Reckoning with Jason Herbert

This is our first film review here at Historians At The Movies Podcast. I just got back from seeing John Wick Chapter 4 and give you my first impressions. Spoilers within the pod, so be warned. If you guys like this we’ll do more of them.

This week Historians At The Movies Podcast takes on 1955's Guys and Dolls. Special guest Sara Georgini jumps in to talk about the film at the pinnacle of the American musical scene, the tension between Frank Sinatra and Marlon Brando, and yes, gets me to list my favorite musicals of all time. About our guest:Sara Georgini earned her Ph.D. in History from Boston University in 2016. She is the Series Editor for The Papers of John Adams, part of The Adams Papers project at the Massachusetts Historical Society, and author of Household Gods: The Religious Lives of the Adams Family (Oxford University Press, 2018). Committed to the preservation of and access to rare primary sources, she has worked on the selection, annotation, indexing, and book production of a dozen scholarly editions drawn from the Adams Papers (Harvard University Press, 2009— ), covering the history of American political life in the era ranging from the Declaration to disunion. Her research focuses on early American thought, culture, and religion. She is a co-founder and contributor to The Junto and the Society for U.S. Intellectual History blogs. She writes about American history, thought, and culture for Smithsonian and CNN.

This week Mary Hicks and I dig into life at sea with Master and Commander (2003). This is one of my favorite films and a movie I love to teach with. Mary is a scholar of the Black Atlantic and knows far more about the slave trade and life onboard these ships than I could ever hope to learn. We're talking about the Napoleonic Wars, Crowe and Bettany, and Mary's work focusing in on the experiences of enslaved and freed Africans in the Portuguese part of the transatlantic slave trade. About our guest:Mary Hicks is a historian of the Black Atlantic, with a focus on transnational histories of race, slavery, capitalism, migration and the making of the early modern world. Her first book, Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery, 1721-1835, reimagines the history of Portuguese exploration, colonization and oceanic commerce from the perspective of enslaved and freed black seamen laboring in the transatlantic slave trade. As the Atlantic world’s first subaltern cosmopolitans, black mariners, she argues, were integral in forging a unique commercial culture that linked the politics, economies and people of Salvador da Bahia with those of the Bight of Benin.More broadly, she seeks to interrogate the multiplicity of connections between West Africa and Brazil through the lens of mutual cultural, technological, commercial, intellectual and environmental influences and redefine how historians understand experiences of enslavement and the middle passage. In addition to investigating the lives of African sailors, she also explores the cultural and religious sensibilities of enslaved and freed African women in living in 19th century Salvador da Bahia. Along these lines, her second book will detail the emergence and elaboration of new gendered and racialized subjectivities in the wake of Portugal’s initiation of trade with West Africa in the fifteenth century.

This week Jacob Lee joins Historians At The Movies to talk about the myth of the mountain man on film via 1972's Jeremiah Johnson and 2015's The Revenant. Basically, these films are beautifully shot and largely full of shit. But that doesn't mean we can't enjoy them. Jacob and I talk a lot about the borderlands, sexual representation on film, and the role movies like these have in shaping the ways people think about American history. And of course, THE GIF.About our guest:Dr. Jacob Lee is  historian of early America and the American West, focusing on colonialism and borderlands and assistant professor of history at Penn State University.  His first book, Masters of the Middle Waters: Indian Nations and Colonial Ambitions Along the Mississippi embedded intertwined Native and imperial histories in the physical landscape of Middle America, a vast region encompassing much of the central Mississippi River valley. His second project returns to the region, which is a history of the Louisiana Purchase, tentatively titled An Empire Without Bounds: How the United States Conquered the Louisiana Purchase. In 1803, when the U.S. purchased claim to more than 800,000 square miles of land west of the Mississippi River, it possessed only the most tenuous hold on the region. This project explores the decades of negotiation and compromise, conquest and violence that followed, the processes by which the U.S. established and maintained authority over its western claims, and the ways that Native peoples and colonists limited imperial power in the American West.

Here it is folks, the one that started them all: 1987's Predator starring Arnold Schwarzenegger, Carl Weathers, Sonny Landham, Jesse Ventura, and more catchphrases than any other film in history. This is actually the very first podcast we ever taped and it's still my favorite. In it, Craig, Rob, and I dig into this movie, talking about what Predator has to say about masculinity, geopolitics, and ultimately, which version of Arnold is the most powerful of them all. About our guests:Craig Bruce Smith  is an associate professor of history at National Defense University in the Joint Advanced Warfighting School (JAWS) in Norfolk, VA. He authored American Honor: The Creation of the Nation’s Ideals during the Revolutionary Era and co-authored George Washington’s Lessons in Ethical Leadership.Robert Greene II is an assistant professor of history at Claflin University and publications chair for the Society of US Intellectual Historians and lead associate editor for Black Perspectives.

This week Historians At The Movies goes Down Under to talk about 1986's Crocodile Dundee and we are doing it with the founders of Historians At The Movies: Australia: Chelsea Barnett and Joel Barnes. This movie is everything HATM was designed for: taking something fun and then pointing out everything we can take from it. This was a blast to record. About our guests:Dr Chelsea Barnett is a gender and cultural historian whose work explores the representation of masculinities in Australian popular culture, in order to understand the complex and varied ways in which masculinity has made sense in particular historical contexts. Under this broad research aim she engages with feminist and queer theory, the history of sex and sexuality, twentieth-century Australian history, and the history in and of popular culture. Chelsea is a Chancellor's Postdoctoral Research Fellow at UTS, and is located in the Australian Centre for Public History. In her current project, she is exploring the cultural history of single men, focusing on how Australian film and magazines in the postwar world have represented and made sense of the relationship between men and the expectation of marriage. She is also the author of "Reel Men: Australian Masculinity at the Movies, 1949-1962" (Melbourne University Press, 2019). She has authored academic articles in leading journals including History Australia, Australian Historical Studies, and the Historical Journal of Film, Radio and Television. Chelsea is currently the ECR co-representative for the Australian Historical Association, and is the co-convenor of Historians at the Movies Australia (#HATMAus).Dr. Joel Barnes is a historian of the humanities, science, religion and universities. His present research examines the history of relations between evolutionary science and religious belief within Australian higher education, as part of the Science and Religion: Exploring the Spectrum project run by the International Research Network for the Study of Science and Belief in Society. Before joining the University of Queensland, Joel was a Research Associate in the Australian Centre for Public History at the University of Technology Sydney. His work at UTS was on an Australian Research Council-funded project on the history of humanities institutions in Australia since 1945, for which he is finalising a monograph on the humanities disciplines and the idea of the national interest.

This week Historians At The Movies revisits what is obviously the most historically accurate film ever made: Mel Gibson's The Patriot (2000). Ok, so maybe the movie plays fast and loose with history, but does that mean we can't have fun with it? Craig Bruce Smith and Robert Greene II jump in to jump on The Patriot. About our guests:Craig Bruce Smith is an associate professor of history at National Defense University in the Joint Advanced Warfighting School (JAWS) in Norfolk, VA. He authored American Honor: The Creation of the Nation’s Ideals during the Revolutionary Era and co-authored George Washington’s Lessons in Ethical Leadership.Robert Greene II  is an assistant professor of history at Claflin University and publications chair for the Society of US Intellectual Historians and lead associate editor for Black Perspectives.

This week Historians At The Movies gets into Steven Spielberg's Lincoln. And I've got two of the best damn historians working today to talk about it. And yes, we're ranking the hottest presidents of all time.About our guests: Dr. Lindsay M. Chervinsky is a Senior Fellow at the Center for Presidential History at Southern Methodist University and currently is a fellow at the Kluge Center at the Library of Congress. She received her B.A. with honors in history and political science from George Washington University, her masters and Ph.D. from the University of California, Davis, and her postdoctoral fellowship from Southern Methodist University. Previously Dr. Chervinsky worked as a historian at the White House Historical Association. Her writing has appeared in the Wall Street Journal, Ms. Magazine, The Daily Beast, The Bulwark, Time Magazine, USA Today, CNN, NBC Think, and the Washington Post. Dr. Chervinsky is the author of the award-winning book, The Cabinet: George Washington and the Creation of an American Institution, recently out in paperback, and the forthcoming book An Honest Man: The Inimitable Presidency of John Adams.Dr. Megan Kate Nelson is a historian and writer, with a BA from Harvard and a PhD in American Studies from the University of Iowa. She is the author of four books: Saving Yellowstone: Exploration and Preservation in Reconstruction America (Scribner 2022); The Three-Cornered War: The Union, the Confederacy, and Native Peoples in the Fight for the West (Scribner 2020; finalist for the 2021 Pulitzer Prize in History); Ruin Nation: Destruction and the American Civil War (Georgia, 2012); and Trembling Earth: A Cultural History of the Okefenokee Swamp (Georgia, 2005). Megan writes about the Civil War, the U.S. West, and American culture for The New York Times, Washington Post, The Atlantic, Smithsonian Magazine, and TIME. For several years, she also wrote movie and TV series reviews for the Civil War Monitor. Before leaving academia to write full-time in 2014, Megan taught U.S. history and American Studies at Texas Tech University, Cal State Fullerton, Harvard, and Brown. She grew up in Colorado but now lives outside Boston with her husband and two cats. 

This week HATM  revisits 1997's Soul Food to talk about food history, the African diaspora in the United States, and gendered spaces in the house. To do so, I got two of the best damn scholars of food history in the United States: Adrian Miller and Mark Johnson. If you don't know their work, you soon will because they drop some absolute knowledge bombs in this podcast. And yes, we're gonna settle the best bbq debate once and for all. I hope you like the episode.About our guests:Adrian Miller is a food writer, James Beard Award winner, attorney, and certified barbecue judge who lives in Denver, Colorado. Miller’s first book, Soul Food: The Surprising Story of an American Cuisine, One Plate at a Time won the James Beard Foundation Award for Scholarship and Reference in 2014. His second book, The President’s Kitchen Cabinet: The Story of the African Americans Who Have Fed Our First Families, From the Washingtons to the Obamas was published on President’s Day 2017. It was a finalist for a 2018 NAACP Image Award for “Outstanding Literary Work – Non-Fiction,” and the 2018 Colorado Book Award for History. Adrian’s third book, Black Smoke: African Americans and the United States of Barbecue, was published in Spring 2021.Mark A. Johnson, from Milwaukee, works at the University of Tennessee at Chattanooga. He graduated in 2016 with a Ph.D. in History from the University of Alabama. Previously, he earned an M.A. from the University of Maryland and B.A. from Purdue University. Before joining the UTC faculty, he worked as a Visiting Lecturer at Georgia State University.He specializes in the history of the United States and, specifically, the U.S. South and African American History. In 2017, he published An Irresistible History of Alabama Barbecue: From Wood Pit to White Sauce. In 2021, his new book, Rough Tactics: Black Performance in Political Spectacles, 1877-1932 came out with University Press of Mississippi. He previously published articles in Southern Cultures and Louisiana History. Currently, he’s working on a cultural history of bacon in the United States.

This episode is two of my favorite people talking about Star Wars and how it fits in discussing archival research and the North American borderlands. And yes, we rank the films, definitively.About our guests:Alejandra Dubcovsky is an associate professor of history at the University of California, Riverside. She is also the inaugural fellow in the Program for the Advancement of the Humanities, a partnership of The Huntington and UC Riverside that aims to support the future of the humanities. She received her BA and PhD from UC Berkeley. She also has a Masters in Library and Information Science from San Jose State.Her first book, Informed Power: Communication in the Early American South (HUP 2016), won the 2016 Michael V. R. Thomason Book Award from the Gulf South Historical Association. Her forthcoming book, Talking Back: Native Women and the Making of the Early South will be released by Oxford University Press in May 2023.Alan Malfavon is assistant professor of history at washington state university. He is a historian of late-colonial and early independent Latin America.  His first book, Men of the Leeward Port: Veracruz’s Afro-Descendants in the Making of Mexico, under contract with the University of Alabama Press, focuses on the understudied Afro-Mexican population of Veracruz and its hinterland of Sotavento (Leeward) and uses it to reframe the historical and historiographical transition between the colonial and national period.