the man who shot him. He also discusses The Hear Foundation—his non-profit group that builds partnerships between the community and police—and his complicated views of politics, gun violence, and activism.Guest: Activist Leon Ford, co-founder of The Hear Foundation, and author of An Unspeakable Hope: Brutality, Forgiveness, and Building a Better Future for My SonPodcast production by Kristie Taiwo-Makanjuola Learn more about your ad choices. Visit megaphone.fm/adchoices

When Clarence Thomas got nominated to the Supreme Court, his behavior during the 1980s would get put under a microscope. To understand who Thomas was then and who he is today, you need to hear how he treated the women he worked with. You also need to hear from the woman who knew him best during those critical years: his ex-girlfriend Lillian McEwen. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.Josh Levin is the editorial director of Slow Burn.Derek John is Slate’s executive producer of narrative podcasts.Susan Matthews is Slate’s executive editor.This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer.Merritt Jacob is our senior technical director.Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of Hear Me Out… Racism Lite.Racial politics is responsible for a lot of ugliness, in the United States and around the world. Humans want, and even need, to sort themselves into categories — and sometimes, that tribalism yields as much good as it can bad. So do we always need to be a melting pot? Writer Damon Young joins us to make the case that we’re all racist, and there’s no reason to pretend otherwise.If you have thoughts you want to share, or an idea for a topic we should tackle, you can now email the show: hearmeout@slate.comPodcast production by Maura CurrieYou can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

If the Supreme Court rules against affirmative action for certain racial groups, as expected, how will colleges and other institutions create diverse student bodies and address racial disparities? Guest: Richard Kahlenberg, senior fellow at the Progressive Policy Institute and professorial lecturer at George Washington UniversityIf you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Dear Prudence—and you’ll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Weeks into the Hollywood writers strike, and there’s no sign of a settlement. WGA members say that studio chiefs are using artificial intelligence, streaming, and other methods to undervalue their work. And a wealth of already produced content, along with the misconception that writers are well paid, could minimize sympathy from fans. On today’s episode of A Word, Jason Johnson is joined by Eric Haywood. He’s a board member of the Writers Guild of America, and a creative whose work has been seen on Law & Order, Empire, and Power. Haywood explains what’s at stake for striking writers, Guest: Screenwriter Eric Haywood, Writers Guild of America negotiatorPodcast production by Ahyiana AngelYou can skip all the ads in A Word by joining Slate Plus. Sign up now at slate.com/awordplus for $15 for your first three months.This Pride Month, make an impact by helping Macy’s and The Trevor Project on their mission to fund life-saving suicide prevention services for LGBTQ youth. Go to macys.com/purpose to learn more.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is a part of Opinionpalooza. Slate’s coverage of Supreme Court decisions. We consider this coverage so essential that we’re taking down the paywall for all of it. If you would like to help us continue to cover the courts aggressively, please consider joining Slate Plus. And sign up for the pop-up newsletter to see the latest every week in your inbox.Dahlia Lithwick and Mark Joseph Stern join forces for this Opinionpalooza extra episode of Amicus discussing a seismic Supreme Court decision on voting rights. In his majority opinion in Allen v Milligan, Chief Justice John Roberts pushes back against his own long-standing stance on voting rights. Join Dahlia and Mark in this bonus episode to find out why. Sign up for Slate Plus now to support our show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clarence Thomas went to Yale Law School because he thought it was a good fit for his left-wing politics. But when he got there, it seemed like all the white liberals thought he was only there because he was Black. The sting Thomas felt fueled a lifelong resentment of affirmative action. It also drew him to a group of conservatives who helped sharpen his political beliefs.Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.  Josh Levin is the editorial director of Slow Burn.Derek John is Slate’s executive producer of narrative podcasts.Susan Matthews is Slate’s executive editor.This episode was edited by Josh Levin, Derek John, Sophie Summergrad and Joel Meyer.Merritt Jacob is Slate’s senior technical director.Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices