Austin Film Festival's On Story

This week on On Story, Austin Film Festival moderator Harrison Glaser speaks with Karyn Kusama about her filmography, the evolution of her storytelling, and her focus on strong female protagonists. In her debut feature, Girlfight, Kusama drew from her own experiences training in a boxing gym and living in New York City, building Michelle Rodriguez’s character from young women she encountered on the subway. Kusama discusses connecting to their guarded nature and writing a protagonist that her audiences could root for.  After the release of Girlfight, Kusama received critical praise and went onto direct her first studio film, Aeon Flux, co-written by Matt Manfredi and Phil Hay. Hay would become her husband and life partner, and her creative partnership with both Hay and Manfredi would lead to The Invitation and Destroyer.  Kusama also discusses her experiences in episodic storytelling. Her television credits include Halt and Catch Fire, Billions, and the genre-bending hit, Yellowjackets. She delves into the ways that directing television keeps her craft sharp, and discusses how she and Yellowjackets co-creators Ashley Lyle and Bart Nickerson infuse cinematic sequences into shorter film storytelling. Throughout her illustrious career, Kusama has perhaps been best-known for the cult classic Jennifer’s Body, the black comedy horror film written by Diablo Cody and starring a young Megan Fox and Amanda Seyfried. In conversation at the Austin Film Festival, Kusama recounts her connection with Cody’s voice and their creative exploration of female friendship as the emotional core of that story. Girlfight clips courtesy of United Artists. Jennifer’s Body clips courtesy of 20th Century Studios. The Invitation clips courtesy of The Invitation, LLC. Yellowjackets clips courtesy of Showtime.

This week on On Story, a conversation with Jeff Nichols, the acclaimed filmmaker behind Mud and Loving, to discuss his most recent film The Bikeriders, a moving character drama based on journalist Danny Lyons’ photobook by the same name. The Bikeriders chronicles the rise and fall of a Chicago motorcycle gang in the 1960s through the lens of bikerider wife Kathy, an open book played by Jodie Comer. Led by the strong and silent Johnny, embodied by Tom Hardy, the club devolves from a surrogate home for outsiders with no place to go to a violent crime organization. Its members, especially Austin Butler’s strong-willed, reckless Benny, are forced to grapple with their club’s decaying principles, their role in the organization, and by extension, their place in a changing world. The film captures distinct nostalgia from a bygone era, and summons enormous affection for its deeply flawed characters. In conversation with the Austin Film Festival, Nichols recounts how he connected with the photobook’s images and anecdotes, and listened to voice recordings of the real-life vandals, to build a rich world and craft compelling characters. The Bikeriders clips courtesy of Focus Features.

This week on On Story, a conversation with the team behind The Three Burials of Melquiades Estrada, a western that follows a ranch foreman's extraordinary trek to Mexico to bury his best friend's body in his hometown. Actor and director Tommy Lee Jones worked with writer Guillermo Arriaga to develop a moving, character-driven story inspired by true events about the shared border between Texas and Mexico. Jones, alongside 1st Assistant Director Phil Hardage, Unit Production Manager Eric Austin Williams, Post-Production Supervisor Larry Madaras, and actor Julio Cedillo discuss their decision to tell the story in a non-linear fashion, their experience filming on location, and how they incorporated sound effects and scoring to build the film's world and define its characters. The Three Burials of Melquiades Estrada clips courtesy of Sony Pictures Classics.

This week on On Story, we're having a conversation with Katrin Benedikt. Co-writer of the non-stop political action thrillers Olympus Has Fallen, London Has Fallen, and Expendables 3, Benedikt lends a behind-the-scenes look into the realities of breaking into Hollywood as a writer, from pitching the same story for years on end, navigating relationships with co-writers, agents, and producers, to completing last-minute rewrites on set. A true lover of action movies, Benedikt discusses crafting characters for star-studded casts and working with genre experts Antoine Fuqua and Sylvester Stallone. Olympus Has Fallen clips courtesy of Film District. London Has Fallen clips courtesy of Millennium Media. Expendables 3 clips courtesy of Lionsgate Media.

This week on On Story, a conversation with Brian Helgeland, the Academy Award-winning screenwriter who penned acclaimed movies including L.A. Confidential and Mystic River, and the director who brought to life beloved films such as A Knight’s Tale and 42. He lends a behind the scenes look at the making of Finestkind, a film mined from his relationship with his father and their experiences as deep sea fishermen. The film, set in Helgeland’s own hometown of New Bedford, Massachusetts, tells the story of two estranged brothers’ navigating a splintered relationship in the high-stakes world of commercial fishing and drug dealing. Helgeland discusses grounding the story in setting, crafting character backgrounds with Tommy Lee Jones (who plays the boys’ father) and imbuing the film with his personal touch. Finestkind is now streaming on Paramount Plus.  Finestkind clips courtesy of Paramount Plus.

This week on On Story, AFF moderator Harrison Glaser speaks with Celine Song about her feature debut, Past Lives. Inspired by Song’s own experiences, Past Lives tells the story of two childhood friends who reunite as adults and reckon with the nature of the enduring bond between them. This multi-language film is a deeply personal exploration of the modern immigrant experience, unflinchingly confronting the “what-ifs” that plague lost love and paths not taken.  Celine Song began her writing career as a playwright in New York City, and joined fantasy series The Wheel of Time as a staff writer before her feature debut. The bittersweet romance premiered to critical acclaim and soared to Oscar nominations for Best Original Screenplay and Best Picture.  In conversation at the 30th annual Austin Film Festival, Song discusses creating complex identities for her characters, writing dialogue that feels true to life, and transitioning from playwright to filmmaker. Past Lives clips courtesy of A24.

This week on On Story, a conversation with Cord Jefferson on adapting the novel Erasure into his strikingly sharp debut feature American Fiction. Cord Jefferson is an Emmy-winning writer who earned his chops on some of television’s most formative shows in recent years: Master of None, The Good Place, Succession, and Watchmen. His debut feature, American Fiction, won the Audience Award at the 30th annual Austin Film Festival.   American Fiction is an adaptation of Percival Everett’s novel Erasure. The film introduces us to Thelonius Monk, played by Jeffrey Wright, a weary writer frustrated by the publishing industry’s obsession with reducing artists of color into stereotypes. In an effort to show the industry its own foolishness, Monk offers up a pandering manuscript that, much to his chagrin, becomes wildly successful. Cord discusses bringing his own perspective and sense of humor to the source material, and marrying comedy and drama in one film. Clips of American Fiction courtesy of Amazon/MGM Studios.

This week on On Story, a conversation with Joanna Calo, showrunner of the character-driven dramedy The Bear. Joanna delves into her experience sharing showrunning duties with creator Christopher Storer, and discusses their approach to incorporating real life events into the show’s deeply grounded characters and high stakes world.  As a television veteran, Joanna’s writing credits include Bojack Horseman, Hacks, Beef, and today’s subject, The Bear. The Bear tells the story of Carmy Berzatto, played by Jeremy Allen White, an award-winning chef who returns home to Chicago in the wake of his estranged brother’s suicide to find that he has inherited the family sandwich shop. Audiences fell in love with The Bear’s fast-paced dialogue, anxiety-inducing stakes, and deeply human characters in the show’s first season. In season 2, the show’s stakes raised even higher as Carmy attempted to open his own fine dining restaurant in Chicago. In today’s On Story conversation, Joanna share her insights surrounding the infamous mid-season episode Fishes featuring guest star Jamie Lee Curtis, as well as the well-crafted characters of Richie, played by Ebon Moss-Bachrach, and Marcus, played by Lionel Boyce. Clips of The Bear courtesy of FX.

This week on the On Story Podcast a conversation with James V. Hart, writer of the science fiction drama Contact directed by Robert Zemeckis. In his decades-long career, Hart has written beloved films including Hook, Bram Stoker’s Dracula, Tuck Everlasting, and August Rush. Hart discusses the process of adapting Contact from Carl Sagan’s novel about a scientist who discovers definitive proof of extraterrestrial life. From working with the author to discern his original intent and establishing a thematic purpose, to embedding a story with high stakes and finding the story’s emotional core, Hart lends us a close look at the intricacies of structuring a screenplay. Clips of Contact courtesy of Warner Bros.

This week on On Story, a conversation with writer-director Shane Black about the making of Iron Man 3. Shane Black, the original creator of the Lethal Weapon franchise, is well-known for his irreverent comedic style and witty dialogue, as well as turning established genre tropes on their head. Black does just that in Iron Man 3, a superhero film that sets aside hero's bravado to dissect the man inside the suit. Barbara Morgan sat down with Black to discuss finding larger-than-life characters' interiority, navigating fan expectations, and working within the Marvel Cinematic Universe. Clips of Iron Man 3 courtesy of Marvel Studios.