New Books in Popular Culture

Olivia Rodrigo's new album "Guts" offers a compelling perspective on early adult uncertainty, societal expectations of young women, and the craft of songwriting. We take a deep dive into the art and persona of this chart-bestriding performer. The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Randy Laist, professor of English at Goodwin University and the University of Bridgeport, has a new edited volume focusing specifically on popular culture and the 1980s. The essays in The '80s Resurrected: Essays on the Decade in Popular Culture Then and Now (McFarland, 2023) approach this theme from a number of disciplinary perspectives, global positions, as well as a wide variety of pop cultural artifacts. Laist’s effort in bringing together these essays was not just about reflecting on the 1980s, and particularly how the 1980s seems to be quite present in contemporary popular culture, but also because of the way that the 1980s has shaped our current political environment. The ‘80s Resurrected includes chapters on different media engagement and different issues that are fleshed out from different artifacts—including video games, film, television, dolls, and music. The ideas that these chapters dive into include questions of race, gender, class, sexuality, LGBTQ+, neoliberalism, misogyny, representation, and nationalism. There is much in this compilations of chapters that explores the nostalgic impulses that toggle between our contemporary moment and the Decade of Reagan and Thatcher, and how the political and economic impulses of that time have shaped our lives today. Many of the chapters also peel back the gloss of the foregrounded ideas of the 1980s, which highlighted white middle-class perspectives in mass culture. Many of the nostalgic ideas about the 1980s cover up the disturbing other side of the decade, with the war on drugs, the rise of the carceral state, AIDS/HIV, sexism and racism in the workplace all as parts of this same decade that is often seen as an era of shoulder pads, pussy bows, neon colors, body building, and swagger.The ‘80s Resurrected: Essays on the Decade in Popular Culture Then and Now brings the reader along in considering how ideas like “making America great again” are connected to our thinking about the arbitrary construction of the importance of delineating decades and the impact they may have on our concept of ourselves and the nation state. As we discuss in the interview, even defining particular decades against each other is rather arbitrary, and to then weight those individual decades with various kinds of import further contributes to this artificial framing. Even so, it is hard to break out of this construction, and The ‘80s Resurrected examines why this particular bracket of time, which is also marked by the elections of Ronald Reagan in the United States and Margaret Thatcher in the United Kingdom at the beginning of the decade and the fall of communism at the end of the decade, remains important to our understanding of history, politics, culture, ideology, economics, and concepts of self and nation. This is an engaging and fascinating assortment of chapters by a global collection of scholars.Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-host of the New Books in Political Science channel at the New Books Network. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). She can be reached @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Reality TV shapes and reflects how we see ourselves, and what we regard as normal. Professor Danielle J. Lindemann watched thousands of hours of reality tv to decode its influence on society. She joins us to discuss her book True Story: What Reality TV Says About Us (FSG, 2022). Danielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of Commuter Spouses: New Families in a Changing World and Dominatrix: Gender, Eroticism and Control in the Dungeon. Her research has been featured in media outlets such as The New York Times, The Wall Street Journal, The Economist, The Atlantic, The Washington Post, Rolling Stone, Billboard, and The Chronicle of Higher Education. She has spoken about her work on National Public Radio and has written op-eds for CNN, Newsweek, Salon, Fortune, and Quartz.The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself. This is a film that remains relevant to our own anxieties and yearnings, to all the contradictions of ordinary life, while also enacting for us the quintessence of the classic Hollywood aesthetic. Nostalgia, humour, and a tough resilience weave themselves through this movie, intertwining it with the fraught cultural moment of the end of World War II that saw its birth. It offers a still compelling merging of fantasy and realism that was utterly unique when it was first released, and has rarely been matched since.Michael Newton's study of the film, It's a Wonderful Life (British Film Institute, 2023), investigates the source of its extraordinary power and its long-lasting impact. He begins by introducing the key figures in the movie's production - notably director Frank Capra and star James Stewart - and traces the making of the film, and then provides a brief synopsis of the film, considering its aesthetic processes and procedures, touching on all those things that make it such an astonishing film. Newton's careful analysis explores all those aspects of the film that are fundamental to our understanding of it, particularly the way in which the film brings tragedy and comedy together. Finally, Newton tells the story of the film's reception and afterlife, accounting for its initial relative failure and its subsequent immense popularity.Michael Newton is Lecturer in English at Leiden University, Netherlands. He is the author of Savage Girls and Wild Boys: A History of Feral Children (2002), Age of Assassins: A History of Conspiracy and Political Violence, 1865-1981 (2012), and of Kind Hearts and Coronets (2003) and Rosemary's Baby (2020) in the BFI Film Classics series.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In this episode, I talk to Vicki Howard and Sarah Elvins, both contributors to Volume 6 of the anthology A Cultural History of Shopping. Jon Stobart is the series editor, and Vicki Howard is the editor of Volume 6: A Cultural History of Shopping in the Modern Age. The chapters of this volume include: Practices and Processes, by Sarah Elvins, Spaces and Places, by Alison Hulme, Shoppers and Identities, by Joshua L. Carreiro, Luxury and Everyday, by Vicki Howard, Home and Family, by Helen Sheumaker, Visual and Literary Representations, by Angelica Michelis, Reputation, Trust and Credit, by Franck Cochoy, by Johan Hagberg and Hans Kjellberg, Governance, Regulation and the State, by Jan Logemann.Paula De La Cruz-Fernandez is a consultant, historian, and digital editor. Editor New Books Network en español. Edita CEO. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Bond movies have influenced portrayals of masculinity and femininity for decades, but the Daniel Craig-era saw a revolution in depictions of sex, gender, and inclusivity. The UConn PopCast discusses with Professor Susan Burgess, author of LGBT Inclusion in American Life: Pop Culture, Political Imagination, and Civil Rights (NYU Press, 2023)The UConn PopCast is proud to be sponsored by the University of Connecticut Humanities Institute. Learn about our MA Program. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Chinese was the earliest truly global cuisine. When the first Chinese labourers began to sojourn and settle abroad, restaurants appeared in their wake. Yet Chinese food has the curious distinction of being both one of the world's best-loved culinary traditions and one of the least understood. For more than a century, the overwhelming dominance of a simplified form of Cantonese cooking ensured that few foreigners experienced anything of its richness and sophistication - but today that is beginning to change.In Invitation to a Banquet: The Story of Chinese Food (Norton, 2023), the James Beard Award-winning cook and writer Fuchsia Dunlop explores the history, philosophy and techniques of China's rich and ancient culinary culture. Each chapter examines a classic dish, from mapo tofu to Dongpo pork, knife-scraped noodles to braised pomelo pith, to reveal a singular aspect of Chinese gastronomy, whether it's the importance of the soybean, the lure of exotic ingredients or the history of Buddhist vegetarian cuisine. Meeting local food producers, chefs, gourmets and home cooks as she tastes her way across the country, Fuchsia invites readers to join her on an unforgettable journey into Chinese food as it is made, cooked, eaten and considered in its homeland.Weaving together historical scholarship, mouth-watering descriptions of food and on-the-ground research conducted over the course of three decades, Invitation to a Banquet is a lively, landmark tribute to the pleasures and mysteries of Chinese cuisine.This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music’s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead.In Get Shown the Light: Improvisation and Transcendence in the Music of the Grateful Dead (Duke UP, 2023), Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band’s early years, the significance of their playing Ken Kesey’s Acid Test parties, and their evolving exploration of the myriad musical and spiritual possibilities that extended improvisation afforded. Kaler demonstrates that the Grateful Dead developed a radical new way of playing rock music as a means to unleash the spiritual and transformative potential of their music.Michael Kaler is Associate Professor, teaching stream, at the Institute for the Study of University Pedagogy at the University of Toronto Mississauga and author of Flora Tells a Story: The Apocalypse of Paul and Its Contexts.Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, A Curious Mix of People: The Underground Scene of '90s Austin (University of Texas Press, 2023), veterans of the sccene Greg Beets and Richard Whymark have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only appropriate for telling the story of the music, it is nice framing for the larger story of Austin. As the authors note, the city was still a relatively sleepy place in the early 1990s, with vacant blocks downtown and loads of small clubs that opened and closed simply because music-minded people wanted a place to play. By 1999, longtime venues like the Electric Lounge and Liberty Lunch were bulldozed to make way for development and tech companies.Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today’s guest is Maaheen Ahmed, who has edited a new collection of essays, The Cambridge Companion to Comics (Cambridge University Press, 2023). This book offers both a broad diachronic perspective, reaching back to the earliest print artifacts that could be called “comic books,” and a deep synchronic view, touching on mainstream and alternative comics work, from almost every continent. Contributions include Jaqueline Berndt on the aesthetics of “manga eyes,” Daniel Stein on “racialines” in comics, Kim Munson on the vexed relationship of museums and comics, and Shiamin Kwa on life-writing in comics.Maaheen Ahmed is Professor in the Department of Literary Studies at Ghent University. Maaheen is the author of Openness of Comics: Generating Meaning within Flexible Structures (University Press of Mississippi, 2016) and the co-editor of Comics Memory, with Benoît Crucifix (Palgrave, 2018). Maaheen is one of the primary investigators of “Children in Comics: An Intercultural History from 1865 to Today (COMICS),” a collaborative project which brings together childhood studies and comics studies.John Yargo is a Visiting Assistant Professor of Environmental Humanities at Boston College. He holds a Ph.D. in English from the University of Massachusetts Amherst. His specializations are early modern literature, the environmental humanities, and critical race studies. His dissertation explores early modern representations of environmental catastrophe, including William Shakespeare's The Tempest, Aphra Behn's Oroonoko, and John Milton's Paradise Lost. He has published in Early Theatre, Studies in Philology, The Journal for Early Modern Cultural Studies, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture