New Books in Popular Culture

How does the music industry work in the modern world? In Selling Out: Culture, Commerce and Popular Music (Bloomsbury, 2020), Bethany Klein, a Professor of Media and Communication at the University of Leeds, explores the relationship between music and money, from the early years of the pop industry to contemporary society’s ‘promotional culture’. The book conceptualises ‘selling out’, and offers a nuanced understanding of how the idea developed and how it might still be important and relevant. Crucially, the book stresses the changing nature of selling out, not only over time but also through thinking critically about key categories such as race and gender. The book is packed with examples from across a range of genres and gives an overview of key theories to help understand the importance of ‘selling out’. The book is essential reading across the humanities and social scientists, as well as for anyone interested in contemporary culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Beatles’ sojourn in the St. Pauli district of Hamburg during the early 1960s is part of music legend. As Julia Sneeringer reveals in A Social History of Early Rock ‘n’ Roll in Germany: Hamburg from Burlesque to The Beatles, 1956-69 (Bloomsbury, 2018), though, this was just the most famous episode in the neighborhood’s momentous engagement with rock ‘n’ roll during that period, one of importance not just to music history but to the history of modern Germany. Located as it was outside the walls of the medieval city, St. Pauli was known for centuries as the entertainment quarter of Hamburg. The neighborhood had only recently recovered from the hardships of the postwar era when German club owners began booking English bands to play the new style of music that had just been introduced in Europe. The performances quickly proved a hit among teenage Germans, who flocked to out-of-the-way venues to watch the acts perform. As Sneeringer details, the encounters changed everyone involved, giving the musicians the chance to hone their skills and develop their style while through their participation the young men and women in the audience pushed against the conservative social boundaries imposed on them by their families and their society. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Public Performances: Studies in the Carnivalesque and Ritualesque (University Press of Colorado) offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—the volume provides rich and comprehensive insight into public performance as an assertion of political power.Dr. Jack Santino is professor of folklore and popular culture and has served as director of the Bowling Green Center for Popular Culture Studies. He was the Alexis de Tocqueville Distinguished Professor at the University of Paris, Sorbonne, 2010–2011. He was a Fulbright Scholar to Northern Ireland and has conducted research in Spain and France. His documentary film on Pullman Porters, Miles of Smiles, Years of Struggle, received four Emmy awards. His research centers on rituals and celebrations, with a particular focus on carnival and political and public ritual as reflective of political, social, and cultural identity. He is the author of numerous books and articles.Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A life shared with pets brings many emotions. We feel love for our companions, certainly, and happiness at the thought that we’re providing them with a safe, healthy life. But there’s another emotion, less often acknowledged, that can be nearly as powerful: guilt. When we see our cats gazing wistfully out the window, or watch a goldfish swim lazy circles in a bowl, we can’t help but wonder: are we doing the right thing, keeping these independent beings locked up, subject to our control? Is keeping pets actually good for the pets themselves?That’s the question that animates Jessica Pierce’s powerful Run, Spot, Run: The Ethics of Keeping Pets (University of Chicago Press). A lover of pets herself (including, over the years, dogs, cats, fish, rats, hermit crabs, and more), Pierce understands the joys that pets bring us. But she also refuses to deny the ambiguous ethics at the heart of the relationship, and through a mix of personal stories, philosophical reflections, and scientifically informed analyses of animal behavior and natural history, she puts pet-keeping to the test.Is it ethical to keep pets at all? Are some species more suited to the relationship than others? Are there species one should never attempt to own? And are there ways that we can improve our pets’ lives, so that we can be confident that we are giving them as much as they give us?Deeply empathetic, yet rigorous and unflinching in her thinking, Pierce has written a book that is sure to help any pet owner, unsettling assumptions but also giving them the knowledge to build deeper, better relationships with the animals with whom they’ve chosen to share their lives.Jessica Pierce is an American bioethicist, philosopher, and writer. She currently has a loose affiliation with the Center for Bioethics and Humanities, University of Colorado Denver, but considers herself mostly independent.Mark Molloy is the reviews editor at MAKE: A Literary Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Gothic Queer Culture: Marginalized Communities and the Ghosts of Insidious Trauma (University of Nebraska Press), Laura Westengard examines the intersection of queerness and the gothic.Westengard’s scope is broad enough to encompass Lady Gaga’s meat dress, lesbian pulp fiction, Dracula, queer literature, and sadomasochistic performance art. What brings these diverse cultural objects together is the way they re-appropriate tropes of the gothic that have been used to marginalize queer and gender-variant people throughout history.If mainstream culture depicts queer people as predatory, monstrous, and threatening, the artists analyzed in Gothic Queer Culture find beauty and meaning in gothic tropes: in the crypt-like undergrounds of lesbian bars, the vampiric performance art of Ron Athey, and in the Frankensteinian practice of juxtaposing conflicting genres in the same text.The gothic then becomes a way to process trauma and rewrite the often-conservative genre of the gothic as something proudly queer, unsettled, and unsettling.Laura Westengard is an associate professor of English at the New York City College of Technology, City University of New York.Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Isabella Cosse’s Mafalda: A Social And Political History of a Global Comic (Duke University Press) is the definitive account of the most famous comic from Latin America, the Argentine strip Mafalda (1964-1973).Mafalda, a four-year-old girl living in a Buenos Aires apartment with her middle-class family, became an international symbol of dissent through her humorous, yet pointed critiques of authoritarianism. Cosse’s work of cultural history carefully situates the comic in the context of social modernization and political polarization in Argentina.Cosse reveals that the various characters reflect the heterogeneity of the Argentine middle classes during the years prior to the military dictatorship, when censorship was on the rise and standards of living grew more precarious for social sectors accustomed to modern comforts. Gender roles and generational change were also central themes in the comic, which used humor to explore the ways that middle-class families grappled with shifting configurations of power within the family and society more broadly.Cosse analyzes the processes by which Mafalda has acquired new meanings in a changing Argentina before, during, and after the military dictatorship. But this book is also transnational in scope, for Cosse follows Mafalda to the other countries where the comic found great success and resonated politically: Spain, Italy, and Mexico. Cosse’s award-winning work was first published in Spanish in 2014, and the English translation with Duke is part of the press’s series Latin America in Translation/En Traducción/Em Tradução.Isabella Cosse is an independent researcher for the National Science and Technology Research Council and the University of Buenos Aires.Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about youth, higher education, transnationalism, and social class in twentieth-century Mexico. She is also the author of a book on a binational program for Mexican migrant children. She is on Twitter (@rachelgnew). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game (University of Mississippi Press, 2020) is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. It is the culmination of five years of interviews, research, and writing. Told with humor and candor, it’s as much a personal account of the Stooges’ careers as it is a story of the city’s musicians and, even more generally, a coming-of-age tale about Black men in the United States at the turn of the twenty-first century.DeCoste and the band members take readers into the barrooms, practice rooms, studios, tour vans, and streets where the music is made and brotherhoods are shaped and strengthened. Comprised of lively firsthand accounts and honest dialogue, Can’t Be Faded is a dynamic approach to collaborative research that offers a sensitive portrait of the humans behind the horns.The Stooges Brass Band is based in New Orleans, Louisiana. They are known for incorporating elements of hip-hop, funk, and R&B into a more traditional brass band framework. In April 2011, the Stooges Brass Band won the Best Contemporary Brass Band award from the Big Easy Music Awards.This episode features four members of the Stooges Brass Band: Walter Ramsey, tuba player, trombonist, and leader of the group; Al Growe, trombonist; Garfield Bogan, trombonist, drummer, and vocalist; and Andrew Baham, trumpet player and producer.Alongside the Stooges Brass Band is co-author Kyle DeCoste, a PhD candidate in ethnomusicology at Columbia University. His dissertation explores the cultural politics of childhood in Black popular music in the United States.Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The Routledge Handbook of Festivals (Routledge, 2018) offers a comprehensive evaluation of the most current research, debates, and controversies surrounding festivals. It covers a wide range of theories, concepts and contexts, such as sustainability, festival marketing and management, the strategic use of festivals, and their futures. The handbook features a variety of disciplinary, cultural, and national perspectives from an international team of authors.The handbook was edited by Dr. Judith Mair, Associate Professor and Discipline Leader of the Tourism Discipline Group in the University of Queensland Business School.Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How should we understand the role of cultural industries in contemporary society? In Global Cultural Economy (Routledge) Christiaan De Beukelaer, a senior lecturer in cultural policy at the University of Melbourne, and Kim-Marie Spence, a postdoctoral researcher at Solent University, explore and explain the interrelationship between culture and economy across the world.The book covers a range of subjects, from inequality and diversity, through government funding and cultural policy, to development and sustainability, illustrating each subject with examples from a vast range of artforms and nation states, as well as global policy organisations. The book is essential reading for creative industries, arts and humanities, and social science scholars, as well as for anyone interested in a declonising their perspective on global culture. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Johnny Cash International: How and Why Fans Love the Man in Black (University of Iowa Press, 2020), Michael Hinds and Jonathan Silverman examine transnational and translocal fandoms and the legacy of Johnny Cash beyond the United States. Hinds and Silverman explore Cash fandom through YouTube comments, fan pilgrimages to the American South, and other unique relationships to the Man in Black. Hinds and Silverman use ethnography, documentary, and fieldwork and discover the ways Cash transcends race, class, geography, and politics. Cash’s identity as an American performer finds a way to inspire fans worldwide. Starting with their experiences with Cash fans in Norway and Northern Ireland, Hinds and Silverman expand their exploration into the legacy of Johnny Cash to show the ways fans use modern technology and real-world fan communities to create global fan sites and cultures. Hinds and Silverman’s Johnny Cash International is a unique and thoughtful book into why fans love the Man in Black. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture