New Books in Popular Culture

The 1960s and 1970s saw the rise of a new type of humor, based on sarcasm, improvisation and drugs. From The National Lampoon to Saturday Night Live, many new stars appeared, both as performers and writers. In his book, Caddyshack: The Making of a Cinderella Story (Flatiron Books, 2018), Entertainment Weekly film critic Chris Nashawaty tells the story of one of the best films to come out of that period. From its development by National Lampoon alumni to its cast of crazy comedians alongside of regular actors, the film has become one of the favorite examples of the time. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Diet books are a multi-billion dollar industry and in Diet and the Disease of Civilization (Rutgers University Press, 2018), Adrienne Rose Bitar explores the narratives of those books. Bitar looks at the ways in which diet books not only present American’s with dieting advice, but also create cultural narratives about how we should live. Through the exploration of hundreds of diet books over the past century (and sometimes more), Bitar examines four popular diets, viewing them as narratives for American culture. She looks at the Paleo Diet, the Garden of Eden Diet, The Pacific Island Diet and the Detox Diet as larger myths about American culture and social movements. Bitar’s work explores how diet books call for a healthier society by urging readers to create what they believe to be a more perfect world. She argues that diet books criticize excess, addiction, alienation, and the disruption and disappearance of traditional lifeways showing readers how to return to conditions that create optimal health and a more “natural” way of eating and existing in our world. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Firesign Theatre co-founder Phil Proctor shares stories from his life and career in his new memoir, Where’s My Fortune Cookie? (Blurb, 2017) co-written with Brad Shreiber. In Where’s My Fortune Cookie? Proctor shares the history of his work with Firesign Theatre and other comedy recordings in addition to his work on stage, film, and television. The book contains over 120 photographs documenting Phil’s life and career. Proctor’s early life as well as his 65-year career is documented in his new memoir that is told through stories of his professional and personal adventures. Proctor documents his experiences and at time psychic connections throughout his extraordinary life. In this podcast, Proctor describes the Firesign Theatre, a comedy group that created counter-culture comedy and records starting in the 1960s. Through this work, the group worked alongside other psychedelic new age artists and activists to make a cultural difference. Firesign Theatre was responsible for reshaping comedy and culture and Phil shares some of these stories in his book. In addition, you can learn more about his book and his work on his new podcast, The Proctor Podcast, where he reads from his book and share his comedy genius with music, audio bytes and sound effects. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In his new book, Through the Lion Gate: A History of the Berlin Zoo (Oxford University Press, 2017), Gary Bruce, professor of history at the University of Waterloo, provides the first English-language history of the Berlin Zoo from its inception in 1844 until German reunification in 1990. Bruce demonstrates how the Berlin Zoo was a critical facet of Berlin’s social and cultural life. The zoo was also used by those in political power throughout German history to communicate messages to the larger public. According to Bruce the zoo remained popular throughout its history, even in Berlin’s darkest times. It allowed ordinary Germans to escape the difficulties of modern urban life for an afternoon, letting them dream of far flung places.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Heaven Was Detroit: From Jazz to Hip-Hop and Beyond (Wayne State University Press, 2016), M. L. Liebler curates an exhaustive collection of essays about Detroit music by a diverse group of music scholars, journalists, and musicians. Instead of relying on familiar narratives about Motown and rock and roll, this anthology engages a vast array of musical genres and sub-genres, while sharing the oft-surprising hidden histories of artists, institutions, and communities integral to Detroit’s unique sound. Heaven Was Detroit begins with former California Poet Laureate Al Young’s meditation on his childhood obsession with early to mid-20th-century Detroit jazz and ends with an essay by Jarrett Koral about Jett Plastic Recordings, the 21st-century vinyl-only record label he runs out of his parents’ basement. In between are a mix of new and classic essays about Detroit jazz, blues, pre-Motown soul, Motown, rock, hip-hop, techno, and more. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In History Comes Alive: Public History and Popular Culture in the 1970s (University of North Carolina Press, 2017), historian M.J. Rymsza-Pawlowska examines Americans’ changing relationship to history in the 1960s and 1970s. Using the 1976 Bicentennial celebration and planning, Rymza-Pawlowska explores the new ways Americans engaged with the past. Starting with historical television such as Little House on the Prairie and the advent and success of miniseries such as Roots, Rymsza-Pawlowska examines the various ways Americans began to interact with history. Rymsza-Pawlowska characterizes Americans’ relationship with history prior to this time period as separate from the present. She argues that the shift in the ways in which popular culture interacted with history created more emotional connections to history—considering feelings and motivations of historic individuals. Through live interactions, immersive museums, historical fiction, and living history events, Americans’ relationship with history was forever changed. Rymsza-Pawlowska’s book is an important exploration into the foundation for the way in which we experience and practice history today. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In her new book, The Untold Journey: The Life of Diana Trilling (Columbia University Press, 2017), Natalie Robins examines the life of writer and socialite Diana Trilling (1905-1996). Trilling wrote for The Nation, Harpers, and Partisan Review as well as popular magazines McCalls and Vogue. In addition, she wrote Mrs. Harris: The Death of the Scarsdale Diet Doctor and four other books. The wife of professor and literary critic Lionel Trilling, Diana also edited his work, serving as his most trusted confidant. Robins shares the inner struggles Diana endured through her relationship with Lionel as well as her competing public and private work. In this thorough biography, Robins’ extensive and well-researched history of Trilling sheds insight into Diana’s life. She examines Trilling’s position in anticommunist liberal politics, family feminism, and the university literary circles. Spotlighting an influential member of New York City culture, Robins’ work on Diana Trilling is an important addition to literary and popular history of the 1960s. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What happened in popular entertainment when African Americans could access the stage after the Civil War? In Spirituals and the Birth of a Black Entertainment Industry (University of Illinois Press, 2018), Sandra Graham tells the complex story of how folk spirituals composed by enslaved people but transformed for the stage became the core repertoire for the emerging black entertainment industry after 1865. She begins by telling the familiar story of the Fisk Jubilee Singers who first popularized the concert spiritual during their successful tours of the United States and Europe in the 1870s. She expands this narrative, however, by including the crucial contributions of choirs that followed in Fisk’s footsteps especially the Hampton Institute Singers and the Tennesseans. The truly ground-breaking work in the monograph, however, is her study of commercial spirituals and the performers who popularized them in all-black minstrel shows and, at the end of the nineteenth century, in plays with music, such as Uncle Tom’s Cabin, and black musicals such as Out of Bondage. These productions helped convince white audiences to embrace real African American entertainers, although their performances were constrained by stereotypes about black people first presented onstage in blackface minstrelsy. Graham brings her narrative to life by introducing her readers to composers, singers, and actors that were famous at the end of the nineteenth century but have since disappeared from our national consciousness. Her book’s website provides a wealth of information on jubilee choirs and their personnel, as well as excerpts from some of the early twentieth-century recordings she references in the text. The complicated interplay between black performers, the white men who generally managed and directed them, and the integrated audiences who enjoyed their work in this period solidified the racial politics that continues to shape popular entertainment today.  Sandra Jean Graham is an Associate Professor in the Arts and Humanities Division at Babson College in Wellesley, Massachusetts. Graham is also the Faculty Director of the Sorenson Center for the Arts at Babson. An ethnomusicologist by training, Graham studies African American music and blackface minstrelsy in nineteenth-century America. Her work on spirituals and minstrelsy has appeared in books and journals including the Journal for the Society of American Music and American Music. Along with Chad Runyon, she produced a website on the nineteenth-century black actor and musician Sam Lucas. In addition to her scholarly activities, Graham is currently serving as the President of the Society for American Music. Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. In his new book Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016), Yaron Peleg explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture