Exchanges: A Cambridge UP Podcast

The city was one of the central and defining features of the world of the Greek and Roman Mediterranean. Challenging the idea that the ancient city 'declined and fell', Andrew Wallace-Hadrill argues that memories of the past enabled cities to adapt and remain relevant in the changing post-Roman world. In the new kingdoms in Italy, France and Spain cities remained a key part of the structure of control, while to contemporary authors, such as Cassiodorus in Ostrogothic Italy, Gregory of Tours in Merovingian Gaul, and Isidore in Visigothic Spain, they remained as crucial as in antiquity. The archaeological evidence of New Cities founded in this period, from Constantinople to Reccopolis in Spain, also shows the deep influence of past models. The Idea of the City in Late Antiquity: A Study in Resilience (Cambridge UP, 2025) reveals the adaptability of cities and the endurance of the Greek and Roman world. Sheds fresh light on one of the most important social and cultural developments in the transition from classical antiquity to the world of the Middle Ages Explores developments through the eyes of contemporary writers and documents as well as the archaeological record Of interest to all those concerned with how cities can adapt in a radically changing world ANDREW WALLACE-HADRILL is Emeritus Professor in the Faculty of Classics at the University of Cambridge and an Emeritus Fellow of Sidney Sussex College. He is a Roman cultural historian and his books include Suetonius: The Scholar and His Caesars (1983), Augustan Rome (1993), Houses and Society in Pompeii and Herculaneum (1994), Rome's Cultural Revolution (Cambridge, 2008) and Herculaneum: Past and Future (2011). Former Director of the British School at Rome, he has directed archaeological projects at Pompeii and Herculaneum. This book is the result of his project on the Impact of the Ancient City, which received funding from the European Research Council.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

What makes one sentence easy to read and another a slog that demands re-reading? Where do you put information you want readers to recall? Drawing on cognitive neuroscience, psychology and psycholinguistics, Writing for the Reader’s Brain (Cambridge University Press, 2025) provides a practical, how-to guide on how to write for your reader. It introduces the five 'Cs' of writing - clarity, continuity, coherence, concision, and cadence - and demonstrates how to use these to bring your writing to life.Dr. Yellowlees Douglas is the founder of ReadersBrain Academy and has spent over twenty-five years teaching writing to everyone from professors to freshmen.This interview was conducted by Renee Hale, who holds a Ph.D. in Chemical Engineering and works in R&D for the food and beverage industry. She is the author of The Nightstorm Files, a voracious reader, and enjoys sharing the joy of new perspectives with listeners.

Democracy, argues David Wiles, is actually a form of theatre. In making his case, the author deftly investigates orators at the foundational moments of ancient and modern democracy, demonstrating how their performative skills were used to try to create a better world. People often complain about demagogues, or wish that politicians might be more sincere. But to do good, politicians (paradoxically) must be hypocrites - or actors. Moving from Athens to Indian independence via three great revolutions – in Puritan England, republican France and liberal America – Democracy, Theatre and Performance: From the Greeks to Gandhi (Cambridge UP, 2024) opens up larger questions about the nature of democracy. When in the classical past Plato condemned rhetoric, the only alternative he could offer was authoritarianism. Wiles' bold historical study has profound implications for our present: calls for personal authenticity, he suggests, are not an effective way to counter the rise of populism. Brilliantly reveals the ways in which culture shapes politics, with apposite historical examples Reframes politics as theatre, allowing politically-minded readers to reflect upon the way performance must always shape the democratic process and in turn allowing theatrically-oriented readers to look afresh at political processes Proposes a novel and striking historical framing of contemporary issues – Brexit, Trump, political polarization – by using theatre as a tool to imaginatively unlock these issues Deploys wide-ranging case studies to contrast the ancient Greek city-state with modern electoral democracy around the world David Wiles is Emeritus Professor of Drama at the University of Exeter. A British theatre historian, he specialises in classical and early modern theatre and has spent his career in departments of drama, where his teaching has always engaged with practice. His research interests include performance space and time, mask, acting and citizenship.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

Between the study of specific languages and the philosophy of language lies what Ryan Nefdt calls a “Goldilocks zone” of theoretical issues related to language. In The Philosophy of Theoretical Linguistics (Cambridge University Press, 2024), Nefdt introduces and explores the elements in this zone, including different theories of syntax, semantics, and pragmatics, and differing views of how language evolved, which languages are possible, and what defines language. Nefdt, a professor of philosophy at the University of Cape Town, shows where dominant linguistic theories, such as Chomskian syntactic theory and truth-conditional semantics, fit in a generalized framework where a key theoretical dimension is the role of social context.

Those who fought in the Civil War were expected to overcome their fear of injury or death as they charged into a hail of bullets. Soldiers could expect erupting artillery shells or Minié balls to maim or tear their bodies apart. The 11th New York Fire Zouaves and the 2nd Texas Infantry were no different. They charged into battle with high, perhaps even inflated, expectations of glory on the field of battle. After all, they had already shown their bravery at home especially in the case of the Fire Zoaves. Yet when they marched into battle at the fields of Bull Run or Shiloh, falter as a unit they did. Afterwards, members of both units faced charges of cowardice casting a lingering shadow on their regiments and personal reputations. Over time charges of cowardice would fade to be replaced with the rhetoric of martial heroism leading some historians to insist that all Civil War soldiers were heroes. In her latest work, Dread Danger: Cowardice and Combat in the America Civil War (Cambridge UP, 2024), Dr. Lesley Gordon seeks to offer a fuller understanding of the experiences of Civil War soldiers and sufferings of war.Dr. Gordon is the Charles Boal Ewing Chair in Military History at West Point and the Charles G. Summersell Chair of Southern History at the University of Alabama. Dr. Gordon received her Ph.D. from the University of Georgia and specializes in civil war history. 

The beguiling ruins of Rome have a long history of allure. They first engaged the attention of later mediaeval tourists, just as they do today. The interest of travellers was captured in the Renaissance by artists, architects, topographers, antiquarians, archaeologists and writers. Once the ruins were seen to appeal to visitors, and to matter for their aesthetic quality, their protection and attractive presentation became imperative. Rome's ruins were the first to be the object of preservation orders, and novel measures were devised for their conservation in innovative archaeological parks. The city's remains provided models for souvenirs; paintings of them decorated the walls of eighteenth-century English country houses; and picturesque sham Roman ruins sprang up in landscape gardens across Europe. Writers responded in various ways to their emotional appeal. Roland Mayer's The Ruins of Rome: A Cultural History (Cambridge UP, 2025) will delight all those interested in the remarkable survival and preservation of a unique urban environment.ROLAND MAYER is Emeritus Professor of Classics at King's College London.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

The origins and nature of nationhood and nationalism continue to be topics of heated scholarly debate. This major new reference work with contributions from an international team of scholars provides a comprehensive account of ideas and practices of nationhood and nationalism from antiquity to the present. It considers both continuities and discontinuities, engaging critically and analytically with the scholarly literature in the field. The Cambridge History of Nationhood and Nationalism (Cambridge UP, 2024) also explores nationhood and nationalism's relationships with a wide variety of cultural practices and social institutions, in addition to the phenomenon's crucial political dimensions. Its wide range of regional case studies brings a truly global, comparative perspective to a field long constrained by Eurocentric assumptions. Volume I tracks turning points in the history of nationhood and nationalism from ancient times to the twentieth century. Volume II theorizes the connections between nationhood/nationalism and ideology, religion and culture. Together, they enable readers to understand the roots of how nationhood and nationalism function in the present day.Cathie Carmichael is Professor of European History at the University of East Anglia, Norwich.Matthew D'Auria is a Lecturer in Modern European History at the University of East Anglia.Aviel Roshwald is an American historian and Professor of history at Georgetown University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

From the second half of the nineteenth century, Japan has been a particularly enthusiastic user of exhibitions. Large-scale international exhibitions, including Osaka 2025, form only the tip of an iceberg comprising over 1,300 industrial, regional, and local exhibitions held in Japan over the past 150 years. In Exhibitionist Japan: The Spectacle of Modern Development (Cambridge UP, 2025), Angus Lockyer explores how and why these events have been used as catalysts of development and arenas for fostering modern industry, empire, and nation. He traces their complicated genesis, realization, and reception, demonstrating that although they rarely achieve their stated aims, this does not undermine their utility - Japanese expos have provided a model subsequently adopted around the world. The history of this enthusiasm provides a more nuanced understanding of development in modern Japan, and emphasizes the shared experiences of global modernity.

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core.

The debate about the impact of colonialism on the prospects for democracy and development continues to rage. Was the legacy of colonialism equally destructive everywhere? Or were some forms of colonial rule more likely to give rise to stable and effective democracies? Join Nic Cheeseman as he talks to Alexander Lee and Jack Paine about their important new book, The Colonial Origins of Democracy and Dictatorship (Cambridge UP, 2024), which makes a compelling new contribution to the debate. Find out why countries with lengthy exposure to competitive colonial institutions tended to consolidate democracies after independence, and how regime trajectories shaped by colonial rule persist to the present day.Guest:Alexander Lee is an Associate Professor of Political Science at the University of Rochester. His work has made important contributions to a number of areas, including gender quotas, affirmative action, the political economy of South Asia and the legacy of colonialism. His most recent book, Colonial Origins of Democracy and Dictatorship has been highly praised and is out now with Cambridge University Press.Jack Paine is an Associate Professor and Director of Graduate Studies in the Department of Political Science at Emory University. He is known for influential research on a range of topics including democratic backsliding, authoritarian power sharing, conflict and the resource curse, and the legacy of colonialism. His most recent book, Colonial Origins of Democracy and Dictatorship has been highly praised and is out now with Oxford University Press.Presenter:Dr Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!