New Books in Popular Culture

Electrifying athletes like Olga Korbut and Nadia Comaneci helped make women’s artistic gymnastics one of the most popular events in the Olympic Games. But the transition of gymnastics from a women’s sport to a girl’s sport in the 1970s also laid the foundation for a system of emotional, physical, and sexual abuse of gymnasts around the world. In Degrees of Difficulty: How Women's Gymnastics Rose to Prominence and Fell from Grace (University of Illinois Press, 2021), Dr. Georgia Cervin has written “one of the first books to examine the history of women’s gymnastics as an international sport. It aims to do this in the context of international sport and global politics, as well as the social norms that have been constructed within the sport. Hence, the book fluctuates between looking inwardly at the sport and outwardly at gymnastics’ place in the world. It reviews the origins of gymnastics and its position in the Olympic movement, how it was governed and the reasons behind the rules, where the sport fits into nationalism and international relations, who teaches gymnastics and how they do so, and what it all represents about class, gender, and race…This book thus offers insights into how and why women’s gymnastics developed the way it did, including insights into how dangerous sporting cultures are created, as well as challenging what we know about the Cold War and international relations throughout this period.”This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Dr. Melcher is also a long-standing gymnastics fan. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Scholars Esther De Dauw and Daniel J. Connell have assembled an array of chapters that explore the idea of masculinity in the realm of contemporary heroes and superheroes. Toxic Masculinity: Mapping the Monstrous in Our Heroes (UP of Mississippi, 2020) examines not only the presentation of masculinity in which we are constantly immersed in the superhero narrative in films, television, and comics, but also how this translates into our expectations as to what is the model for heroism. The editors and authors unpack this concept of hegemonic masculinity, and how it generally incorporates hypermasculinity and toxic masculinity, and how it also, by definition, tends to reject femininity, thus bifurcating gender and gender performances and images into two distinct silos. This reification is communicated in so many of these superheroic narratives and is re-absorbed by the audience. The contributing authors to Toxic Masculinity interrogate these presentations and continue the conversation that is active in the academe. This conversation, according to the research, is also quite active within superhero fandom.The first section of the book specifically examines masculinity and the pop culture superhero artifacts. The second section of the book examines the contrast to masculinity—namely those who embody a different gender or sexuality but are still superheroes. If masculinity itself is a kind of fan service in this superhero genre, the question arises as to what it is that non-male characters must do for fan service. How are consumers of superheroes satisfied if the superhero isn’t hard bodied in the same way? The final section of the book focuses on unexpected heroes, who play with gender a bit more than the hypermasculine heroes who dominate so many of the contemporary superhero films and television shows. Toxic Masculinity  examines both the male and the female gaze in the way that we see and interpret these superheroic narratives. This is a fascinating book, for scholars, for fans, for anyone interested in our current popular culture environment and questions of gender.Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In PUNK! Las Americas Editions (Intellect Books, 2021), editors Olga Rodrguez-Ulloa, Rodrigo Quijano, and Shane Greene have compiled a collection of academic essays and punk paraphernalia (including interviews, zines, poetry, and visual segments) exploring punk life. Part of the Global Punk Series, the volume is a collective challenge to the global hegemonic vision of punk. The book interrogates the dominant vision of punk--particularly its white masculine protagonists and deep Anglocentrism--by analyzing punk as a critical lens into the disputed territories of "America," a term that hides the heterogeneous struggles, global histories, hopes, and despairs of late twentieth- and early twenty-first-century experience. The book explores punk life through its multiple registers: vivid musical dialogues, excessive visual displays, and underground literary expression. Check out the Book Trailer on YouTube or Instagram. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Are celebrities “disruptors” who revitalize the development field, or are they just charismatic ambassadors for big business? In Batman Saves the Congo: How Celebrities Disrupt the Politics of Development (University of Minnesota Press, 2021) the authors argue that celebrities play both roles, and that understanding why and how yields insight into the realities of neoliberal development. As elite political participants, celebrities shape development practices through strategic partnerships that are both an innovative way to raise awareness and funding for neglected causes and a troubling trend of unaccountable elite leadership in North-South relations. The authors use actor Ben Affleck’s Eastern Congo Initiative to illustrate this dynamic, arguing that his charisma and reach helped bring new approaches to bear on the region’s development. Learn more about the book here.  Lisa Ann Richey (@BrandAid_World) is Professor of Globalization at the Copenhagen Business School in Denmark where she works on the politics of transnational helping. She is the author of the books Batman Saves the Congo: Business, Disruption and the Politics of Development with Alexandra Budabin (2021); Brand Aid: Shopping Well to Save the World with Stefano Ponte (2011); Population Politics and Development: From the Policies to the Clinics (2008) and edited Celebrity Humanitarianism and North-South Relations: Politics, Place and Power (2016) and New Actors and Alliances in Development (2014). She also disseminates her work in popular media like Al Jazeera and The Conversation. Lisa was the founding Vice-President of the Global South Caucus of the International Studies Association (ISA).Alexandra Cosima Budabin (@ABudabin) is Senior Researcher at the Human Rights Center at the University of Dayton (USA). She is a Researcher at the Platform Cultural Heritage Cultural Production of the Faculty of Design and Art of the Free University of Bolzano in Italy. Her research on non-state actors in human rights, humanitarianism and development has appeared in Perspective on Politics, New Political Science, Human Rights Quarterly, Journal of Human Rights, Humanity and The Conversation. Her first book Batman Saves the Congo: How Celebrities Disrupt the Politics of Development with Lisa Ann Richey has been published with University of Minnesota Press. Alexandra’s current research looks at transnational advocacy to confront sexual violence in conflict; digital solidarity for refugees; and the intersection of BLM activism and anti-racist protest in Italy.Aditya Srinivasan assisted with this episode.Lamis Abdelaaty is an assistant professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jake Johnson, author of Lying in the Middle: Musical Theater and Belief at the Heart of America (University of Illinois Press, 2021) takes as his subject the artifice of musicals—no one really bursts into song and dance to liven up a simple conversation and even the historical characters are not true-to-life. He argues that it is the very unreality of musicals that makes them powerful sites of belief—whether it is a reflection of the beliefs of the creators of the work, or what audiences want to believe about themselves. He focuses on how musicals serve large and small communities across America and shape local religious, political, cultural, and familial identities. Rather than using examples from the commercial Broadway theater, however, Johnson brings to life more idiosyncratic productions from the middle of America from the “Senior Follies,” a Ziegfeld-follies like production staffed by older performers to a re-imagining of The Sound of Music written for a polygamous community called the Fundamentalist Church of Jesus Christ of Latter-day Saints. In the current political climate where consumers are fixated on the urban/rural divide and differences in the “flyover” states from the coasts, it seems especially important to turn critical attention to musical and dramatic practices outside of Broadway institutions. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In Dressed for Freedom: The Fashionable Politics of American Feminism (University of Illinois Press, 2021), Einav Rabinovitch-Fox examines how clothes empowered women, and particularly women barred from positions of influence due to race or class. Moving from 1890s shirtwaists through the miniskirts and unisex styles of the 1970s, Rabinovitch-Fox shows how the rise of mass media culture made fashion a vehicle for women to assert claims over their bodies, femininity, and social roles. She highlights how trends in women's sartorial practices expressed ideas of independence and equality. As women employed new clothing styles, they expanded feminist activism beyond formal organizations and movements and reclaimed fashion as a realm of pleasure, power, and feminist consciousness. Dressed for Freedom examines how fashion and clothing are everyday feminist practices. Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In the second edition of her book, The Sisters Are Alright: Changing the Broken Narrative of Black Women in America (Berrett-Koehler, 2021), Tamara Winfrey Harris interviews over 100 diverse Black women about marriage, motherhood, health, sexuality, beauty, and more. Winfrey Harris examines the Mammy, Sapphire, and Jezebel stereotypes that persist in American popular media and culture.  Winfrey Harris explores the evolution of stereotypes of Black women, with new real-life examples, such as the rise of blackfishing and digital blackface (which help white women rise to fame) and the media’s continued fascination with Black women’s sexuality (as with Cardi B or Megan Thee Stallion).The second edition includes a new chapter on Black women and power that explores how persistent stereotypes challenge Black women’s recent leadership and achievements in activism, community organizing, and politics. The chapter includes interviews with activists and civic leaders and interrogates media coverage and perceptions of Stacey Abrams, Vice President Kamala Harris, and others.Winfrey Harris exposes anti–Black woman propaganda and shows how real Black women are pushing back against racist, distorted cartoon versions of themselves. She counters warped prejudices with the straight-up truth about being a Black woman in America.Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

In The Immigrant Kitchen: Food, Ethnicity, and Diaspora (Ohio State UP, 2016), Vivian Nun Halloran examines food memoirs by immigrants and their descendants and reveals how their treatment of food deeply embeds concerns about immigrant identity in the United States. Halloran argues that by offering a glimpse into the authors' domestic lives through discussions of homemade food, these memoirs demystify the processes of immigration, assimilation, acculturation, and expatriation--ultimately examining what it means to live as naturalized citizens of the United States. Having grown up hearing about their parents' often fraught experiences of immigration, these authors examine the emotional toll these stories took and how such stories continue to affect their view of themselves as Americans. Halloran covers a wide swathe of immigrant food memoirs, moving seamlessly between works by authors such as Austin Clarke, Madhur Jaffrey, Kim Sun e, Diana Abu-Jaber, Eduardo Machado, Colette Rossant, Maya Angelou, and Jonathan Safran Foer.The Immigrant Kitchen describes how these memoirs function as a complex and engaging mass media genre that caters to multiple reading constituencies. Specifically, they entertain readers with personal anecdotes and recollections, teach new culinary skills through recipes, share insight into different cultural mores through ethnographic and reportorial discussions of life in other countries, and attest to the impact that an individual's legal immigration into the United States continues to have down through the generations of his or her American-born families.Vivian Nun Halloran is professor of English at Indiana University Bloomington. She is a Caribbeanist by training, and a literary food studies scholar by vocation. She is the author of Exhibiting Slavery and is currently working on her next book that examines those moments when Americans of Caribbean descent address themselves to the American people to share the lessons of their immigrant upbringing. She is also working on two digital humanities projects. Twitter: @HalloranVivianAmir Sayadabdi is a lecturer in Anthropology at Victoria University of Wellington. He is mainly interested in anthropology of food and its intersection with gender studies, migration studies, and studies of race, ethnicity, and nationalism. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Rayna Denison’s Anime: A Critical Introduction (Bloomsbury, 2015) uses genre as a window into the evolving global phenomenon of Japanese animation. Denison’s wide-ranging analysis tackles the anime themselves – including classics such as Astro Boy, Akira, Urotsukidōji, Spirited Away, and Natsume’s Book of Friends – but also the mechanics behind anime production and distribution in Japan, the United States, and the United Kingdom. Tracking anime’s circulation through these locations over time reveals key differences in how generic terms such as horror, nichijōkei/slice-of-life, and even anime itself are understood. Examining production and distribution contexts like the industry and fan event, Tokyo International Anime Fair, further discloses how companies and fans contextualize and re-contextualize anime to encourage its popularization in new time periods and markets. Denison depicts anime as an intricate global phenomenon that is constantly metamorphosing even on the level of individual anime texts, which are at the extreme re-cut, re-scripted, and re-dubbed to fit new contexts in an eternal evolution.Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University. She writes about Japanese media and is currently finishing up a book on Japanese adaptations of Lewis Carroll’s Alice in Wonderland novels. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Most of us think we know the story of Bambi—but do we? The Original Bambi: The Story of a Life in the Forest (Princeton UP, 2022) is an all-new, illustrated translation of a literary classic that presents the story as it was meant to be told. For decades, readers’ images of Bambi have been shaped by the 1942 Walt Disney film—an idealized look at a fawn who represents nature’s innocence—which was based on a 1928 English translation of a novel by the Austrian Jewish writer Felix Salten. This masterful new translation gives contemporary readers a fresh perspective on this moving allegorical tale and provides important details about its creator.Originally published in 1923, Salten’s story is more somber than the adaptations that followed it. Life in the forest is dangerous and precarious, and Bambi learns important lessons about survival as he grows to become a strong, heroic stag. Jack Zipes’s introduction traces the history of the book’s reception and explores the tensions that Salten experienced in his own life—as a hunter who also loved animals, and as an Austrian Jew who sought acceptance in Viennese society even as he faced persecution.With captivating drawings by award-winning artist Alenka Sottler, The Original Bambi captures the emotional impact and rich meanings of a celebrated story.Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture