New Books in Popular Culture

Why is the term "openly gay" so widely used but "openly straight" is not? What are the unspoken assumptions behind terms like "male nurse," "working mom," and "white trash"? Offering a revealing and provocative look at the word choices we make every day without even realizing it, Taken for Granted exposes the subtly encoded ways we talk about race, gender, sexual orientation, religion, social status, and more.In Taken for Granted: The Remarkable Power of the Unremarkable (Princeton UP, 2018), Eviatar Zerubavel describes how the words we use―such as when we mark "the best female basketball player" but leave her male counterpart unmarked―provide telling clues about the things many of us take for granted. By marking "women's history" or "Black History Month," we are also reinforcing the apparent normality of the history of white men. When we mark something as being special or somehow noticeable, that which goes unmarked―such as maleness, whiteness, straightness, and able-bodiedness―is assumed to be ordinary by default. Zerubavel shows how this tacit normalizing of certain identities, practices, and ideas helps to maintain their cultural dominance―including the power to dictate what others take for granted.A little book about a very big idea, Taken for Granted draws our attention to what we implicitly assume to be normal―and in the process unsettles the very notion of normality.Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In an era of rampant Islamophobia, literary representations of Muslims and anti Muslim bigotry tell us a lot about changing concepts of cultural difference. In Islamophobia and the Novel (Columbia University Press, 2018), Peter Morey, Professor at the University of Birmingham, analyzes how recent works of fiction have framed and responded to the rise of anti-Muslim prejudice, showing how their portrayals of Muslims both reflect and refute the ideological preoccupations of media and politicians in the post-9/11 West. Morey discusses novels embodying a range of positions—from the avowedly secular to the religious, and from texts that appear to underwrite Western assumptions of cultural superiority to those that recognize and critique neoimperial impulses. Contemporary literature’s capacity to unveil the conflicted nature of anti-Muslim bigotry expands our range of resources to combat Islamophobia. This, in turn, might contribute to Islamophobia’s eventual dismantling. In our conversation we discussed anti-Muslim prejudice, the tension between narrative and power, literature and its relationship to Islamophobia, the “market for the Muslim,” stereotyping, authenticity and the burden of representation, aesthetic expectations, economic constraints, multiculturalism, securitization, effects of 9/11, the global novel, and Critical Muslim Literary Studies.Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Every porn scene is a record of people at work. But on-camera labor is only the beginning of the story. Porn Work takes readers behind the scenes to explore what porn performers think of their work and how they intervene to hack it. Blending extensive fieldwork with feminist and antiwork theorizing, Porn Work: Sex, Labor, and Late Capitalism (UNC Press, 2021) details entrepreneurial labor on the boundaries between pleasure and tedium. Rejecting any notion that sex work is an aberration from straight work, it reveals porn workers' creative strategies as prophetic of a working landscape in crisis. In the end, it looks to what porn has to tell us about what's wrong with work, and what it might look like to build something better.Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Do you have a cookbook in you? Thinking about a memoir with recipes? How about a food blog? Have you ever yearned to be an Instagram Influencer or dreamt of joining the waning ranks of restaurant reviewers?If that’s the case, stop whatever you are doing and get ahold of Will Write for Food: Pursue Your Passion and Bring Home the Dough Writing Recipes, Cookbooks, Blogs and More by Dianne Jacob, out this month in its fourth edition by Hachette Books. It’s no exaggeration to say that Dianne Jacob is America’s foremost food writing guru, and Will Write For Food, first published in 2005, offers the most comprehensive, unvarnished look at the always developing and perennially competitive world of food writing on the market today. Will Write for Food has been translated into Korean, Chinese, and Spanish, and is used as a textbook in universities and culinary schools. Will Write for Food has received three international awards for excellence, including the Cordon D’Or International award for Best Literary Food Reference Book in 2005. The second edition won the Gourman World Cookbook Award in 2010 for best book in the USA in its category, and the third edition won a Silver Nautilus award in the Creative Process category. Now a fourth edition is being released in May 2021 by Hachette Go.When Jacob first wrote Will Write for Food, she confesses to having a somewhat “snobby” view of food bloggers, a segment of the food writing world that was just gaining momentum. In the latest iteration of Will Write for Food, Jacob dedicates a lengthy and comprehensive chapter to food blogging, charting the meteoric rise of the superstars such as David Lebovitz, Deb Perlman (The SmittenKitchen), and Ree Drummond (The Pioneer Woman), as well as outlining the considerable challenges to making a food blog pay.Will Write for Food also delves into the knotty problem of cultural appropriation, at a moment when food writing is becoming more global and inclusive, and offers solid advice on how to celebrate foreign cuisines not by purloining them but by assiduous attribution and helping to shine a generous spotlight on the chefs and restauranteurs creating these innovations.Will Write for Food deftly navigates the immense role played by social media in food writing today — another aspect of the guild that Jacob confesses was not on her radar screen when she wrote the first edition of the book. And while social media stardom is not a sure path to success in food writing, Jacob is at pains to point out that it is an important part of the food writer’s toolbox, as is photography and videography, and a strong writer’s voice, adroit recipe writing skills, and an ability to convey the sensual aspects of food to the page.Dianne Jacob is a writing coach, author, and free-lance editor. She has coached food writers around the world, and many have signed with major publishers and appeared in leading broadsheets, websites, podcasts, and magazines. Dianne’s popular blog and indispensable newsletter helps writers and bloggers keep up with trends, issues, and techniques in the world of food writing. Dianne is a popular speaker and teacher throughout the world. She is the co-author of two cookbooks with Chicago chef Craig Priebe, The United States of Pizza (Rizzoli, 2015) and Grilled Pizzas & Piadinas (DK Publishing, 2008). Find out more about Dianne on her website, www.diannej.com.Jennifer Eremeeva is an American expatriate writer who writes about travel, culture, cuisine and culinary history, Russian history, and Royal History, with bylines in Reuters, Fodor's, USTOA, LitHub, The Moscow Times, and Russian Life. She is the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow and Have Personality Disorder, Will Rule Russia: A Pocket Guide to Russian History. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

For most of the eighteenth century, the format, size, and price of the earliest novels meant that they would have been sold and bought alongside Protestant religious texts. In When Novels Were Books (Harvard UP, 2020) Jordan Alexander Stein brings the insights of book history into conversation with literary criticism. He explores the antecedents that stretch the story of the novel all the way to the early seventeenth century. The norms of character representation that emerged in Protestant conversion narratives were picked up by the earliest proto-novels. Spiritual and literary rhetorical forms, book trade markets, and networks of readers mingled for much of the novel's eighteenth-century development. The material features of novels as books opens new vistas for literary studies and the historiography of the rise of the Anglophone novel. This is a must read for those interested in book history, literary studies, or book culture in the seventeenth and eighteenth centuries.Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Julie Golia's new book Newspaper Confessions: A History of Advice Columns in a Pre-Internet Age (Oxford UP, 2021) chronicles the history of the newspaper advice column, a genre that has shaped Americans’ relationships with media, their experiences with popular therapy, and their virtual interactions across generations. Emerging in the 1890s, advice columns became unprecedented virtual forums where readers could debate the most resonant cultural crises of the day with strangers in an anonymous yet public forum. The columns are important—and overlooked—precursors to today’s digital culture: forums, social media groups, chat rooms, and other online communities that define how present-day American communicate with each other. This book charts the rise of the advice column and its impact on the newspaper industry. It analyzes the advice given in a diverse sample of columns across several decades, emphasizing the ways that advice columnists framed their counsel as modern, yet upheld the racial and gendered status quo of the day. It shows how advice columnists were forerunners to the modern celebrity journalist, while also serving as educators to audience of millions. This book includes in-depth case studies of specific columns, demonstrating how these forums transformed into active and participatory virtual communities of confession, advice, debate, and empathy.Julie Golia is a Curator of History, Social Sciences, and Government Information, New York Public Library. Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In The Cards: The History and Power of Tarot (University Press of Mississippi, 2021), Patrick Maille examines the history of Tarot cards and their place in popular culture. The Cards starts with an extensive review of the history of Tarot from its roots as a game to its supposed connection to ancient Egyptian magic, through its place in secret societies, and to its current use in meditation and psychology. Part Two delves into specific areas of popular culture—art, television, movies, and comics—and how Tarot is used in works such as The Andy Griffith Show, Dark Shadows, Neil Gaiman's Books of Magic, and Live and Let Die. While Tarot means many different things to many different people, the cards somehow strike universal chords that can resonate through popular culture. The symbolism within the cards, and the cards as symbols themselves, make Tarot an excellent device for the media of popular culture in numerous ways. The cards are evocative images in their own right, but the mystical fascination they inspire makes them a fantastic tool to be used in our favorite shows and stories.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What does it mean to “upend a norm,” which is the translation of the title of Sergio Rigoletto’s recent study “Upended norms: essays on gender and sexuality in Italian cinema and television.”Rigoletto focuses on Italian audiovisual texts from the mid-20th century until today, asking questions about how these media helped mark the boundaries of social norms in Italy as well as chart the threats to those boundaries made by sexually active women, foreigners, drag queens, homosexuals and other queer subjects. How these threats move from the background (Fellini’s La Dolce Vita, 1960) to centerstage, in films like Ferzan Ozpetek’s The Ignorant Fairies (2001) and Luca Guadagnino’s Call me by Your Name (2017). What do these movements tell us about gendered subjects in Italian mainstream and popular media? What do they reveal about norms? These are some of the themes that Rigoletto’s (University of Oregon) Le norme traviate studies.Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2021). She is President of the American Association for Italian Studies. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Benjamin Piekut's Henry Cow: The World is a Problem (Duke UP, 2019) provides a compelling case study of the problems and possibilities of collective improvisation through the story of Henry Cow, the cult favorite British rock band active from 1968-1978. Engaging with free jazz, Maoism, and live electronics, Henry Cow pushed the boundaries of what a rock band could be. They set a standard for artistic independence that would be an inspiration to the punks that followed them, even if Henry Cow's epic freak-outs were sonic worlds away from the punks' three chord assaults. Drawing on a trove of first-hand documents (Henry Cow was the rare rock band to record minutes at their weekly meetings), Piekut's book is a tribute to a band that never stopped challenging themselves and their audience. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Despite—or because of—its huge popular culture status, Peanuts enabled cartoonist Charles Schulz to offer political commentary on the most controversial topics of postwar American culture through the voices of Charlie Brown, Snoopy, and the Peanuts gang.In postwar America, there was no newspaper comic strip more recognizable than Charles Schulz's Peanuts. It was everywhere, not just in thousands of daily newspapers. For nearly fifty years, Peanuts was a mainstay of American popular culture in television, movies, and merchandising, from the Macy's Thanksgiving Day Parade to the White House to the breakfast table.Most people have come to associate Peanuts with the innocence of childhood, not the social and political turmoil of the 1960s and 1970s. Some have even argued that Peanuts was so beloved because it was apolitical. The truth, as Blake Scott Ball shows, is that Peanuts was very political. Whether it was the battles over the Vietnam War, racial integration, feminism, or the future of a nuclear world, Peanuts was a daily conversation about very real hopes and fears and the political realities of the Cold War world. As thousands of fan letters, interviews, and behind-the-scenes documents reveal, Charles Schulz used his comic strip to project his ideas to a mass audience and comment on the rapidly changing politics of America.Charlie Brown's America: The Popular Politics of Peanuts (Oxford UP, 2021) covers all of these debates and much more in a historical journey through the tumultuous decades of the Cold War as seen through the eyes of Charlie Brown, Lucy, Linus, Peppermint Patty, Snoopy and the rest of the Peanuts gang.Blake Scott Ball is Assistant Professor of History at Huntingdon College.Alexandra Ortolja-Baird is Lecturer in Early Modern European History at King’s College London. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture