New Books in Popular Culture

Recent years have brought an upsurge in celebrity activism. Not a day goes by without an actor or musician taking to a stage, a podium or the internet to speak on a social issue, address an environmental problem, or adopt a political position. It’s easy to be cynical about the motivations of these privileged and sometimes uninformed people. Many of them come across as self-serving. But others appear genuine. Either way, celebrity activists are here to stay and it is incumbent on us to think about what it means for politics that we now live in an age in which celebrities are preferred over elected political leaders as spokespeople for humanitarian causes, and human rights. Who are they addressing? Who benefits when they speak? And what are the costs that they do?The answers to these questions, Samantha Majic explains on this episode of New Books in Interpretive Political and Social Science, are neither singular nor straightforward. How and why celebrities take up causes, she writes in Lights, Camera, Feminism? Celebrities and Anti-trafficking Politics (University of California Press, 2023) is shaped and mediated by a range of personal and contextual factors. Nor do celebrity activists always go along with dominant narratives or align themselves with prevailing ideologies. They depend on certain infrastructures to be heard, but they make their own decisions about how and why they are. And while many of these decisions are ethically defensible, the problem with the celebrity activist is that they are unaccountable because they are self-appointed to represent the interests of others.If you like this episode then you might also be interested in Sverre Molland talking about The Perfect Business?And, in a new feature of the series, our author’s reading recommendations are: Nikol Alexander-Floyd, Re-Imagining Black Women Natalia Mehlman Petrzela, Fit Nation Kate Manne, Unshrinking Angela Jones, Camming Nick Cheesman is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the Interpretation, Method, Critique network; and, a committee member of the Interpretive Methodologies and Methods group of the American Political Science Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Part Two of director Denis Villeneuve’s Dune films embeds viewers among the Fremen, the Indigenous inhabitants of the planet Arrakis. The sole source of the valuable drug spice, Arrakis has been colonized and its resources extracted by the Imperium. The Fremen fight to liberate themselves and their planet from Imperial control under the messianic leadership of Paul Atreides. In Frank Herbert’s original series of Dune novels, the Fremen were inspired by the Bedouin, nomadic pastoralist inhabitants of the Middle East. Aspects of Bedouin culture and lifeways as well as episodes from Bedouin history, such as the effects of resource extraction on Bedouin landscapes and Bedouin participation in the Great Arab Revolt, heavily informed the novels’ themes and narratives. In this episode, Dr. Kara Kennedy joins me to discuss representations of nomadic peoples in the Dune novels and their onscreen adaptations as well as her latest book Adaptations of Dune: Frank Herbert's Story on Screen (Blue Key, 2024). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How Hip Hop Became Hit Pop: Radio, Rap, and Race (U California Press, 2023) examines the programming practices at commercial radio stations in the 1980s and early 1990s to uncover how the radio industry facilitated hip hop's introduction into the musical mainstream. Constructed primarily by the Top 40 radio format, the musical mainstream featured mostly white artists for mostly white audiences. With the introduction of hip hop to these programs, the radio industry was fundamentally altered, as stations struggled to incorporate the genre's diverse audience. At the same time, as artists negotiated expanding audiences and industry pressure to make songs fit within the confines of radio formats, the sound of hip hop changed. Drawing from archival research, Amy Coddington shows how the racial structuring of the radio industry influenced the way hip hop was sold to the American public, and how the genre's growing popularity transformed ideas about who constitutes the mainstream. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

With comics franchises getting turned into multi-billion dollar revenue opportunities and consumer technology companies dominating daily headlines — the trappings of “geekdom” have made their way into the global mainstream over the past few days. As part of this trend, Japanese-style anime has also gained immense transnational popularity, arguably becoming part of the “new cool”.It’s against this backdrop that Jinying Li dives into the sociocultural landscape of anime with her book Anime’s Knowledge Cultures: Geek, Otaku, Zhai (University of Minnesota Press, March 2024). However, instead of diving into the “Japaneseness” of anime and otaku culture, Anime’s Knowledge Cultures helps frame anime within a more globalized sense of “geekdom” — especially with the rise of post-80s millennial zhai in China’s cultural and economic spheres.Li is an Assistant Professor of Modern Culture and Media at Brown University. Her research and teaching focuses on media theory, animation, and digital culture in East Asia. She is also a filmmaker who’s worked on various animations, features, and documentaries, including the noted Chinese 2016 animation feature Big Fish and Begonia.With this academic and domain expertise, Li’s book illuminates phenomena like fansubs, danmaku “bullet-style” subtitles, and geek “complexes” to audiences who are interested in the theoretical and practical implications of anime’s global popularity. Tune into this episode about Anime’s Knowledge Cultures to learn more—listen to the end for some special anime and movie recommendations.Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Comedy Book:: How Comedy Conquered Culture–and the Magic That Makes It Work (FSG, 2023), Jesse David Fox—the country’s most definitive voice in comedy criticism and someone who, in his own words, enjoys comedy “maybe more than anyone on this planet”—tackles everything you need to know about comedy, an art form that has been under-considered throughout its history, even as it has ascended as a cultural force. Weaving together history and analysis, Fox unravels the genre’s political legacy through an ode to Jon Stewart, interrogates the divide between highbrow and lowbrow via Adam Sandler, and unpacks how marginalized comics create spaces for their communities. Along the way, Fox covers topics ranging from comedy in the age of political correctness and Will Smith’s slap, to the right wing’s relationship with comedy, to comedy’s ability to heal in the wake of tragedy.With memorable cameos from Jerry Seinfeld, Dave Chappelle, John Mulaney, Ali Wong, Kate Berlant, and countless others, Comedy Book is an eye-opening education in how to engage with our most omnipresent art form, a riotous history of American pop culture, and a love letter to laughter.Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.Peter C. Kunze is assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his debut essay collection, My Life of Crime (Sagging Meniscus Press, 2022), Tyler C. Gore brings readers on an awkward visit to a nude beach. A bike-pedaling angel careening through rush-hour traffic. The mystery of a sandwich found in a bathroom stall. A lyric, rainy-day ramble through the East Village. With the personal essays (and three other entertainments) Gore reveals the artistic secrets of his life of crime: a charming wit, compassionate observation, perfection of style, and, over all, a winsomely colorful light tinged with just enough despair. Whether stewing over a subway encounter with a deranged businessman, confessing his sordid past as a prankster, or recounting his family’s history of hoarding, Gore is by turns melancholy, profound and hilarious. The collection culminates with the novella-length essay “Appendix,” a twisted, sprawling account of routine surgery that grapples with evolution, mortality, strangely attractive doctors, simulated universes, and an anorexic cat. My Life of Crime conjures up from the flotsam of an individual life something uncannily majestic: an insomniac contemplation of life in our eternal, twenty-four-hour New York City, infused throughout with its grit, humanity, unexpected romance, and the poignant intimacy of all the lives joined together within it. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today, being authentic has become an aspiration and an imperative. The notion of authenticity shapes the consumption habits of individuals in the most diverse contexts such as food and drinks, clothing, music, tourism and the digital sphere, even leading to the resurgence of apparently obsolescent modes of production such as craft. It also significantly transforms urban areas, their local economies and development. Alessandro Gerosa's The Hipster Economy: Taste and Authenticity in Late Modern Capitalism (UCL Press, 2024) analyses this complex set of related phenomena to argue that the quest for authenticity has been a driver of Western societies from the emersion of capitalism and industrial society to today.From this premise, the book advances multiple original contributions. First, it explains why and how authenticity has become a fundamental value orienting consumers' taste in late modern capitalism; second, it proposes a novel conceptualisation of the aesthetic regime of consumption; third, the book constitutes the first detailed analysis of the resurgence of the neo-craft industries, their entrepreneurs, and the economic imaginary of consumption underpinning them, and fourth, it analyses how the hipster economy is impacting the urban space, favouring new logic of urban development with contrasting outcomes.Open-source PDF version found at this link! Jeff Adler is an ex-linguist and occasional contributor to New Books Network! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Eve Benhamou's book Contemporary Disney Animation: Genre, Gender and Hollywood (Edinburgh UP, 2022) is the first in-depth study of Disney’s latest animated output from the perspective of genre theory. Analysing a decade in Disney’s history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film.Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres.Erratum. In the interview, Eve said that Eeyore was from Dumbo, while it is from Winnie the Pooh. She also said "the first Ralph Breaks the Internet", which is of course just Wreck-It Ralph. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Can a song trigger a murder? Can a poem spark a riot? Can a book divide a people? Away from the gaze of mainstream urban media, across India's dusty, sleepy towns, a brand of popular culture is quietly seizing the imagination of millions, on the internet and off it. From catchy songs with acerbic lyrics to poetry recited in kavi sammelans to social media influencers shaping opinions with their brand of 'breaking news' to books rescripting historical events, 'Hindutva Pop' or H-Pop is steadily creating societal acceptability for Hindutva's core beliefs. By cleverly inserting Hindutva into popular culture, H-Pop normalizes Islamophobia, demonizes minorities and vilifies its critics each day, without ever making headlines. What makes H-Pop so popular? Who are its stars and its audience? Who is pouring in the money, the effort and the resources to produce and broadcast it? What is its impact on the BJP and Prime Minister Modi's popularity? And what kind of an India is it trying to create? These are some of the questions that award-winning independent journalist Kunal Purohit explores in this riveting investigative book as he travels through India, profiling some of H-Pop's most prolific and popular creators--its stars and celebrities. He interrogates whether the creators are driven by ideology or commerce, and what motivates the audience to consume their daily dose of bigotry. In H-Pop: The Secretive World of Hindutva Pop Stars (HarperCollins, 2023), Purohit uncovers the frightening face of a New India--one that is united by hate, divided by art.Kunal Purohit has been a journalist for nearly two decades, writing on issues of development, politics, inequality, gender and the intersections between them. He is an independent journalist and has, in the recent past, reported closely on hate crimes and the rise of Hindu nationalism across the country. He has worked in the newsrooms of Hindustan Times and The Free Press Journal in Mumbai. He is an alumnus of the School of Oriental and African Studies, University of London, from where, as a Felix Scholar, he earned an MSc in Development Studies with distinction in 2017. Kunal received the Ramnath Goenka Award for Excellence in Civic Journalism in 2012, the Statesman Award for Rural Reporting in 2014 and the UNFPA-Laadli Media Award for Gender Sensitive Reporting in 2014 and 2019. He has also received various fellowships and journalism grants. His work can be found in Al Jazeera, ProPublica, The Times of India, Foreign Policy, Hindustan Times, South China Morning Post, Deutsche Welle and The Wire, among others. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture