Exchanges: A Cambridge UP Podcast

The origins and nature of nationhood and nationalism continue to be topics of heated scholarly debate. This major new reference work with contributions from an international team of scholars provides a comprehensive account of ideas and practices of nationhood and nationalism from antiquity to the present. It considers both continuities and discontinuities, engaging critically and analytically with the scholarly literature in the field. The Cambridge History of Nationhood and Nationalism (Cambridge UP, 2024) also explores nationhood and nationalism's relationships with a wide variety of cultural practices and social institutions, in addition to the phenomenon's crucial political dimensions. Its wide range of regional case studies brings a truly global, comparative perspective to a field long constrained by Eurocentric assumptions. Volume I tracks turning points in the history of nationhood and nationalism from ancient times to the twentieth century. Volume II theorizes the connections between nationhood/nationalism and ideology, religion and culture. Together, they enable readers to understand the roots of how nationhood and nationalism function in the present day.Cathie Carmichael is Professor of European History at the University of East Anglia, Norwich.Matthew D'Auria is a Lecturer in Modern European History at the University of East Anglia.Aviel Roshwald is an American historian and Professor of history at Georgetown University.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

From the second half of the nineteenth century, Japan has been a particularly enthusiastic user of exhibitions. Large-scale international exhibitions, including Osaka 2025, form only the tip of an iceberg comprising over 1,300 industrial, regional, and local exhibitions held in Japan over the past 150 years. In Exhibitionist Japan: The Spectacle of Modern Development (Cambridge UP, 2025), Angus Lockyer explores how and why these events have been used as catalysts of development and arenas for fostering modern industry, empire, and nation. He traces their complicated genesis, realization, and reception, demonstrating that although they rarely achieve their stated aims, this does not undermine their utility - Japanese expos have provided a model subsequently adopted around the world. The history of this enthusiasm provides a more nuanced understanding of development in modern Japan, and emphasizes the shared experiences of global modernity.

Louise Lowe is a theatre and performance director, writer, choreographer, dramaturge, and, more recently, a television director and short film writer/director, working in Ireland and internationally. She is the Co-Artistic Director of ANU Productions, established with Owen Boss in Dublin in 2009. Lowe is known for facilitating and creating moments of interior reckoning for audiences through immersive performance techniques. These techniques engage spectators in affectively realised moments of understanding that the stories unfolding through performance reflect living histories in need of greater socio-political engagement and intervention. The Theatre of Louise Lowe (Cambridge UP, 2025) assesses Lowe's creative practice and production history since her days as a drama facilitator in women's prisons and resource centres in Dublin, paying particular attention to the economic struggle of Dublin's north inner-city, the markings of which are potently visible in the work she makes, and how she makes it. This title is also available as Open Access on Cambridge Core.

The debate about the impact of colonialism on the prospects for democracy and development continues to rage. Was the legacy of colonialism equally destructive everywhere? Or were some forms of colonial rule more likely to give rise to stable and effective democracies? Join Nic Cheeseman as he talks to Alexander Lee and Jack Paine about their important new book, The Colonial Origins of Democracy and Dictatorship (Cambridge UP, 2024), which makes a compelling new contribution to the debate. Find out why countries with lengthy exposure to competitive colonial institutions tended to consolidate democracies after independence, and how regime trajectories shaped by colonial rule persist to the present day.Guest:Alexander Lee is an Associate Professor of Political Science at the University of Rochester. His work has made important contributions to a number of areas, including gender quotas, affirmative action, the political economy of South Asia and the legacy of colonialism. His most recent book, Colonial Origins of Democracy and Dictatorship has been highly praised and is out now with Cambridge University Press.Jack Paine is an Associate Professor and Director of Graduate Studies in the Department of Political Science at Emory University. He is known for influential research on a range of topics including democratic backsliding, authoritarian power sharing, conflict and the resource curse, and the legacy of colonialism. His most recent book, Colonial Origins of Democracy and Dictatorship has been highly praised and is out now with Oxford University Press.Presenter:Dr Nic Cheeseman is the Professor of Democracy and International Development at the University of Birmingham and Founding Director of CEDAR.The People, Power, Politics podcast brings you the latest insights into the factors that are shaping and re-shaping our political world. It is brought to you by the Centre for Elections, Democracy, Accountability and Representation (CEDAR) based at the University of Birmingham, United Kingdom. Join us to better understand the factors that promote and undermine democratic government around the world and follow us on Twitter at @CEDAR_Bham!

When we think of Vietnamese history, we tend to think of plucky peasant guerillas fighting for their independence against French colonial rule or American imperialism - or even mighty China. In her new book, A Maritime Vietnam: From the Earliest Times to the Nineteenth Century (Cambridge UP, 2024), Li Tana challenges this powerful stereotype by recasting Vietnam as a maritime state with a long history of dynamic commercial relations with the outside world, from China, to Southeast Asia, to India, and the Middle East. The book aims to escape from the rigid nationalist historiography that has long characterized history writing on Vietnam and develop a new way of thinking about Vietnam’s history that emphasizes its outward, commercial relations. It also revisits the old question of whether we should view Vietnam as an East Asian country, oriented towards China, or a Southeast Asian country, characterized by a cosmopolitanism and historical openness to maritime trade and the outside world. This is a provocative and important book which challenges powerful ideas about the way we understand Vietnam’s history and place in the world.

How do we best see and understand the art of late antiquity? One of the perceived challenges of so doing is that this is a period whose visual production has been defined as stylistically abstract and emotionally spiritual, and therefore elusive. But this is a perception which – in her path-breaking new book – Sarah Bassett boldly challenges, offering two novel lines of interpretative inquiry. She first argues, by focusing on the art of late antiquity in late nineteenth-century Viennese intellectual and artistic circles, that that period's definition of late antique form was in fact a response to contemporaneous political concerns, anticipating modernist thinking and artistic practice. She then suggests that late antique viewers never actually abandoned a sense of those mimetic goals that characterized Greek and Roman habits of representation. This interpretative shift is transformative because it allows us to understand the full range and richness of late antique visual experience.New Books in Late Antiquity is presented by Ancient Jew ReviewSarah Bassett is Associate Professor Emerita, Art History at Indiana UniversityMichael Motia teaches in Classics and Religious Studies at UMass Boston

Between 1840 and 1860 the British Empire expanded rapidly in scale, with rampant annexation of territory and ruthless suppression of rebellion. These decades also witnessed an unprecedented movement of people across the Empire and around the world, with over 2.6 million emigrants leaving Britain in the 1850s alone. Managing Mobility: The British Imperial State and Global Migration, 1840–1860 (Cambridge University Press, 2024) by Dr. Philip Harling examines how the British imperial state facilitated the mass migration of its impoverished subjects as labor assets, shipped across vast expanses of ocean to contribute to the economy of the Empire. Dr. Harling analyzes the ideological framework which underpinned these interventions and discusses the journeys taken by emigrants across four continents, considering the varied outcomes of these significant projects of social engineering. In doing so, this study demonstrates how the British imperial state harnessed migration to ensure and maintain a racialised global economic order in the decades after Emancipation.This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

The former border enclaves of Bangladesh and India existed as extra-territorial spaces since 1947. They were finally exchanged and merged as host state territories in 2015.Sovereign Atonement: Citizenship, Territory, and the State at the Bangladesh-India Border (Cambridge UP, 2024) focuses on the protracted territorial exchange and experiences of the newly accepted Bangladeshi citizens. It grapples with one broad question: why did the state assume an active role in smoothing the once excluded population's experiences into their inclusion within the sovereign project? The book dives deep into an ethnographic and historical reading of the everyday state, land and territory, informality, (non)state actors, and performance of sovereignty. Furthermore, it troubles the often taken-for-granted understanding of exception, governance, and citizenship. As such, Ferdoush offers a retake on the two seemingly contradictory concepts -'sovereign' and 'atonement'- to demonstrate that bridged together these concepts as sovereign atonement enables a novel way of appreciating geopolitical narratives, political geographies, and nationalistic discourse in South Asia and beyond.

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay.

Over sixty years after its opening night, West Side Story is perhaps the most famous and beloved of twentieth-century musicals and stands as a colossus of musical and dramatic achievement. It not only helped define a generation of musical theatre lovers but is among the handful of shows that have contributed to our understanding of American musical identity at mid-century. Bringing together contemporary scholars in music, theatre, dance, literature, and performance, The Cambridge Companion to West Side Story (Cambridge UP, 2024) explores this explosive 1950s remake of Shakespeare's Romeo and Juliet and its portrayal of the raw passion, rivalries, jealousy and rage that doom the young lovers to their tragic fate. Organized thematically, chapters range from Broadway's history and precursors to West Side Story; the early careers of its creators; the show's score with emphasis on writing, production, and orchestrations; issues of class, colorism, and racism; New York's gang culture, and how the show's legacy can be found in popular culture throughout the world.Peter C. Kunze is an assistant professor of communication at Tulane University.