New Books in Popular Culture

Whether grainy or smooth, spicy or sweet, Dijon, American, or English, mustard accompanies our food and flavors our life around the globe. It has been a source of pleasure, health, and myth from ancient times to the present day, its tiny seed a symbol of faith and its pungent flavor a testimony to refined taste. There are stories of mustard plasters used to treat melancholy, runners eating mustard to prevent cramps, and Christians spreading mustard seeds along pilgrimage trails.Mustard: A Global History is part of the Edible Series published by Reaktion Books. It is a revolutionary series of books on food and drink which explores the rich history of man’s consumption. Each book provides an outline for one type of food or drink, revealing its history and culture on a global scale. 50 striking illustrations, with approximately 25 in colour, accompany these engaging and accessible texts, and offer intriguing new insights into their subject. Key recipes as well as reference material accompany each title. Also available through The University of Chicago Press.See our other episodes on Edible Series:See our other episodes on Edible Series: Avocado by Jeff Miller Coffee by Jonathan Morris Vanilla by Rosa Abreu-Runkel More episodes to come…Dr. Demet Güzey is a food and wine writer and educator based in Verona, Italy. She teaches at Le Cordon Bleu online and at USAC in Verona. She is the author of Food on Foot: A History of Eating on Trails and in the Wild. Twitter: @demetguzeyAmir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Yael Levy examines the underexplored antiheroine of early twenty-first century television in Chick-TV: Antiheroines and Time Unbound (Syracuse UP, 2022). Levy advances antiheroines to the forefront of television criticism, revealing the varied and subtle ways in which they perform feminist resistance. Offering a retooling of gendered media analyses, Levy finds antiheroism not only in the morally questionable cop and tormented lawyer, but also in the housewife and nurse who inhabit more stereotypical feminine roles. By analyzing Girls, Desperate Housewives, Nurse Jackie, Being Mary Jane, Grey’s Anatomy, Six Feet Under, Sister Wives, and the Real Housewives franchise, Levy explores the narrative complexities of “chick TV” and the radical feminist potential of these shows.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How do you do archaeological research on a place that exists for only one week per year, in the middle of the Nevada desert, and is based on the ethos of "leave no trace?" In The Archaeology of Burning Man: The Rise and Fall of Black Rock City (U New Mexico Press, 2020), Dr. Carolyn White, a professor of anthropology at the University of Nevada, sets out to tackle just this question. Using the methods of contemporary archaeology, White spent a decade attending the annual Burning Man event in the desert of northwestern Nevada, chronicling the construction, the day to day life, and the dismantling of Black Rock City, which is among the largest cities in the state for the short time exists every August and September. White examines the various ways that people live in Black Rock, the semi-invisible infrastructure and bureaucracy which keep it running and keep its 75,000 residents safe, and the day to day life in the city itself. White shows a side of Burning Man not often seen by outsiders, and one that runs counter to the chaotic, Instagram-ified, narrative often presented in mainstream media. Dr. Stephen R. Hausmann is an assistant professor of history at the University of St. Thomas in Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Tokyo Boogie-Woogie: Japan's Pop Era and its Discontents (Harvard University Press, 2017) by Hiromu Nagahara is the first English-language history of the origins and impact of the Japanese pop music industry. The book connects the rise of mass entertainment, epitomized by ryūkōka (“popular songs”), with Japan’s transformation into a middle-class society in the years after World War II.With the arrival of major international recording companies like Columbia and Victor in the 1920s, Japan’s pop music scene soon grew into a full-fledged culture industry that reached out to an avid consumer base through radio, cinema, and other media. The stream of songs that poured forth over the next four decades represented something new in the nation’s cultural landscape. Emerging during some of the most volatile decades in Japan’s history, popular songs struck a deep chord in Japanese society, gaining a devoted following but also galvanizing a vociferous band of opponents. A range of critics—intellectuals, journalists, government officials, self-appointed arbiters of taste—engaged in contentious debates on the merits of pop music. Many regarded it as a scandal, evidence of an increasingly debased and Americanized culture. For others, popular songs represented liberation from the oppressive political climate of the war years.Tokyo Boogie-Woogie is a tale of competing cultural dynamics coming to a head just as Japan’s traditionally hierarchical society was shifting toward middle-class democracy. The pop soundscape of these years became the audible symbol of changing times.Hiromu Nagahara is an associate professor of history at the Massachusetts Institute of Technology (MIT).Shatrunjay Mall is a PhD candidate at the Department of History at the University of Wisconsin-Madison. He works on transnational Asian history, and his dissertation explores intellectual, political, and cultural intersections and affinities that emerged between Indian anti-colonialism and imperial Japan in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A ’90s time capsule buried inside a coming-of-age memoir set against the neon backdrop of the San Francisco Bay Area's rave scene, Raver Girl (She Writes Press, 2021) chronicles Samantha’s double life as she teeters between hedonism and sobriety, chaos and calm, all while sneaking under the radar of her entrepreneur father—a man who happened to drop acid with LSD impresario Owsley Stanley in the ’60s.Samantha keeps a list of every rave she goes to—a total of 104 over four years. During that time, what started as trippy fun morphs into a self-destructive roller coaster ride. Samantha opens the doors of her mind, but she's left with traumas her acid-fried brain won't let her escape; and when meth becomes her drug of choice, things get progressively darker. Through euphoric highs and dangerous lows, Samantha discovers she’s someone who lives life to the fullest and learns best through alternative experience rather than mainstream ideals. She’s a creative whose mind is limitless, whose quirks are charms, whose passion is inspirational. She’s an independent woman whose inner strength is rooted in unwavering family ties. And if she can survive high school, she just might be okay.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. In Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence (Rutgers University Press, 2018), Amy Sodaro documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights.Through a global comparative approach, Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.Amy Sodaro is an associate professor of sociology at the Borough of Manhattan Community College, The City University of New York.Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Rebel Music in the Triumphant Empire (Oxford University Press, 2020), musicologist David Pearson explores the changing landscape of punk in the United States in the 1990s. Pearson examines how the 1990s underground punk renaissance transformed the punk scene into a site of radical opposition to the American empire. Nazi skinheads were ejected from the punk scene; apathetic attitudes were challenged; women, Latino, and LGBTQ participants asserted their identities and perspectives within punk; the scene debated the virtues of maintaining DIY purity versus venturing into the musical mainstream; and punks participated in protest movements from animal rights to stopping the execution of Mumia Abu-Jamal to shutting down the 1999 WTO meeting. Punk lyrics offered strident critiques of American empire, from its exploitation of the Third World to its warped social relations. Numerous subgenres of punk proliferated to deliver this critique, such as the blazing hardcore punk of bands like Los Crudos, propagandistic crust-punk/dis-core, grindcore, and power violence with tempos over 800 beats per minute, and So-Cal punk with its combination of melody and hardcore. Musical analysis of each of these styles and the expressive efficacy of numerous bands reveals that punk is not merely simplistic three-chord rock music, but a genre that is constantly revolutionizing itself in which nuances of guitar riffs, vocal timbres, drum beats, and song structures are deeply meaningful to its audience, as corroborated by the robust discourse in punk zines. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

​Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel and Joe Shuster, the sons of immigrants from Eastern Europe. They based their hero’s origin story on Moses, his strength on Samson, his mission on the golem and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war.​In following decades Superman’s mostly Jewish writers, artists and editors continued to borrow Jewish motifs for their stories, basing Krypton’s past on Genesis and Exodus, its civilization on Jewish culture, the trial of Lex Luthor on Adolf Eichmann’s and a holiday celebrating Superman on Passover.Exploring these underlying themes of a beloved modern mythology, Is Superman Circumcised?: The Complete Jewish History of the World's Greatest Hero (McFarland, 2021) is a fascinating and entertaining journey through comic book lore, American history and Jewish tradition, sure to give readers a newfound appreciation for the Mensch of Steel!Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For nine years, Stephen Colbert’s persona “Colbert”?—a Republican superhero and parody of conservative political pundits--informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” This book examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy.Religion and the foibles of religious institutions have served as fodder for scores of comedians over the years. What set “Colbert” apart on his show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent.Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world towards a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience.America’s Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to clearly see the religious elements in the work and life of comedian Stephen Colbert.Carlos Ruiz Martinez is a PhD student in the Department of Religious Studies at the University of Iowa. He is also the Communications Assistant for the American Catholic Historical Association (ACHA). His general interest is in American religious history, especially American Catholicism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kelefa Sanneh was born in England, and lived in Ghana and Scotland before moving with his parents to the United States in the early 1980s. He was a pop music critic at the New York Times from 2000-2008, and has been a staff writer at the New Yorker since then. His first book, just released on Penguin, is called Major Labels: A History of Popular Music in Seven Genres. The book refracts the entire history of popular music over the past fifty years through the big genres that have defined and dominated it—rock, R&B, country, punk, hip-hop, dance music, and pop—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which.Franz Nicolay is a musician and writer living in New York's Hudson Valley. His first book, The Humorless Ladies of Border Control: Touring the Punk Underground from Belgrade to Ulaanbaatar, was named a "Season's Best Travel Book" by The New York Times. Buzzfeed called his second book, Someone Should Pay for Your Pain, "a knockout fiction debut." He teaches at Bard College. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture