New Books in African Studies

This podcast marks the beginning of a new occasional series of podcasts about the genocide in Rwanda. In the next few months we’ll hear from Timothy Longman, Sara Brown, Erin Jessee and others. We start with Michael Barnett. Barnett has recently published a new edition of his seminal text Eyewitness to a Genocide: The United Nations and Rwanda (Cornell University Press, 2016). Barnett was a member of the US mission to the UN (on leave from his academic career for a year) and thus a first hand observer of the UN during the genocide. His book is a careful survey of the forces that led to UN inaction in the spring and early summer of 1994. It is simultaneously a history, an analysis of institutional culture, and a disquisition on moral responsibility. Its position in the literature on Rwanda was well-earned from the moment it was first published. In this new edition, Barnett adds an afterward exploring how what we’ve learned since 2002 has reshaped what we know about and how we evaluate the actions and decisions of policy makers. Here he sharpens his critique of the UN Secretariat, evaluates the historiography of the genocide, and lays out future areas of research. Barnett is simultaneously funny, thoughtful and introspective. We mostly talk about issues emerging from his books. But we also get into a broader discussion of the impact of Rwanda on his life and of how he experienced working in the UN when it was faced with such weighty decisions. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In 2004, during the Orange Revolution in Ukraine, Adriana Helbig saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her study of immigration, integration and identity in Hip Hop Ukraine: Music, Race, and African Migration (Indiana University Press, 2014). Through interviews with hip hop musicians and African immigrants in Ukraine, Helbig explores multi-valent racial imaginaries connected with U.S. hip hop and black identity construction through music. She also traces how Africans and Ukrainians both construct these identities by conducting research in Uganda, the home country of a number of African Ukrainian musicians. Multimedia resources for Hip Hop Ukraine are available through Indiana University Press Ethnomusicology Multimedia. Adriana Helbig is Associate Professor of Music at the University of Pittsburgh. She directs the Carpathian Music Ensemble and is affiliated faculty in Global Studies and the Center for Russian and East European Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism. Author Ira Dworkin is an assistant professor of English at Texas A&M University who specializes in African American and African Diaspora literature, American literature and culture, race and ethnicity studies, and transnational literatures. After Congo Love Song: African American Culture and the Crisis of the Colonial State, Dworkin’s current book project is focused on two autobiographies published by African Muslim and American Civil War soldier Nicholas Said in 1867 and 1873, tentatively titled Imperfectly Known: Nicholas Said and the Routes of African American Narrative. The work will consider the place of Africa, including Islamic religious traditions, in early African American narrative by examining oral accounts within African American communities, northern literary venues like the Atlantic Monthly, and publishing in the Reconstruction-era South. James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In 218 BCE, the Carthaginian general Hannibal Barca launched an invasion of Italy designed to bring the Roman Republic to its knees. Yet for all of his success in defeating Rome’s legions on the battlefield, Hannibal ultimately failed in his lifelong goal. In Hannibal (Simon and Schuster, 2017), Patrick N. Hunt recounts the triumphs and frustrations of the legendary commanders dramatic military career. The son of a Carthaginian leader who fought Rome in the First Punic War, Hannibal was raised to reverse Carthage’s loss in that initial conflict. This he did by taking the fight to Rome, where his outnumbered armies triumphed over the Romans in three successive battles. Yet, as Hunt explains, Rome soon learned from Hannibal’s example, and the Carthaginians’ inability to translate battlefield victories into a Roman surrender left him mired in a war of attrition he could not win. By the time he faced a Roman army at Zama in 202 BCE, the situation was now reversed, as Scipio Africanus used many of Hannibal’s own tactics against him. In this Hunt exposes the irony of Hannibal’s life, as his effort to destroy Rome’s nascent empire only made it stronger, setting the stage for the next seven centuries of its domination of the Mediterranean. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Sarah Ladipo Manyika’s second novel, Like a Mule Bringing Ice Cream to the Sun (Cassava Republic Press, 2016), is an excellent addition to the larger, and ever-expanding, genre of Nigerian literature. The novella begins slowly, teasing out details of the main character’s life as she interacts with the people of her San Francisco neighborhood. Morayao Da Silva, the main protagonist, is an elderly Nigerian woman, who is positive, youthful and independent. A fall interrupts her independence and forces her to become dependent on others, which exposes to the reader a hidden loneliness to her cheer and allows Morayo to reflect back on her life of world travel and eventual limitations brought about by age. Each character in this book, from the young mother named Sunshine, to the older African American man visiting his dementia-afflicted wife at the rehabilitation center, allows the reader to get deeper insight into the world of Morayo, while also exploring other character’s insights on the protagonist from an outside perspective. Overall this is a complex and nuanced read. The meandering pace is a testament to the lived experience, and the reader is rewarded for their patience with a thoughtful and satisfying character study. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Few images attached to Islam and to the Islamic legal tradition (the Sharia) in particular are more often and more disturbingly sensationalized than that of the stoning punishment. In her riveting new book Shari’ah on Trial: Northern Nigeria’s Islamic Revolution (University of California Press, 2017), Sarah Eltantawi, Assistant Professor of Comparative Religion at Evergreen State College, offers a dazzlingly nuanced and lucid account of the past and present of the stoning punishment in Northern Nigeria. Effortlessly moving between pre-modern and contemporary archives and contexts, Eltantawi traces the shifting meanings and political projects that have been invested into the stoning punishment over time. Historically grounded, theoretically exciting, and lucidly composed, this book is sure to spark important conversations and debates in multiple fields. It will also make a wonderful text for undergraduate and graduate seminars for courses on Islam, Islamic Law, Gender and Sexuality, and on Islam in Africa. SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available at https://fandm.academia.edu/SheraliTareen/. He can be reached at stareen@fandm.edu. Listener feedback is most welcome. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Anita Hannig‘s first book, Beyond Surgery: Injury, Healing, and Religion at an Ethiopian Hospital (University of Chicago Press, 2017) is an in-depth, ethnography of two fistula repair and rehabilitation centers in northern Ethiopia. Focusing on the juxtaposition of culture, religion and medicine, Hannig turns the heroic narrative of surgery on its head to expose the realities of life for women treated in, and living at the centers. Utilizing first-person interviews, she show the human face to the surgery and its aftermath. Moving beyond the easy and cathartic narrative promulgated by the media and non-profit fundraisers, Hannig shows the complex reality of life post-surgery. Hannig’s book is a testament to the importance of good, long-term research in the arena of public health in the developing world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In the capital of the African nation of Angola today stands a statue to Njinga, the 17th century queen of the Ndongo and Matamba kingdoms. Its presence is a testament to her skills as a diplomat, warrior, and leader of her people, all of which she demonstrated over the course of a reign described by Linda Heywood in Njinga of Angola: Africa’s Warrior Queen (Harvard University Press, 2017). The daughter of the Ndongo king Mbande a Ngola, Njinga grew up in a west central Africa that was facing growing encroachment by Portugal, who were major customers in the regions slave trade. Seeking to extend their control, the Portuguese challenged Njinga’s succession to the throne in 1624, prompting a war that lasted for three decades. To persevere, Njinga had to navigate the complex politics of the region, gaining control of the Matamba kingdom and pursuing ties with both the Vatican and the Dutch to provide a counterweight to the Portuguese. The treaty signed with Portugal in 1656 was a testament to her success, allowing her to focus on establishing a legacy of an independent kingdom that she could pass on to her sister after her death. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Apartheid in South Africa formally ended in 1994, but the issue of poverty and what to do about it remained as contentious as it had been a century earlier. In the new book, Poverty Knowledge in South Africa: A Social History of Human Science, 1855-2005 (Cambridge University Press, 2015), Grace Davie shows that the poverty question was up for grabs even into the twenty-first century because of ongoing disagreements about how to measure poverty and to manage the racists assumptions that underwrote it. The book uses the idiom of co-production to show how scientists, activists and other knowledge-makers made and remade poverty in dynamic interaction with the people they sought to know. The book documents the thwarted efforts of scientists to accomplish their political goals as their expert knowledge was variously invoked, reinterpreted, and dismissed not only by white-supremacist governments, but also by social activists, black communities, and labor unions, which all used experts poverty knowledge for their own political ends. At issue was the question of what constituted credible evidence, and over more than a century debates continued to toggle between quantitative and qualitative forms of evidence, between statistics and stories. Through this analysis, Davie pushes back against the familiar claim that the technocratic state was on a steady march towards quantitative objectivity. Poverty Knowledge in South Africa is a serious, thorough book and it is indispensable for thinking through questions of social justice not only among historical actors but among scholars in the present day. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Rwanda’s homegrown gacaca law has been widely hailed as a successful indigenous solution to the unprecedented problem of the country’s 1994 genocide. In his book Inside Rwanda’s Gacaca Courts: Seeking Justice After Genocide (University of Wisconsin Press, 2016), Bert Ingelaere complicates this received wisdom by focusing on the way the post-genocide gacaca trials unfolded, rather than on their lofty goals, as framed by the public relations arm of the post-genocide Rwandan Patriotic Front (RPF) government and other interested parties, both internal and external to Rwanda. The Kinyarwandan word gacaca, derived from the word umucaca, originally referred to a plant that was so soft to sit on that people preferred to gather on it during precolonial times to adjudicate disputes and crimes, but most importantly, to restore social order and harmony. During the colonial period, the jurisdiction and prevalence of gacaca was greatly restricted. Its re-emergence as a viable means of transitional justice in Rwanda following the genocide was a response to the volume of the associated crimes. Western-style court systems were simply unequal to the task of dealing with the 1,958,634 cases of alleged participation in the genocide. The basis of this concise treatment of the gacaca court system and the transitional justice it sought to dispense between 2005 and 2012, is Ingelaere’s mixed methods research in Rwanda, which included extended field research, as well as proxy trial observation by his Rwandan collaborators. The books eight chapters provide an overview of the basic operational characteristics of gacaca and consider how we should qualify the outcomes of this ambitious process. Mireille Djenno is the African Studies Librarian at Indiana University. She can be reached at mdjenno@indiana.edu   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies