New Books in Popular Culture

Ben Dodds, of the University of Florida, talks with Jana Byars about his new book, Myths and Memories of the Black Death (Palgrave, 2022). This book explores modern representations of the Black Death, a medieval pandemic. The concept of cultural memory is used to examine the ways in which journalists, writers of fiction, scholars and others referred to, described and explained the Black Death from around 1800 onwards. The distant medieval past was often used to make sense of aspects of the present, from the cholera pandemics of the nineteenth-century to the climate crisis of the early twenty-first century. A series of overlapping myths related to the Black Death emerged based only in part on historical evidence. Cultural memory circulates in a variety of media from the scholarly article to the video game and online video clip, and the connections and differences between mediated representations of the Black Death are considered. The Black Death is one of the most well-known aspects of the medieval world, and this study of its associated memories and myths reveals the depth and complexity of interactions between the distant and recent past. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

We’d rate today’s episode a ten out of ten, five star, certified fresh, two thumbs up. But we can’t speak for its IMdB score.This episode was produced by Andrew Middleton and Liya Rechtman.Measure for Measure is a limited series from Ministry of Ideas. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Dixieball: Race and Professional Basketball in the Deep South, 1947-1979 (U Tennessee Press, 2019), Thomas Aiello considers the cultural function of professional basketball in the Deep South between 1947 and 1979. Making a strong case for the role of race in this process, Aiello ties the South’s initial animus toward basketball to the same complex that motivated the region to sacrifice its own economic interests to the cause of white supremacy. Fans of basketball, as compared to other team sports, were closer to the players, who showed more of their bodies; blackness, then, had more visibility in basketball than it had in other sports. By the time Lyndon Johnson signed the Voting Rights Act in 1965, African Americans made up 47.5 percent of professional basketball players, and despite integrating later than baseball and football, it was fast becoming known as a “black” sport. Over time, survival for southern teams grew more tenuous, fan support more fickle, and racial incidents between players and fans more hostile. Racism clashed with civic development in a fast-evolving region.To identify the sources of this clash, Dixieball (The University of Tennessee Press, 2019) locates the main points of intersection between professional basketball and the Deep South in the two decades prior to the region’s first major franchise. Aiello then takes readers to New Orleans, where the first major Deep South professional basketball team—the New Orleans Buccaneers—was born, and on to Atlanta, Birmingham, St. Louis, and others, leading up to 1979.Bennett Koerber is an instructor of history at Carnegie Mellon University. He can be reached at bkoerber@andrew.cmu.edu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Discover the real-life history that inspired Game of Thrones and Shakespeare’s history plays, and learn the distinctive ways in which Shakespeare and George R.R. Martin each transform history into art Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Amrita De talks about affective masculinities, aspirational linkages with dominant scripts of masculinities, socially organized. As she expands her work beyond her study of South Asian masculinities, she talks about how understanding and loosening these linkages entails crucial feminist work. She also talks about Shah Rukh Khan.Amrita De is a Postdoctoral fellow in the Center of Humanities and Information at Penn State University. Her research focuses on global south masculinity studies and affect theory. Her works have been published in NORMA, Boyhood Studies, Global Humanities and are forthcoming in other edited collections. She is also working her way through her first novel centered around contemporary Indian Masculinities.Image: © 2023 Saronik Bosu Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Hit Girls: Women of Punk in the USA, 1975-1983 (Feral House, 2023), Jen B. Larson takes readers throughout the United States on a punk history lesson. Dividing the country into regions, Larson documents local and regional bands and scenes, many of which have stories that were in danger of being lost. Profiling over 80 bands and artists, Hit Girls shares women's experiences as pioneers of punk. Highlighting their successes and documenting the sexism and racism within the scene, Hit Girls includes over 100 images, a comprehensive playlist of all the artists, and interviews with many of the artists including Texacala Jones, Alice Bag, Nikki Corvette, and Penelope Houston. Hit Girls is an important text in the history of popular music and punk and adds to the work of centering women in music history. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

With fake news on Facebook, trolls on Twitter, and viral outrage everywhere, it's easy to believe that the internet changed politics entirely. In Political Junkies: From Talk Radio to Twitter, How Alternative Media Hooked Us on Politics and Broke Our Democracy (Basic Books, 2020), historian Claire Bond Potter shows otherwise, revealing the roots of today's dysfunction by situating online politics in a longer history of alternative political media. From independent newsletters in the 1950s to talk radio in the 1970s to cable television in the 1980s, pioneers on the left and right developed alternative media outlets that made politics more popular, and ultimately, more partisan. When campaign operatives took up e-mail, blogging, and social media, they only supercharged these trends. At a time when political engagement has never been greater and trust has never been lower, Political Junkies is essential reading for understanding how we got here.Claire Bond Potter is a political historian at the New School for Social Research.Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Frankie de la Cretaz, a sports journalist whose work focuses on the intersection of sport and gender, and one of the authors alongside Lyndsey D’Arcangelo of Hail Mary: The Rise and Fall of the National Women’s Football League (Bold Type Books, 2021). In our conversation, we discussed the beginnings of women’s gridiron football in the United States’ the reason why so many women wanted to play a “man’s game” in the 1970s and 80s; and the successes, failures and legacies of the NWFL.In Hail Mary, de la Cretaz and D’Arcangelo recover the lost history of the National Women’s Football League, a professional gridiron competition that ran from 1974 to 1988. To revive this hidden history of women’s football, the authors interviewed dozens of women from and consulted archives around the country. They discovered a competitive, vibrant, and popular sporting entertainment that rose in the Rust Belt, spread to the football meccas of Texas and California, before collapsing due to financial issues in the 1980s.The book is organized chronologically – except for a first chapter that showcases one of the most dramatic confrontations between two teams – the Toledo Troopers and Oklahoma City Dolls. De la Cretaz and D’Arcangelo’s archival history work, which relies mostly on newspapers, shows the spread and popularity of women’s football. They illustrate how male coaches, journalists, and owners framed the league in gendered ways. Many advocated for the league, particularly promoters like Sid Friedman who hoped to make lots of money, but lots of others genuinely enjoyed the athleticism of the competitors.More impressively, their oral history interviews also allow the authors to move beyond the social history of the league and to tell the story of individual football players. Through their conversations with former players, they explore why so many women wanted to play the “masculine” game of football, even when they were no longer being paid, what they got out of their competition, the difficulties they faced as players, and what they thought about the failure of the NWFL.Sexual orientation and race play important roles in the NWFL history. One team basically formed in a lesbian bar and many of the players were lesbians, although the league averred a strict heteronormativity. On the other hand, unlike the better known All-American Girls Professional Baseball League during the Second World War, the NWFL was very visibly racially integrated. Black athletes played crucial roles on teams – the best player in the league was a black woman from Toledo, Linda Jefferson, who racked up more yards and touchdowns per year than better known male running backs. The NWFL also gave opportunities to black head coaches at a time when the NFL unofficially barred them.In the final chapter, “The Legacy of the NWFL”, the authors discuss the successes, failures and legacies of the league. For a while the NWFL opened the door to professional women’s gridiron football in the United States. Many women interviewed discuss it as one of the formative experiences of their life. Nevertheless, the league collapsed due to financial weakness (although perhaps not unusually when compared to the early men’s gridiron competitions.) Its legacies continue in semi-professional and amateur women’s competitions in the US today.De la Cretaz and D’Arcangelo’s innovative account recovers a very poorly known history of hundreds of women’s professional athletes in the United States. It should be read by scholars interested in women’s sport, gridiron football in the United States, and LGBTQI+ people in sport. It will also be very useful to classroom teaching. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The sounds of spectators at football (soccer) are often highlighted – by spectators, tourists, commentators, journalists, scholars, media producers, etc. – as crucial for the experience of football. These sounds are often said to contribute significantly to the production (at the stadium) and conveyance (in televised broadcast) of 'atmosphere.'The Sounds of Spectators at Football (Bloomsbury, 2023) by Dr. Nicolai Jørgensgaard Graakjær addresses why and how spectator sounds contribute to the experience of watching in these environments and what characterises spectator sounds in terms of their structure, distribution and significance. Based on an examination of empirical materials – including the sounds of football matches from the English Premier League as they emerge both at the stadium and in the televised broadcast – this book systematically dissects the sounds of football watching.This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture