The Subverse

In this episode, Susan Mathews narrates an eccentric story of fire, an intangible and odd element. She begins with lines from William Blake’s “The Tyger”, which invites us to partake of creation and the paradoxes of the divine, with an equal measure of wonder and terror evoked through fire. But fire is more than just combustion and volatility, a chemical reaction or an ecological stimulus. The history of fire and the history of life are twin flames. Lynn Margulis and Dorion Sagan write in their wonderful book What is Life? that one answer to the titular question is that life is the transmutation of sunlight. It is the sun become the green fire of photosynthesizing beings, the natural seductiveness of flowers and the warmth of the tiger stalking the jungle in the dead of night. The character of burning over deep time is one with twists and turns. It started with a spark of lightning but for fire to become a planetary force, it needed oxygen and fuel. Stephen Pyne, a prolific historian of fire and the first guest in this podcast season, outlines three fires. Plants set ablaze by lightning were the first, humans aiding and abetting fire the second and the third fire is where humans  burn lithic landscapes. No longer bounded by season, sun or natural rhythms, this fire without limits made us geological agents. It is also a fire of empire and slavery, of loss and destruction. From a celestial and originary green fire we now see terrifying red plumes and a rising blue fire of the  oceans. The world is out of pyric balance. So how do we rewrite this story? In the second half of this episode, Susan introduces some exciting ideas that help us think through fire differently, starting with the myth of Prometheus. In this tale, the role of Pandora is often ignored, downplayed, or forgotten. Elissa Marder, in an article entitled Pandora’s Fireworks describes Pandora, created out of clay and water, as a kind of counterfire (anti puros), a technological counterpart to divine fire. Pandora establishes the defining limits of the human and reminds us of our connection with the rest of the biosphere. From Pandora’s pyrotechnics, we move to the ‘pyrosexual’, a term she borrows from the work of Nigel Clark and Kathryn Yusoff in their article titled Queer Fire: Ecology, Combustion and Pyrosexual Desire. Clark and Yusuff peel back the metaphors of fire and sex and suggest instead a deep, conjoint history of sexual desire and fiery consummation. By contextualizing the ‘pyrosexual’ within the wider economy of earth and cosmos, they seek ways to escape industrial capitalism’s current hyperconsumptive cycles of accumulation. They remind us that plants are sexual beings and challenge more ‘orthodox’ environmentalisms that curb desire and renouncing of pleasure. Fire being a boundary between biologic life and inhuman materialities, it offers a track that restructures the asexual-sexual binary with lateral forms of agency and modes of desire. What else, they ask, can we do with a planet of fire? Susan ends with a tribute to Alexis Pauline Gumbs, a poet and writer who inspired much of Season 2 on water and this one on fire. In a powerful piece published in Harper’s Bazaar this year, she writes that menopause is a powerful lens through which to look at this hot planetary crisis. Apart from the similarities, such as planetary hot flashes caused by toxic environments, menopause is also a liminal space of possibility. She asks whether underneath all this heat, we are meant to learn something about change. Special thanks to Tushar Das and Brown Monkey Studio who added the wonderful effects and sound designed the episode. 

In this episode, host Susan Mathews has a revealing conversation with Professor Pompa Banerjee on fire and gendered and ritualised violence in historical and current practices.  Prof. Banerjee teaches courses in early modern literature and culture at the University of Colorado, Denver. Her work focuses on the literary and cultural dimensions of Europe’s cross-cultural encounters in the global Renaissance, especially in the ways they shape identity in the age of discovery. She also studies the unexpected crossings between European witches and Indian widows, and has written extensively on these subjects as well as early modern literature and travel, Shakespeare, and modern Indian adaptations of Shakespeare. In this episode, we spoke of fire’s symbolism and its role in ritualised violence, embodying and enforcing socio-political ideologies that dictate gender roles for women. We refer specifically to her book Burning Women: Widows, Witches and Early Modern European Travellers in India (New York: Palgrave Macmillan, 2003), where she pores through European travel narratives from 1500 to 1723, where representations of Sati were conventional, even de rigeur, in travelogues of India, and which coincided with successive waves of witch-hunts in Europe. Despite these synchronous occurrences, the ritualised burning in both cases and the burning as public spectacle, these early travel narratives make no correlation between widow burning and witch burning, what Prof. Banerjee terms as a ‘literary haunting’. One reason for this erasure is that practices were coded very differently—the sati’s burning as a heroic sacrifice and the witch’s burning as legitimate retribution. While both women were considered insensible to pain, one was through ascension to literal divinity while the other was through the machinations of the devil. In these theatrical burnings, female bodies become sites of storytelling and ideological reformation. In both practices, the woman is placed centre stage, as it is the witnesses who provide validation and who receive the story being told. The Sati’s deathless love for her husband, itself a tool of economic control, became instrumental in recasting the ideal European wife. We also speak of how the British, in the later colonial period, used narratives of the barbaric practices of brown people to assert their moral right to rule. Finally, we delved into the possible origins of this connection between female subjectivity and deviance. We spoke of the exclusive power women held and hold over the hearth and life-sustaining domestic functions and how these were reconstructed through male fantasies as dangers. Fire has been used in contradictory motifs of resurrection, purity, cleansing, punishment, deification and transcendence, a running theme of course being the disciplining of female desire and sexuality. Women’s bodies become the sites of dispute every time society undergoes upheaval. And the only way to counter these narratives are understanding them and remembering how they’ve been used in the past. You can find more about Prof. Banerjee’s work at the University of Colorado at Denver website: https://clas.ucdenver.edu/english/pompa-banerjee The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at www.darknlight.com for episode details and show notes.

Dear listeners, this week we return to The Subverse. In this episode, Susan Mathews is in conversation with Bhumika Saraswati, an independent photographer, journalist and filmmaker. We look at how extreme heat is embroiled in caste and labour in India. We speak about Bhumika’s present visual project which focuses on dalit women in agriculture in Uttar Pradesh, India and the impacts of heat, and an earlier short film she had done on workers in crematoriums during the covid-19 pandemic in New Delhi, India, an occupation which is surrounded by fire and heat hazards. The presence of both the women in the fields and the workers at cremation sites is a consequence of various historical, social and economic conditions and even government practices that reinforce caste-based labour practices. Whether it is discussions of those who are ‘most vulnerable’ to heat in air-conditioned rooms, or people visiting a crematorium only interacting with the priest, these are people made invisible or seen through a mainstream gaze, in life and in media. Bhumika navigates the restrictions placed on her as a single woman visiting places with high crime rates, to explore the intersections of caste, class and gender that dalit women in agriculture contend with. In the midst of life-threatening levels of heat, limited protective gear and restrictive clothing, they grow the food that sustains us all. Bhumika captures the sisterhood between these women and the ingenious ways they make their limited resources work. We also briefly touched on how the caste system has restricted access to water and how certain kinds of violence are tied to the lack of basic amenities provided to certain citizens. In 2022, Bhumika was awarded a UNFPA-Laadli Media Award for Gender Sensitive Work and in 2023, she was awarded a Human Rights Press Award by Human Rights Watch (HRW) and the Journalism School of Arizona State University, United States of America for her short documentary film, Lives of Sex Workers and Their Children. You can find her on Instagram @bhumikasaraswati and on X at @Bhumikasara, and for the project on women, heat, communities see @heat.southasia. The Subverse is the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine for episode details and show notes.

Arcx is all about literary inspiration. In this episode, we speak to short story writer, editor and novelist, Vajra Chandrasekera. Vajra’s work is largely in the realm of speculative fiction, and he has published over a hundred pieces since 2012 in various formats. Notably, his work has been featured in Analog, Clarkesworld, West Branch, and The Los Angeles Times. He has also been nominated for the Theodore Sturgeon Memorial Award for his short story, The Translator, at Low Tide. Additionally, he was also nominated for the British Science Fiction Association award for Best Non-fiction. His debut novel, The Saint of Bright Doors was released in July 2023. His short stories have been featured in several anthologies including The Best Science Fiction of the Year, The Apex Book of World SF, and Transcendent: The Year’s Best Transgender Speculative Fiction. Vajra was also part of the editorial team at Strange Horizons, and in his role as fiction editor, worked closely with several writers from all over the world. He’s also passionate about initiatives that protect the political and artistic freedoms of Sri Lankan writers and artists who have been censored and imprisoned by the state.   In this episode, we sit down to discuss some classic desi themes: colonialism, intergenerational trauma, and overblown family drama. We also touch on destiny, friendships, revolution, and terrible science fiction adaptations.   You can follow Vajra on Twitter at @_vajra and on his website Vajra.me. Read Vajra’s Work:  The Saint of Bright Doors (Novel) The Translator, at Low Tide Theses on the Scientific Management of Goetic Labour Rhizomatic Diplomacy Terminus  Running the Gullet On the Origin of Specie Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

  Arcx is all about literary inspiration. In this episode, we speak to doctor and speculative fiction writer Usman T. Malik. Usman’s work has been published extensively, and featured in platforms such as Strange Horizons, Tor.com, Black Static, and Nightmare.  In 2014, he became the first Pakistani to win the Bram Stoker Award for Short Fiction for his work The Vaporization Enthalpy of a Peculiar Pakistani Family. He also won a British Fantasy Award in 2016 for The Pauper Prince and the Eucalyptus Jinn. The story was also nominated for Nebula, Locus, and World Fantasy awards. He has also received Locus award nominations for his stories In the Ruins of Mohenjo-Daro and The Fortune of Sparrows. In 2018, he received another Stoker nomination for Dead Lovers on Each Blade, Hung. In this episode, we discuss the importance of accurate history, authentic storytelling, the often missed nuances of desi stories, and the horror of everyday realities.  You can follow Usman on Twitter @usmantm Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

Arcx is all about literary inspiration. In the sixth episode of this season, host Anjali Alappat talks to journalist, editor, and author Payal Dhar.  Payal Dhar primarily writes for middle grade and young adult audiences, and her extensive catalogue of work includes Satin: A Stitch in Time, Slightly Burnt, Hit for a Six, There's a Ghost in My PC, and It Has No Name. More recently, Payal has published two books in the Sands of Time series: The Prophecy and The Key. Payal’s work has also been featured in anthologies like Shockwave! and Other Cyber Stories, Year's Best Young Adult Speculative Fiction 2014, and Music of the Stars and other Love Stories. Payal also edited Eat the Sky, Drink the Ocean, a collection of short stories by Indian and Australian writers. In this episode we chat about retelling and redefining stories, the difficulties of being the chosen one, found family and the dynamics of those relationships, and physics of world building. You can follow Payal on Instagram at @Payal.dhar Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

Arcx is all about literary inspiration. In the fifth episode of this season, host Anjali Alappat speaks with Saad Z. Hossain, the author of the best-selling Djinn series, which includes Djinn City, The Gurkha and the Lord of Tuesday, Kundo Wakes Up and Cyber Mage.  Saad's debut novel, Escape from Baghdad! was a finalist at the Grand Prix de L'imaginaire in 2018. The Gurkha and the Lord of Tuesday also received critical acclaim and was a finalist at the Locus Awards and the IGNYTE awards in 2020. Kundo Wakes Up, the sequel to The Gurkha and the Lord of Tuesday, was published in 2022, and made it to the Locus list of Best Novellas for 2022. It was also longlisted for the British Science Fiction Association Awards that year.  In this episode, we discuss classic literature, writing for fun, the importance of a snarky protagonist, Jane Eyre vs. Jane Austen, A.I in developing countries, philosophy, broken people, and of course, djinn. You can follow Saad on Twitter @saadzhossain Authors, books and media referenced in this episode: The Far Pavilions by M. M. Kaye  Pride and Prejudice by Jane Austen Mansfield Park by Jane Austen Persuasion by Jane Austen Sense and Sensibility by Jane Austen The Count of Monte Cristo by Alexandre Dumas  Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

Arcx is all about literary inspiration. In episode four, host Anjali Alappat chats with author and editor, Shweta Taneja. Shweta is best known for her urban fantasy Anantya Tantrist series, but has also received recognition for her work in children's books. Her non-fiction book—They Found What?/ They Made What?— was a national best-seller. She also recently published a new sci-fi novel for kids called Kungfu Aunty vs Garbage Monsters.  Additionally, Shweta’s short story, The Daughter That Bleeds, was nominated for the Grand Prix de l’Imaginaire in France in 2020. She also won the Editor’s Choice Award for Best Asian Science Fiction (2018) in Singapore for the piece.  Her book They Made What? They Found What? Earned her the Publishing Next Award in 2021 and nominations for the Valley of Words Awards and the AutHer awards. She was also honoured with the Best Writer Award at ComicCon India in 2013 for her graphic novel, The Skull Rosary.  In this episode, we discuss world-building, dark humour, writing urban fantasy for an Indian audience, Tantrism, patriarchal power structures, and forging your own destiny,  You can follow Shweta on Twitter @shwetawrites Authors, books and media referenced in this episode: The Hitchhiker’s Guide to the Galaxy by Douglas Adams Going Postal by Terry Pratchett Buffy the Vampire Slayer Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

Arcx is all about literary inspiration. In episode three, host Anjali Alappat talks to Yudhanjaya Wijeratne, science fiction author, data scientist, and researcher. Yudhanjaya is the author of The Slow Sad Suicide of Rohan Wijeratne, Numbercaste, The Inhuman Peace, The Inhuman Race, and The Salvage Crew.  More recently he was awarded the Gratiaen Prize for Literature for his yet-to-be published book The Wretched and the Damned. Yudhanjaya has been nominated for a Nebula award in 2022, and in 2021, he was featured in Forbes’ 30 under 30 list.  Yudhanjaya is also the co-founder of Watchdog, a fact-checking organisation created to counteract misinformation and propaganda in Sri Lanka.  In this episode, we discuss A.I, his non-traditional road to publication, how real life can be as absurd as fiction, colonialism, space economics, the horrors of reality TV, poetry, and the importance of forging connections.  You can follow Yudhanjaya on Twitter @yudhanjaya Read Yudhanjaya’s work: The Slow Sad Suicide of Rohan Wijeratne Numbercaste The Inhuman Race The Inhuman Peace The Salvage Crew  Omega Point The State Machine   Authors, Books and media referenced in this episode: The Discworld series by Terry Pratchett The Dark Tower series by Stephen King Dark Souls  BioShock System Shock Final Fantasy 7 Ulysses by Alfred Tennyson The Saint of Steel series by T. Kingfisher Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.

Arcx is all about literary inspiration. In Season 2, we continue our conversations with South Asian sci-fi, fantasy and speculative fiction writers, tracing their ideas from conception to execution. In the second episode of this season, Anjali Alappat speaks with author and editor Tashan Mehta. Her debut novel, The Liar’s Weave, is a wonderful mix of myth and magic, chronicling the exploits of a teenage boy in 1920s India who has tremendous power and poor judgement — a potent mix. We discuss relearning how to write, plurality in storytelling, astrology taken very seriously, the desire to shape your own destiny, the complexity of sibling relationships, and the power of lies. We also touch upon her soon-to-be released book, Mad Sisters of Esi, an epic story that includes god machines, a festival of madness, a museum of collective memory, a whale of Babel, and of course, sisters. Tashan's short stories have been featured in several anthologies including the Gollancz Book of South Asian Science Fiction Volume 2 and Magical Women. Arcx is a series of the Subverse, the podcast of Dark ‘n’ Light, a digital space that chronicles the times we live in and reimagining futures with a focus on science, nature, social justice and culture. Follow us on social media @darknlightzine, or at darknlight.com for episode details and show notes.