New Books in Popular Culture

As someone who grew up watching All in the Family and Sanford and Son, I’ve long been familiar with Norman Lear and his work. What I didn’t know, as a young child sitting cross-legged in front of the TV set in the 1970s, was how prominent a political figure Lear was at the time. In his new book, The Rise and Fall of the Religious Left: Politics, Television, and Popular Culture in the 1970s and Beyond (Columbia University Press, 2019), Professor L. Benjamin Rolsky makes the case for understanding Lear as a key protagonist in the culture wars of the late 20th century. As a religious liberal, Lear was committed to engaging politics on explicitly moral grounds in defense of what he saw as the public interest. Other players in the culture wars—including television networks, Hollywood, the FCC, televangelists, and Ronald Reagan himself—had their own interpretations of what constituted the public interest. As a result, Rolsky’s interdisciplinary analysis concludes, prime-time television itself became a contested political space and the site of some of the definitive cultural clashes of our fractious times.Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Roger Gilles, Director of the Honors College and Professor of Writing at Grand Valley State University, and author of Women on the Move: The Forgotten Era of Women’s Bicycle Racing (University of Nebraska Press, 2018). In our conversation, we discussed the rise of women’s velodrome racing in the American Midwest in the 1890s, the business of six-day cycling, and the gender politics of women’s racing.In Women on the Move, Gilles recovers the history of women’s cycle racing in the 1890s. Female scorchers like Tillie “The Terrible Swede” Anderson, Lizzie Glaw, and Dottie Farnsworth barnstormed across the Midwest from Oklahoma City to Pittsburgh. Their sport proved to be popular, even more so than men’s endurance six-day events. They raced on steeply banked short tracks, pedalled at speeds up to 30 miles per hour, braved severe injuries from crashes, dealt with wardrobe malfunctions, and won enormous prizes. They were America’s first famous female athletes.Gilles’ work traces the intersections that gave rise to women’s bicycle racing in the 1890s. Tillie Anderson and the other racers navigated the cycling boom, which followed the invention of the safety bike; the rise of the suffrage movement; the increasing industrialization of midwestern cities; the migration of millions of Europeans to the United States; and the gender politics of the Victorian era.The craze ended almost as quickly as it began in the early 20th century – replaced by automobile racing, undermined by charges of fixing, undercut by lower revenues, and damaged by the increasingly strategic and tactical insight of the racers that made the sport more professional but less exciting for spectators.Women on the Move restores women’s racing to the pantheon of 19th century American sport and will appeal to readers interested in the overlap between cycling, sports business, migration, and gender.Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Professor Blain Roberts of California State University, Fresno, talks about intersections of race, identity, and memory in the South in a wide-ranging discussion that starts in the segregated beauty parlors of the Jim Crow era and ends with remembrances of slavery in modern-day Charleston, South Carolina.From the South's pageant queens to the importance of beauty parlors to African American communities, it is easy to see the ways beauty is enmeshed in southern culture. But as Blain Roberts shows in this incisive work, the pursuit of beauty in the South was linked to the tumultuous racial divides of the region, where the Jim Crow-era cosmetics industry came of age selling the idea of makeup that emphasized whiteness, and where, in the 1950s and 1960s, black-owned beauty shops served as crucial sites of resistance for civil rights activists. In these times of strained relations in the South, beauty became a signifier of power and affluence while it reinforced racial strife.In Pageants, Parlors, and Pretty Women: Race and Beauty in the Twentieth-Century South (University of North Carolina Press, 2016), Roberts examines a range of beauty products, practices, and rituals--cosmetics, hairdressing, clothing, and beauty contests--in settings that range from tobacco farms of the Great Depression to 1950s and 1960s college campuses. In so doing, she uncovers the role of female beauty in the economic and cultural modernization of the South. By showing how battles over beauty came to a head during the civil rights movement, Roberts sheds new light on the tactics southerners used to resist and achieve desegregation.Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What is the human and environmental cost of music? In Decomposed: The Political Ecology of Music (MIT Press, 2019),Kyle Devine, an Associate Professor in the Department of Musicology at the University of Oslo, tells the material history of recorded music, counting the impact of music from the 78 to digital streaming. The book has a rich and detailed analysis of music’s contribution to our current environmental crisis, along with the human impact of making the materials that make our modern consumption of music possible. Offering a radically new perspective on music, the book is essential reading for everyone! Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Sean Jacobs, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed Africa is A Country website, a leader His new book Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization, published by Indiana University Press in 2019.In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.Media in Postapartheid South Africa is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.Susan Thomson is associate professor of peace and conflict studies at Colgate University. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In her new books, Would I Have Sexted Back in the 80s?: A Modern Guide to Parenting Digital Teens, Derived from Lessons of the Past (Amsterdam University Press, 2019), Allison Ochs combines experiences from her childhood with her research and expertise on teens and teen culture to write about experiences of teens and parents in navigating smartphones and increasing access to digital spaces. Ochs work examines social media, bullying, porn, gaming, sexting, and media usage, addressing some of the major questions and concerns of parents today. Ochs combines her stories of the past, talking about how being a teenager has in some ways changed, but in others continues to be a difficult space to navigate and fit in. Would I Have Sexted Back in the 80s? gives suggestions on how to approach teens about emotional issues that all teens experience with the additional to the availability and usage of digital devices. Her works encourages readers to think about how they talk with teens learning to navigate the digital world.Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What can a cultural history of the heartthrob teach us about women, desire, and social change? From dreams of Prince Charming or dashing military heroes, to the lure of dark strangers and vampire lovers; from rock stars and rebels to soulmates, dependable family types or simply good companions, female fantasies about men tell us as much about the history of women as about masculine icons.When girls were supposed to be shrinking violets, passionate females risked being seen as "unbridled," or dangerously out of control. Change came slowly, and young women remained trapped in double-binds. You may have needed a husband in order to survive, but you had to avoid looking like a gold-digger. Sexual desire could be dangerous: a rash guide to making choices. Show attraction too openly and you might be judged "fast" and undesirable.Education and wage-earning brought independence and a widening of cultural horizons. Young women in the early twentieth century showed a sustained appetite for novel-reading, cinema-going, and the dancehall. They sighed over Rudolph Valentino's screen performances, as tango-dancer, Arab tribesman, or desert lover. Contemporary critics were sniffy about "shop-girl" taste in literature and in men, but as consumers, girls had new clout.In Hearthrobs: A History of Women and Desire (Oxford University Press, 2017), social and cultural historian Carol Dyhouse draws upon literature, cinema, and popular romance to show how the changing position of women has shaped their dreams about men, from Lord Byron in the early nineteenth century to boy-bands in the early twenty-first. Reflecting on the history of women as consumers and on the nature of fantasy, escapism, and "fandom," she takes us deep into the world of gender and the imagination. A great deal of feminist literature has shown women as objects of the "male gaze": this book looks at men through the eyes of women.In this interview, Jana Byars, the academic director of SIT Amsterdam, talks with Dyhouse about Hearthrobes. Though clearly rooted in her earlier academic work, this divergence into popular history provides a smart and delightful read. Jana and Carol talk about the female gaze, male stereotypes, and the power of popular culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Ebony Elizabeth Thomas has written a beautiful, captivating, and thoughtful book about the idea of our imaginations, especially our cultural imaginations, and the images and concepts that we all consume, especially as young readers and audience members. The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (NYU Press, 2019) dives into the question of, as Thomas explains, “why magical stories are written for some people and not for others.” Thomas explores the narratives of magical and fantastical stories, especially ones that currently dominate our Anglo-American cultural landscape, and discerns a kind of “imagination gap” in so many of these literary and visual artifacts. The Dark Fantastic provides a framework to consider this imagination gap, by braiding together scholarship from across a variety of disciplines to think about this space within literature and visual popular culture. Thomas theorizes a tool to examine many of these narratives, the cycle through which to contextualize the Dark Other within these fantastical narratives, noting that the Dark Other is the “engine that drives the fantastic.”The Dark Fantastic spends time analyzing and interrogating a variety of televisual and cinematic artifacts, noting how the Dark Other cycle operates in each of these narratives. In exploring these narratives, and considering who the protagonist is in so many cultural artifacts, the imagination gap becomes not only obvious but quite distinct. Thomas is concerned about this gap, because of the implication it has for readers and for film and television viewers—not only in regard to representation, but also in terms of learning how to imagine, how to dream, how to think conceptually, and how to center one’s self within these fictional spaces and created worlds.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Stephen Dyson has provided a fascinating and engaging analysis of political science, the discipline, and political television in his new book, Imagining Politics: Interpretations in Political Science and Political Television (University of Michigan Press, 2019). By examining particular popular culture narratives, in this case, nine popular and engaging television series, Dyson is not only analyzing the tropes and themes of these series, but he is braiding them together with broader disciplinary frameworks and concepts from political science. Thus, this book presents dual interpretative perspectives—from political science and from televisual narratives. Dyson’s larger point is that politics itself is a form of narrative that political scientists attempt to explain and make sense of through our own narrative constructions by way of conceptual theories of interpretation. In so doing, Imagining Politics is weaving together fictional and non-fictional narratives to compel the reader to consider how we frame and think about our understanding of politics and how we explain politics, especially in a discipline largely developed and devoted to making sense out of public life within contemporary western democracies.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture