In Our Headphones

Trentemøller - "All Too Soon" from the 2022 album Memoria on In My Room. Danish producer Anders Trentemøller has been making cinematic electronic soundscapes for over 20 years now and is constantly finding new avenues of traversing genre-bending lush landscapes. The latest singles off his forthcoming sixth studio album, Memoria, “In the Gloaming” and our Song of the Day “All Too Soon,” find him employing textured dream pop and the glistening vocals of his girlfriend Lisbet Fritze for a majestic and mysterious mood.  According to Trentemøller’s Bandcamp: “‘All Too Soon’ examines ostensibly diametric relationships of light and dark, life and death, day and night, love and hate, while actually presenting them as dualistic, and symbiotic, influencing each other as they interrelate. What might appear to be a dispiriting take on our mortality could just as easily be interpreted as its acceptance being liberating.” Memoria follows up 2019’s Obverse, which featured Rachel Goswell of Slowdive and Jenny Lee Linberg of Warpaint. Watch the video for “All Too Soon,” directed by Fryd Frydendahl on KEXP.org. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Mr Twin Sister - "Polvo" from the 2021 album Al Mundo Azul on Twin Group. For over a decade now, Mr Twin Sister have been constantly reinventing their sound in completely underrated fashion. From the dreamy baroque indie of their debut under the name Twin Sister to the infectious electro pop of 2014’s Mr Twin Sister to the eclectic groove and slow jams on their last full-length, 2018’s Salt, the band has been constantly pushing forward while remaining almost completely under the radar. Their newest forthcoming album, Al Mundo Azul, sees the New York-based band continuing this trajectory in dazzling fashion. Our Song of the Day, “Polvo,” might be the best representation of this new direction towards sheeny dance pop. Influenced by the cumbia of frontwoman Andrea Estella’s maternal homeland of El Salvador, the song is a strutting dance track and one of the few in the band’s discography sung entirely in Spanish.  “‘Polvo’ is about how death fuels life, how we’re all connected, and how we must die in order to live,” Estella says of the song. “Polvo” is one five singles off of Al Mundo Azul shared ahead of the album’s November 19th release. Watch the video for single “Beezle,” directed by Estella, on KEXP.org. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Today, we bring you the story of Tina Bell, from KEXP's Sound & Vision podcast. Bam Bam was a Black woman-fronted grunge band in Seattle in the early '80s — before grunge was a defined genre. Larry Mizell Jr. tells the story of Bam Bam and the life of frontwoman Tina Bell. He also explores why we’ve never heard of this group before and why their story has been erased from Seattle music history. For more stories like these, including recent interviews with The War On Drugs, Tori Amos, and Mudhoney's Guy Maddison, check out KEXP's Sound & Vision wherever you listen to podcasts.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Talaya. - "Sola Fide + No Way (feat. Brandon Marsalis & Crissy P)" from the 2021 album Existential Soul on Talaya's Music. “Sola Fide + No Way” is an exemplification in song of a whole new crop of young, self-taught, self-made artists that is currently rising in the Seattle area. The hypnotic track off of Talaya’s debut full-length Existential Soul sees the R&B soul songstress team up with rappers Brandon Marsalis of Tacoma and Kent-based Crissy P for a sophisticated and spiritual quest to find the light. An audio engineer by day, Talaya first gained recognition for her vocal prowess at 2020’s Sound Off! The 21-and-under competition has been the symbolic birthplace of artists like Naked Giants, Dave B, Emma Lee Toyoda, and Travis Thompson and is seen as one of the main opportunities that young artists in the Northwest can get exposure. Crissy P also falls into that category, as a finalist in 2019’s competition and now an activist using his insightful voice on his 2020 debut full-length The East Coordinate to amplify the causes close to his heart.  “Is you Christian all the way?” Marsalis ponders on “Sola Fide +No Way,” questioning the intentions behind performative religion. Reflection is big for the 24-year-old artist, who beautifully articulates the big questions in life on his 2019 album Ouroboros. While none of these artists have yet lived a quarter century on this planet, their ability to express larger-than-life concepts bodes very well for the next generation. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Liv.e - "Bout It," a 2021 single on In Real Life / AWAL. Dallas-born singer/songwriter Liv.e may have only just released her debut album Couldn’t Wait to Tell You in 2020 but she’s been quietly gaining traction underground since 2017, with marquee names like Janelle Monae, Earl Sweatshirt, and Tyler, The Creator singing her praises. And, listening to Couldn’t Wait to Tell You, it’s easy to see why. The 20-track record is hypnotic in its fusion of soul, jazz, and R&B with loose song structures that fade like dreams. Her latest single and KEXP’s Song of the Day, “Bout It” continues that dreamy feeling with hazy downtempo production by Mndsgn that repeats the same spacey line over and over like an incantation and Liv.e following suit with the recurrent question of “Is you ‘bout it?” to spell-binding effect. If you weren’t before, you certainly are about it now. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Dora Jar - "Scab Song," a 2021 single on Original Sin. 24-year-old Dora Jar may only have a handful of songs out currently but she’s poised to become the Next Big Thing. Take our Song of the Day, for example. “Scab Song” ingeniously uses an actual scab on Dora’s 19-year-old leg as an inspiration for an infectiously blissful pop banger that investigates the odd and interesting aspects of the human form.  The track follows Dora Jar’s 2021 mini album Digital Meadow, a flawless debut that melds intellectually quirky songwriting with electronic flourishes and hip-hop beats for a sound we can only unjustly describe as “bedroom pop.” Keep your eyes and ears peeled because if she can make a song about a scab sound like a top 40 hit then there’s no telling what else she can do. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Angélica Garcia - "Llorona" from the 2021 Echo Eléctrico EP on Spacebomb. Los Angeles-born, Richmond-based singer/songwriter Angélica Garcia uses music to explore her many identities as an American with Mexican and Salvadoran descent. Garcia’s 2016 debut, Medicine for Birds, was a folksy affair where her vocals twinkled in harmony with both banjos and synth beats and 2020’s Cha Cha Palace, released only weeks before the world shut down, is a powerful and unique pop record that stomps with fury. So commanding were the tracks, that even Barack Obama couldn’t help but take notice. Continuing her journey of constant evolution, Garcia’s latest release, Echo Eléctrico, couldn’t be further from her prior records. An interpretation of traditional Mexican ranchera songs, Garcia uses richly textured synth and vocal loops to layer the passionately sung ballads. Our Song of the Day, “Llorona,” sits smack dab in the middle of the 5-song EP and uses cascading looped vocals as the sole instrumentation behind Garcia’s intensely emoted quavers. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Pink Siifu - "Big Ole (feat. BbyMutha)" from the 2021 album GUMBO'! on Dynamite Hill. Pink Siifu is just one of the musical pseudonyms that Livingston Matthews has taken on over the years. The 29-year-old Birmingham-bred rapper/singer/producer has been making a massive splash the past couple of years, most notably with 2020’s NEGRO, which was an experimental excercise in catharsis, taking the years of pain and discrimination and turning it into a battle cry of recordings. In August, Matthews quickly followed NEGRO up with GUMBO, which departs massively from the free jazz experimentation and caustic howls for an incredibly smooth and bouncy Southern rap record. Our Song of the Day and GUMBO highlight, “Big Ole,” features bass-heavy, blown out production from Conquest Tony Phillips and an effortless verse from Chatanooga rapper BbyMutha. The song comes with a bright and distorted video, directed by 30onme. Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

MAITA - "Pastel Concrete" from the 2022 album I Just Want To Be Wild For You on Kill Rock Stars. MAITA is the full-band project of Portland-based artist Maria Maita-Keppeler. Quickly following up the release of her fantastic debut album Best Wishes, unveiled only just last year, this February her sophomore record I Want To Be Wild For You will be revealed.  Our Song of the Day is the early single “Pastel Concrete.” What appears to be an intimate, possibly somber guitar strummer in the opening lines grows into a jaunty tune that grows and eventually cathartically erupts. Known for her mercurial lyricism, Maita-Keppeler turns the task of driving through Santa Monica for work as a study of the unique culture and landscape of Southern California.  “Pastel Concrete was written at a time when I had a job that periodically sent me to Santa Monica, Maita-Keppeler says of the song. “A place that felt more foreign to me than any other. The outdoor mall, the kitschy boardwalk, the actors and artists I worked with who seemed so different from me and yet so understood the struggle of trying to get paid, and the infamous mythology of LA—I found it all uncomfortable and fascinating.” I Want To Be Wild For You is out February 18, 2022 via Kill Rock Stars.  Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Breeze - "Come Around (feat. Cadence Weapon)" from the 2021 album Only Up on Hand Drawn Dracula. Toronto-based producer Josh Korody has a long list of credits to his name including Dilly Dally, Beliefs, and Nailbiter but his main solo project is the monosyllabically titled Breeze. For his latest album as Breeze, Only Up, Korody recruited pretty much anybody and everybody in the Toronto scene to join him in collaboration to make a record in only eight days. Members of Orville Peck, Tallies, Vallens, Zoon, Sauna, Fake Palms, Rapport, Praises, Civic TV, Moon King, Blonde Elvis, For Jane, Ducks Ltd, TOPS and Broken Social Scene all have their fingers on the frenetically fun album. Our Song of the Day is the record’s early single “Come Around.” Energetic and eclectic, the song mashes genres together in a way that makes “Come Around” sound so wrong that it’s right. Psychedelic guitar strums meld with hard-hitting tribal beats and post-punk howls that feels caustic on first listen but gets soothing on repeated spins.  Then, just when your brain is starting to comprehend what’s happening, Cadence Weapon (the musical pseudonym of rapper/writer Rollie Pemberton) jumps in halfway through for an unexpected verse of nonsensical but clever as hell lines like, “On the web I surf like Brian Wilson.” After a cool 40 seconds, he dips out and we’re back to Korody’s trippy nightmarish yowls. Korody had his to say about the song: “Come Around” is about someone that has done something horrible and has not shown any accountability or true remorse and the fear they – or have the nerve – to be able to jump back into a community that no longer feels comfortable around them. So, as I’m singing the song I’m picturing performing it live with them walking into the room and making people, especially the people closest to them, extremely uncomfortable and angry. The lyrics: ‘Yeah, you really did a number on this one’ references the trauma they imposed upon the community. When Rollie (Cadence Weapon) comes in, his lyrical dialogue is a bit more separate, it’s more fun but still comes from frustration as well and it quickly takes myself and others out of that dark place with the hope of trying to move on and to enjoy the life we have.” Read the full post on KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.