New Books in African Studies

Afropolitan Encounters: Literature and Activism in London and Berlin (Peter Lang, 2022), the first book in the new series “Imagining Black Europe,” explores what Afropolitanism does. Mobile people of African descent use this term to address their own lived realities creatively, which often includes countering stereotypical notions of being African. Afropolitan practices are enormously heterogeneous and malleable, which constitutes its strengths and, at the same time, creates tensions.Anna von Rath traces the theoretical beginnings of Afropolitanism and moves on to explore Afropolitan practices in London and Berlin. Afropolitanism can take different forms, such as that of an identity, a political and ethical stance, a dead–end road, networks, a collective self–care practice or a strategic label. While not a unitary project, the vast variety of Afropolitan practices provide approaches to contemporary political problems in Europe and beyond. In this book, Afropolitan practices are read against the specific context of German and British colonial histories and structures of racism, the histories of Black Europeans, and contemporary right–wing resurgence in Germany and England, respectively.Nicole Coleman is Assistant Professor of German at Wayne State University. She tweets @drnicoleman. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The global success of football icons like Samuel Eto'o, Didier Drogba and Mohamed Salah has fuelled the migratory projects of countless young men across the African continent who dream of following - literally and figuratively - in their footsteps. Drawing on over a decade of ethnographic research, African Football Migration: Aspirations, Experiences and Trajectories (Manchester University Press, 2022) captures and chronicles the aspirations, experiences and trajectories of those pursuing this highly prized form of transnational migration. In doing so, the book’s three authors Dr. Paul Darby, Dr. James Esson, and Dr. Christian Ungruhe uncover and trace the myriad actors, networks and institutions that affect the ability of young people across the continent to realise social mobility through football's global production network.The book sheds critical light on the barriers to social mobility erected by neoliberal capitalism, and how these are negotiated by aspiring African footballers. It also generates original interdisciplinary perspectives on the complex interplay between structural forces and human agency, as young players navigate an industry rife with commercial speculation. While a select few reach the elite levels of the game and build a successful career overseas, the book vividly illustrates how for the vast majority, 'trying their luck' through football results in involuntary immobility in post-colonial Africa. These findings are complemented by rare empirical insights from transnational African migrants at the margins of the global football industry and those navigating precarious retirement from careers as players.African Football Migration offers essential coverage of why and how African youth and young men have become actors in the global football industry, revealing the complex implications of transnational mobility, both imagined and enacted.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.Unfortunately, Dr. Christian Ungruhe was unable to join this interview. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In Underdevelopment and African Literature (Cambridge University Press, 2020), Sarah Brouillette tackles the print culture and literature in English in South and East Africa. Starting from the period of the 1970s to the contemporary times. She analyses literary texts as well as textbooks and books written for the learners of the English language. She puts forth how piracy, short-fictions app, apps and so on form an intricate part of this diverse field.Sarah Brouillette is a professor at Carleton University in Canada.Gargi Binju is a researcher at the University of Tübingen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The entwined histories of Blacks and Indians defy easy explanation. From Ghanaian protests over Gandhi statues to American Vice President Kamala Harris’s story, this relationship—notwithstanding moments of common struggle—seethes with conflicts that reveal how race reverberates throughout the modern world.Shobana Shankar’s groundbreaking intellectual history tackles the controversial question of how Africans and Indians make and unmake their differences. In An Uneasy Embrace: Africa, India and the Spectre of Race (Oxford UP, 2021), she traces how economic tensions surrounding the Indian diaspora in East and Southern Africa collided with widening Indian networks in West Africa and the Black Atlantic, forcing a racial reckoning over the course of the twentieth century. While decolonization brought Africans and Indians together to challenge Euro-American white supremacy, discord over caste, religion, sex and skin color simmered beneath the rhetoric of Afro-Asian solidarity.This book examines the cultural movements, including Pan-Africanism and popular devotionalism, through which Africans and Indians made race consciousness, alongside economic cooperation, a moral priority. Yet rising wealth and nationalist amnesia now threaten this postcolonial ethos. Calls to dismantle statues, from Dakar to Delhi, are not mere symbolism. They express new solidarities which seek to salvage dissenting histories and to preserve the possibility of alternative futures.Shobana Shankar is currently an Associate Professor in the History Department at Stony Brook University.Sara Katz is a Postdoctoral Associate in the History Department at Duke University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

On July 9, 2011, South Sudan celebrated its independence as the world's newest nation, an occasion that the country's Christian leaders claimed had been foretold in the Book of Isaiah. The Bible provided a foundation through which the South Sudanese could distinguish themselves from the Arab and Muslim Sudanese to the north and understand themselves as a spiritual community now freed from their oppressors. Less than three years later, however, new conflicts emerged along ethnic lines within South Sudan, belying the liberation theology that had supposedly reached its climactic conclusion with independence. In Chosen Peoples: Christianity and Political Imagination in South Sudan (Duke UP, 2021), Christopher Tounsel investigates the centrality of Christian worldviews to the ideological construction of South Sudan and the inability of shared religion to prevent conflict. Exploring the creation of a colonial-era mission school to halt Islam's spread up the Nile, the centrality of biblical language in South Sudanese propaganda during the Second Civil War (1983--2005), and postindependence transformations of religious thought in the face of ethnic warfare, Tounsel highlights the potential and limitations of deploying race and Christian theology to unify South Sudan.Christopher Tounsel is Catherine Shultz Rein Early Career Professor in the College of the Liberal Arts and Assistant Professor of History and African Studies at Pennsylvania State University.Thomas Zuber is a PhD Candidate in History at Columbia University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

“In Africa, when an elder dies, a library burns.” We’ve all heard this phrase, or some version of it, but not all of us know who uttered it. It was the singular Amadou Hampâté Bâ. By the end of his long life, Bâ, the ethnographer, author, interpreter, religious teacher, poet, philosopher and ambassador had himself become one of Africa’s most famous “elders”, and, to borrow his phrase, one of the continent’s most expansive “libraries”. Amkoullel, the Fula Boy (Duke University Press, 2021) is the first volume of Hampâté Bâ’s memoirs, covering the earliest years of his life. Amkoullel, the Fula Boy was awarded the Grand Prix Littéraire d’Afrique Noire in 1991. It has just been translated into English by Jeanne Garane with a new foreword by Ralph Austen.Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at www.elisaprosperetti.net. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

We often neglect the Indian Ocean when we talk about our macro-level models of geopolitics, global economics or grand strategy—often in favor of the Atlantic or the Pacific. Yet the Indian Ocean—along whose coasts live a third of humanity—may be a better vehicle to understand how our world is changing.Globalization first began in the Indian Ocean with traders sailing between the Gulf, South Asia and Southeast Asia, spreading goods, cultures and ideas. And now, with no hegemon and an array of different states, governments, and economies, the world may look more like the Indian Ocean in the future.Beyond Liberal Order: States, Societies and Markets in the Global Indian Ocean (Hurst: 2021 / Oxford University Press: 2022), edited by Harry Verhoeven and Anatol Lieven, studies the countries in the Indian Ocean—nations as as different as Singapore, Pakistan, and Somalia—to look at how our understanding of the post-Cold War world order doesn’t quite align with this part of the world.Harry Verhoeven is a Senior Research Scholar at the Center on Global Energy Policy, School of International and Public Affairs at Columbia University. He is the Convenor of the Oxford University China-Africa Network and a Senior Adviser at the European Institute of Peace. He is the author of Water, Civilisation and Power in Sudan (Cambridge University Press: 2015) and Why Comrades Go To War (Oxford University Press: 2016) and the editor of Environmental Politics in the Middle East (Oxford University Press: 2018)Anatol Lieven is a senior fellow of the Quincy Institute for Responsible Statecraft in Washington DC, and was formerly a professor at Georgetown University in Qatar and King's College London. In the 1980s and 1990s he worked as a British journalist in South Asia and the former Soviet Union, and is the author of several books on these regions including Pakistan: A Hard Country (PublicAffairs: 2012). His most recent book, Climate Change and the Nation State, appeared in paperback in 2021.In this interview, the three of us talk about the Indian Ocean—and how it challenges the way we think about international relations and the international system.You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Beyond Liberal Order. Follow on Facebook or on Twitter at @BookReviewsAsia.Nicholas Gordon is an associate editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In Media Primitivism: Technological Art in Africa (Duke University Press, 2020) Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.Holiday Powers is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

The events of January 6th 2021 are contested in the US. For some supporters of Donald Trump it was, and remains, a case of a legitimate protest against a rigged election. For opponents of Mr. Trump, it was an attempt to bully Congress through physical intimidation into refusing to validate the correct election result. That so many Americans believe the election was rigged raises questions about the nature of right wing politics in the US. This podcast covers these issues with Professor Timothy Snyder of Yale University.Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Hilton Judin's book Architecture, State Modernism and Cultural Nationalism in the Apartheid Capital (Routledge, 2021) is the first comprehensive investigation of the architecture of the apartheid state in the period of rapid economic growth and political repression from 1957 to 1966 when buildings took on an ideological role that was never remote from the increasingly dominant administrative, legislative and policing mechanisms of the regime. It considers how this process reflected the usurpation of a regional modernism and looks to contribute to wider discourses on international postwar modernism in architecture.Buildings in Pretoria that came to embody ambitions of the apartheid state for industrialization and progress serve as case studies. These were widely acclaimed projects that embodied for apartheid officials the pursuit of modernization but carried latent apprehensions of Afrikaners about their growing economic prospects and cultural estrangement in Africa. It is a less known and marginal story due to the dearth of material and documents buried in archives and untranslated documents. Many of the documents, drawings and photographs in the book are unpublished and include classified material and photographs from the National Nuclear Research Centre, negatives of 1960s from Pretoria News and documents and pamphlets from Afrikaner Broederbond archives.State architecture became the most iconic public manifestation of an evolving expression of white cultural identity as a new generation of architects in Pretoria took up the challenge of finding form to their prospects and beliefs. It was an opportunistic faith in Afrikaners who urgently needed to entrench their vulnerable and contested position on the African continent. The shift from provincial town to apartheid capital was swift and relentless. Little was left to stand in the way of the ambitions and aim of the state as people were uprooted and forcibly relocated, structures torn down and block upon block of administration towers and slabs erected across Pretoria.This book will be of great interest to students and scholars of architectural history as well as those with an interest in postcolonial studies, political science, and social anthropology.Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies