New Books in Popular Culture

Jonathan Waterlow’s new book It’s Only a Joke, Comrade! Humour, Trust and Everyday Life Under Stalin (1928-1941) (CreateSpace, 2018) delves into the previously understudied realm of humor in the Stalinist period, exploring how average citizens used humor to understand the contradictions of their daily reality and to relieve the stress caused by Stalinist policies. By looking at the way Soviet leaders such as Kirov and Stalin were mocked he notes how people subversively commented on policies that left them hungry and poorly clothed, joking for example that after Kirov’s murder they would dine upon his brains, or how Stalin rid himself of pubic crabs by announcing he would create a crab collective farm, causing them to flee.  Jokes also touched on policy issues such as five-year plans, repression and even the Molotov-Ribbentrop pact, showing how people thought about these issues and discussed them among their cohort. Additionally, jokes revealed the intersectionality of new Soviet and older value systems as people would use traditional frame work, such as heaven and hell, as backdrop for their jokes about the Soviet system, joking, for example, that Lenin was smuggled into heaven as Marx’s garbage. Furthermore, Waterlow looks at the social aspects of telling jokes, which could have dire consequences if told to the wrong person and how jokes helped create and reinforce trust circles, challenging old notions of atomization in the USSR. This witty, well written and very humanizing book is a must read. Samantha Lomb is an Assistant Professor at Vyatka State University in Kirov, Russia. Her research focuses on daily life, local politics and political participation in the Stalinist 1930s. Her book, Stalin’s Constitution: Soviet Participatory Politics and the Discussion of the Draft 1936 Constitution, is now available online. Her research can be viewed here. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How can human rights campaigns function in consumer and celebrity society? In The Mass Appeal of Human Rights (Palgrave Macmillan, 2019), Joel Pruce, assistant professor in political science at the University of Dayton, explores this question through the framework of the Frankfurt School’s critical theory. Rich with examples and detailed histories of the evolution of both human rights campaigns and celebrity and consumerist practices, the book challenges us to rethink contemporary political movements. Including critical discussions of Amnesty International, Save Darfur, Paris Hilton, Pussy Riot, and Live8, the book is essential reading for anyone concerned with how to change the world for the better, rather than just for the benefit of celebrity and consumer capitalism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Riffs & Meaning: Manic Street Preachers and Know Your Enemy (Headpress, 2018), Stephen Lee Naish tells the story of Welsh rock band Manic Street Preachers’ 2001 album Know Your Enemy. The record’s engagement with diverse and unexpected musical influences, as well as its mixed reception by critics and fans alike, inspired Naish to uncover the ways in which the album’s subversion of expectations ultimately benefitted the work, allowing for a reconsideration if its impact. Riffs & Meaning contains musical histories of the band, including their launch of Know Your Enemy at a concert in Havana, Cuba; track-by-track analyses of the studio version of Know Your Enemy, along with the B-sides; interviews with fans about their feelings towards the record; and a discussion of the ways in which this release informed the band’s future musical directions. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Who doesn’t remember their first trip to the county fair? The greasy hotdogs and popcorn and cotton candy. The lights and sounds of the seemingly endless games and rides and shows on the midway. But maybe most of all, the sense of wonder inspired by real people who could contort their bodies into incredible shapes with ease, and show off amazing feats of agility and strength you never thought possible. Feats that made you think, “How on earth did they do that?” The trick, it turns out, is that there is no trick. Most of what you see, you can believe. This is the first of many sideshow axioms writer Tessa Fontaine learned when she left the life she knew to join the circus in 2013. Now, in her debut book of nonfiction, The Electric Woman: A Memoir in Death-Defying Acts (FSG, 2018), Fontaine’s keen descriptive powers offer a revealing glimpse into the secret world of the United States’ last traditional traveling sideshow. On the road, Fontaine met all kinds of personalities—from carnies to showpeople—who taught her about wonder, and how to inspire it through her performances as a fire breather, a sword swallower, a snake charmer, and so much more. Today on the New Books Network, join us as we sit down with Tessa Fontaine to hear more about The Electric Woman and her incredible journey traveling with the World of Wonders sideshow. Zoë Bossiere is a doctoral student at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBn interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com.   Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Off the Cliff: How the Making of ‘Thelma & Louise’ Drove Hollywood to the Edge (Penguin, 2018), Becky Aikman explores the making of Thelma & Louise, a 1991 film that challenged traditional Hollywood culture. The film cast two women as the stars, running from their lives and the law. An outlaw film that was a long shot, but became one of the most influential films of the past 30 years. Aikman tells the story of how Callie Khouri wrote a script that she worked to see come to the big screen. Off the Cliff goes behind the scenes, examining how Khouri’s script got to Ridley Scott, how they found one studio—Pathé—to back it, and how through a series of sometimes lucky and very fortunate events came together to create this lasting feminist film milestone. Aikman draws on interviews with the actors, writers, and filmmakers to tell the story of Thelma & Louise. Aikman’s work is an in-depth exploration into every aspect of Thelma & Louise, from getting the movie off the ground, actor auditions, discussions of the filming of a number of the key scenes, and initial audience reaction. Aikman’s work is a must read for not only fans of the movie, but readers interested in film history and American cinema. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in people’s lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year.  The project has now been re-issued as a paperback, albeit without any accompanying discs; instead the related tracks and film footage are now available for online access care of the University of Wisconsin-Madison Library. It’s not hard to fathom why this monumental work received so much acclaim. A groundbreaking multimedia endeavor, Folksongs of Another America is the product of decades of work by the distinguished folklorist, James P. Leary.  Leary is, amongst other things, Professor Emeritus of Folklore and Scandinavian Studies and Cofounder of the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison, a former editor of the Journal of American Folklore, and a native of rural Wisconsin, which is one of the three states – along with Michigan and Minnesota – whose rich musical bounty is explored in this study. Leary sifted through over 2,000 field recordings, made by fieldworkers Sidney Robertson, Alan Lomax, and Helene Stratman-Thomas during the 1930s and 40s, to select the 187 tunes and songs that feature here. Together the chosen pieces create the impression of a region populated by immigrants from a host of different lands, as well as by Native Americans, all with their own musical traditions. For every track, Leary offers extensive documentation, information about the performers, and full lyrics (including in the original language with English translation as necessary which, given that the collection includes twenty-five languages, is often the case).  The recordings themselves, which have been wonderfully restored and remastered, provide vivid aural experiences. Folksongs of Another America is, as noted by a reviewer for Deutschlandradio Kultur, “an exceptional achievement that demonstrates for the first time the full worth and cultural wealth of the Upper Midwest for music listeners.” Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Leopard print has a long history, as Jo Weldon shares in her new book, Fierce: The History of Leopard Print (Harper Design, 2018). In her illustrated text, Weldon chronicles the history of leopard print, situating it throughout popular culture. Starting in the early 1900s, Weldon examines the mass production of textiles and changes in the fashion industry to bring about the use of prints, colors, and patterns giving women more opportunities to use daring styles. In addition to fashion, Weldon explores influential individuals who changed popular culture with their choices in couture. Weldon’s book combines historical information about fashion, distinguishing features of large cats and large cat prints, and full color images of the compelling textile and its wearers. She argues that leopard print has been a powerful statement for women throughout history, adapting and changing to different fashion trends and technological advancements. Weldon’s book is a vivid illustration of a fashion statement that has not gone out of style. Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Enter the code “NBN10” and get 10% off this book and any book at University Press Books, Berkeley. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Gaming has increasingly become part of mainstream culture, from the continued rise of console and PC gaming to the emergence of eSports. Gaming culture has also come under more scrutiny to the non-gaming public. The #Gamergate controversy showed the ugly side of gaming culture, and how gender is imbued within this culture. Gaming culture, as Professor Megan Condis argues, is a masculine institution. Within gaming, masculinity is not only favored but shapes a policing discourse that maintains gender boundaries. Additionally, the masculine politics of gaming culture has found cultural salience in our current political environment. By acting as trolls and using memes—two aspects key to gaming culture—the alt right uses these features of online culture toward their political ends. This book provides a much-needed gendered analysis of gaming culture. For those who consider themselves avid gamers to those who have never picked up a video game in their life, Megan Condis’ Gaming Masculinity: Trolls, Fake Geeks, and the Battle for Online Culture (University of Iowa Press, 2018) is a fascinating and illuminating read. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In The Blue Series: The Story Behind the Color (Third Man Books, 2017), Ben Blackwell invites readers behind the scenes for the making of Third Man Records’ 7-inch single Blue Series. Founded in 2009 in Nashville by songwriter, musician, and producer Jack White—formerly of the White Stripes—TMR has released dozens of Blue Series singles by an eclectic group of artists, including Beck, Dwight Yoakam, Wanda Jackson, Stephen Colbert, Insane Clown Posse, and Tom Jones. Beginning with a foreword by Rolling Stone senior writer David Fricke, and an interview with White, Blackwell includes artist accounts, biographical information, and recording credits for 40 7-inch singles. The Blue Series also features an interview with Jo McCaughey who shot the photos for each release, as well as the recollections of some of the songs’ key session players. Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor at the University of Toledo in Toledo, Ohio. Her book, Fade to Black: Blues Music and the Art of Narrative Self-Invention from Bessie Smith to Jack White, is under contract with the University of Massachusetts Press. She is also a music journalist who has written articles and reviews for national and international publications, including Music Connection, Village Voice, Relix, PopMatters, and Hot Press. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ever go backpacking through Europe? In Backpack Ambassadors: How Youth Travel Integrated Europe (University of Chicago Press, 2017), Richard Ivan Jobs traces the postwar cultural history of the making of Europe through the stories and perspectives of the young people who moved across the continent’s borders. A history of European integration from the end of the Second World War to the 1992 Treaty of Maastricht, the book emphasizes the roles that young people played in postwar recovery and reconciliation efforts, their participation in Europeanization, the upheavals of 1968, and the ways that young people’s movements were circumscribed by the Cold War and transformed by its end. Backpack Ambassadors examines the emergence of a “community of practice” defined by young people themselves, a community complicated by gender, class, race, and other differences. While youth are the key agents in this history, the book also considers the policies, programs, and regulations of the states that sought to encourage and manage the movement of young travelers across Europe in various ways. Transnational in subject and method, the chapters of the book draw on multiple archives and sources from several countries, including interviews with former backpackers and the experiences of the author himself. Absorbing in its myriad stories and compelling in its analysis, Backpack Ambassadors is a must-read for anyone interested in research and writing that connects culture and politics while pushing past the limits of national history. Highly readable and human in its approach, the book is also a fantastic resource for those teaching European integration at the undergraduate or graduate levels. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture