Word In Your Ear

Damping down the wildfires of rock and roll news this week we focus on the following … … Oasis, Taylor Swift and Coldplay and the new age of Winner Takes All … did Bob Dylan write a song with Gene Simmons, advertise lingerie or appear on a telethon with Harry Dean Stanton? … movies that need making eg the Molly Drake Story, the Rock And Roll Mitford Sisters (Pattie, Jenny and Paula Boyd) … surely what makes the rock business ‘unfair’ are the people spending the money on it? … is the Golden Age of TV over? … Paul Weller’s magnificent Find El Dorado and the songwriters he’s rebooting - Willie Griffin, Bobby Charles, Duncan Browne, Eamon Friel … a JR Hartley moment: Brian Protheroe taking his grandson to watch his album being re-mastered at Abbey Road … ‘Programmes made for older viewers always have a lot of green in them’ … will we ever get another comedy record? … why did we love Succession, Breaking Bad, the Queen’s Gambit and Six Feet Under yet have no burning desire to ever watch them again? … how 200 Go-Betweens box-sets came with books from the late Grant McLennan’s library signed by Robert Forster … ‘Never glad confident morning again!’ … new acronyms – RIYL, anyone? … do any new TV comedies merit an Xmas Special? ... plus the Trump Awards, main character syndrome, Black Pudding Bertha (the Queen of Northern Soul) and birthday guest Ed Newman on box-set addiction – “this way madness lies!”Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Weller has just covered it on his new album. Morrissey played it to Noel Gallagher who took the idea and ran with it. What explains the enduring appeal of a record that stalled at number 22 all those years ago? Actor/musician Brian Protheroe doesn’t know but he’s certainly grateful that it’s being reissued once again. His story takes us back to:…the days when young musicians hitch-hiked to London…the way the sun shone on the day “Sgt Pepper” came out…when Soho was a village and an out of work actor could afford to live in Covent Garden…when being dumped by a girl could inspire that actor to diarise his daily routine…when the jazzman who played the solo on the record couldn’t remember it for “TOTP”…how it feels to take your grandson to Abbey Road to watch your album being remastered.Pre-order the Chrysalis Red reissue of the first Brian Protheroe album: https://brianprotheroe.lnk.to/PNBFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Other, weaker podcasts may take the summer off. Not this one.…the story of Jerry Garcia’s alligator strat, Paul McCartney’s violin bass and the instrument Peter Frampton thought had gone forever…the long story of Terry Reid, who turned down Led Zeppelin, and the golden afternoon when he was the most charismatic figure in roc…the real reason why you wouldn’t have wanted to be at Keith Richards’ place on that day in 1967…why there’s nothing more boring than hedonismMick Jagger’s 1967 affidavit is here: https://www.ewbankauctions.co.uk/20250821M1-lot-4008-The-Rolling-Stones-typed-documents-that-appear-to-relate-the-infamous-Redlands?auctionFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

word-podcast-798-peter-ames-carlinFriend of the pod and chronicler of the careers of Springsteen, Paul Simon and REM, Peter Ames Carlin has heard all the recordings that went into the album which was Springsteen’s last chance saloon and spoken to the people who were there to put together the story of how it was all done.….the lucky break that came when the boss’s son went to a Springsteen show….the man who played on Bruce Springsteen’s greatest record and then left….how Springsteen learned that the way to make a live-sounding record was not to record it live….the reconnecting of 70s rock with the great American rock & roll of the 50s…the thinking behind one of the few album covers deserving of the adjective “iconic”…what happened when Steve Van Zandt told the Brecker Brothers what to play….the fundamental difference between American and British musicTonight In Jungleland: The Making Of Born To Run: https://www.amazon.co.uk/Tonight-Jungleland-Making-Born-Run/dp/0385551533Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Jah Wobble - touring in October - is outstanding company and rattles on here like a steam train, sparking off at tangents in a brilliant, barely steerable monologue with a crackling cast of characters. It’s not often a podcast gets a visitor mid-recording who says, “I’ve put more poison in - but the good news is, there’s nothing in your traps!” Here you will find … … an afternoon with Anthony Hopkins … the time Ginger Baker got the wrong dessert - “a bowl of rhubarb went flying” … East End violence: the Whitechapel firm v the Mile End mob … why bands are like short-order cooks … his first gig with Public Image – teargas, barricaded in the dressing-room and the head of security getting kicked in the throat … and his second gig – “someone threw a frozen pig’s head and it lay there looking balefully up at me” … Wilko Johnson (“a caged tiger”) and Lee Brilleaux tying his shoelaces to the mic lead … Bob Marley at the Lyceum and how Aston Barrett changed the game … tour managers whose metal briefcases have a cosh and a pepper spray … onstage exorcisms with the Invaders Of The Heart … John Lydon meeting Arthur Brown, the Heavy Metal Kids, Woody Woodmansey and the man with six fingers in Get Carter … and his community music project ‘Tuned In’ at Merton Arts Space, Wimbledon Library.  Order tickets here: https://www.songkick.com/artists/13218-jah-wobble/calendarFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

There’s a widely accepted view of the relationship between Elvis and his manager Tom Parker, the one sustained by the recent Baz Luhrmann movie, but a new and fascinating archive of unseen letters makes you see it differently: it was warmer, deeper and infinitely more complicated. Peter Guralnick – rock book royalty! - met Parker towards the end of his life and has just published ‘The Colonel And The King: Tom Parker, Elvis Presley and the Partnership That Rocked The World’. He talks to us here about separating the myth from reality which touches on … ... overturning the conventional wisdom “that Elvis was the puppet, Sam Phillips the genius and Tom Parker the manipulator”. ... how theirs was “a partnership of equals” – though Elvis was in charge, not the Colonel. … how Presley’s “security risk” – carrying guns and drugs across borders – was a factor in his refusal to accept world tour offers. … two men powerfully motivated by money – Elvis liked spending it, Parker liked losing it. … humour, charisma, intelligence, a force of nature: how Parker’s letters paint a different picture. … “he was an entirely self-invented man. And there was no-one more American – which was ironic as he was Dutch.” … the full story of the Elvis TV Christmas Special. … how Parker grossly undersold Presley’s catalogue rights to RCA in 1973 for $5.4m. … the Colonel’s Honesty game – “think of the number I’m thinking of and I’ll pay you if you’re right!” … how Parker tried to curb Presley’s “smutty humour” and sell his “James Dean enigma” to the film industry after Dean’s death in 1955. … how the only time he didn’t carefully manage an Elvis appearance was the Steve Allen Show hound dog debacle. … why Parker couldn’t control either his or Presley’s self-destructive habits. … his gambling addiction and a miserable 72-hour stint in a Vegas casino. … and would the first internationally-known artist’s manager have been as famous had he not called himself “the Colonel”? Order ‘The Colonel And the King’ here: https://www.hachettebookgroup.com/titles/peter-guralnick/the-colonel-and-the-king/9780316399449/?lens=little-brownFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Lowering the magnet of curiosity into the scrapyard of news and seeing what’s attracted, which includes … … does anyone still write satirical songs? … Four Sides of the Circle, Margaret On The Guillotine, From Here To Infirmary … real or fictitious working album titles? … the rarity of hearing new music without knowing what the musician looks like  … the Strokes, the Faces and other confident gangs you wanted to join … Poisoning Pigeons In The Park, the Vatican Rag and the moment Tom Lehrer claimed was the death of satire … the dwindling need to feel ‘contemporary’ - Blur, Primal Scream and the Libertines have made one album in the last ten years … when MTV went ‘lifestyle’ … how ‘a 60 year-old rock star’ still feels young … bring on the ‘90s package tour! … “Please give my regards to Mr. Chainz, or may I call him 2?” … and honorary mentions of Chappell Roan, Blink 182, Henry Kissinger, Wet Leg, Randy Newman, PP Arnold and ‘Kicking Pigeons’ by Spunge.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Wedding Present formed 40 years ago – why does that seem astonishing? - and have a new box set and tour to celebrate. David Gedge digs out his old notes about the first gigs he ever saw and played and looks back at what four decades onstage might have taught him. Among the delights …   … Rick Wakeman in full cape attire at Manchester Free Trade Hall in ’76 and how Be-bop Deluxe pointed to the future … the bone-dry humour of the Ramones – “the only time I ever pogo-ed” – and memories of seeing Wire and Queen.   … how Leeds’ goth culture coloured his early band the Lost Pandas (who had the nerve to play “minor chords”) … ‘Reception: The Wedding Present Musical’, about to open in Leeds and built around stories, characters and relationships in his songs. “Musicals are very divisive and I wasn’t sure I liked them” … “meticulous and geeky”: how the set lists flow and the two songs he never omits … how John Peel playing Go Out And Get 'Em, Boy! ten times launched the Wedding Present: “he was like the Emperor Nero really, almost too powerful. If he didn’t like you, you could vanish without trace” ... the unexpected challenge of band member manipulation … “if anything gets a laugh, repeat it” … and costly future visions of the Wedding Present plus orchestra! Order tickets to the Wedding Present 40th anniversary tour here: https://www.scopitones.co.uk/forthcomingconcerts And the box set here: https://www.scopitones.co.uk/post/the-wedding-present-to-release-career-spanning-40th-anniversary-compilationFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Bret McKenzie now mainly works on movie soundtracks, the Simpsons, Minecraft and the Muppets among them, which brings the pure delight of hearing his songs sung by Lady Gaga, Benedict Cumberbatch, Miss Piggy and Tony Bennett. He talks here about his early life in Wellington (ballet teacher Mum, racehorse trainer Dad), narrative comedy, songwriting heroes and his new album Freak Out City, and unravels New Zealand’s double-edged sense of humour. Along with … … how Randy Newman pitches songs for soundtracks … “the test of a good song works is if it works with just one instrument” … lyrics he loved growing up like 16 Tons by Tennessee Ernie Ford – ‘Some people say a man is made out of mud/ A poor man's made out of muscle and blood’ … Morrissey’s wounded reaction to his sausage-firing Quilloughby on the Simpsons ‘Panic On The Streets Of Springfield’ ... solving the “fun puzzles” of a song brief and writing for “donkeys who have a dream” … the ingenious humour of John Prine, Harry Nilsson and Leonard Cohen … the moment in his live shows where he asks the audience for a story and creates a song around it – “one woman suggested ‘falling out of love’ with her husband standing right beside her” ... playing the local girls schools aged 15 as the drummer in a James Brown funk band … reworking rejected songs – “which was hard with one from Paddington with its multiple rhymes for marmalade and Peru” … Flight Of The Conchords lampooning the acts they loved (Bowie, Pet Shop Boys) and playing the O2 – “pretending to be a stadium band and the audience pretending to be a stadium audience” … live on-stage application of the John Lennon “pomegranate” lyric-solving technique … “Play like a used car salesman! I need a Steely Dan solo here!” Recording with LA session legends like Leland Sklar. Order Bret’s ‘Freak Out City’ album here: https://music.subpop.com/bretmckenzie_freakoutcityFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Tour dates and tickets …https://www.ticketmaster.co.uk/bret-mckenzie-tickets/artist/5380913 Hosted on Acast. See acast.com/privacy for more information.

Justin Currie recorded and toured with Del Amitri and solo for 30 years and his travelogue The Tremolo Diaries perfectly captures the rhythm of life on the road. He talks to us here about combative crowds, the curious bubble you occupy and a recent shock diagnosis that’s forced some adjustments. This includes … … hard-won rules for life on tour: “Never leave the boat, stay in the bubble, never interact with real life, always maintain low-level adrenaline.” … seeing Dr Feelgood in ’77 “who passed the punk rock smell test”. … choreographed abuse from rugby club members; a Liberal Party benefit with his Beefheart-like school band; following rock antagonists Jackyl at Woodstock 2; being pelted with toilet rolls at an ice hockey stadium in Minneapolis. … the tensions between the Glasgow acts from the Gorbals and the “influx of enormous middle-class twats like us”.   … bands who look exactly like they sound. … Edwyn Collins as style icon – fringe, corduroy, plaid – and how it took courage to walk round Glasgow dressed like that in the early ‘80s, “a scary place full of pitch battles and hooligans”.   … the loss of the pop tribes when pop music was subsumed into the entertainment business.   … Michael Stipe’s advice about life on the road and how that changes when you’re over 40. … “if an audience doesn’t like you, the smaller that audience, the worse it is”.   … and his medical diagnosis in 2022 “and my negotiations with the disease”. Order the Tremolo Diaries here: https://www.simonandschuster.co.uk/books/The-Tremolo-Diaries/Justin-Currie/9781917923002Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.