Talkhouse Podcast

On the latest episode of the Talkhouse Podcast, comedian and actor Paul Scheer talks with his friend and former collaborator Ken Marino, whose directorial debut, the very funny How To Be a Latin Lover, is currently in theaters. In a fascinating and often hilarious conversation, the two discuss Marino's work on his new film with Mexican comedy star Eugenio Derbez and Salma Hayek; their roots in sketch comedy (Marino found fame with The State and Scheer with Human Giant); doing diverse work as writers, directors and actors; professional competitiveness; their comic histories; Pixar bloopers; Ken's love of dance, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

For the latest episode of the Talkhouse Podcast, we invited Talkhouse Music’s editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked is the only episode of the podcast to ever be scored live: Caroline Polachek (ex-Chairlift) with Alan Palomo of Neon Indian. The episode, which originally aired in 2016, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi.Last year, Alan Palomo of Neon Indian and Chairlift’s Caroline Polachek sat down at Samsung 837 in New York City for a live Talkhouse Music Podcast recording. As Alan played ambient self-generated sounds and Caroline spun an unreleased composition for atmosphere, the friends and mutual admirers discussed what can and can’t be co-opted in the arts, experimental and pop music, the music and arts scene in Williamsburg, collaborating with siblings, eating curried cow brains in Indonesia an hour before going onstage, and so much more. Subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts.

On the occasion of her autobiography Art Sex Music's American book release, industrial music pioneer and acclaimed performance artist Cosey Fanni Tutti (Throbbing Gristle, Chris and Cosey) sat down with Patti Smith Group's Lenny Kaye to discuss her fascinating life on the margins. Their conversation, which took place at McNally Jackson bookstore in New York, takes in the rise and fall of Throbbing Gristle, transgressive art shows, a hilarious story about Tutti using "Because The Night" during her strip routine, and much more. It begins with a stage-setting reading from Art Sex Music.Many thanks to McNally Jackson and Faber and Faber for allowing Talkhouse to record and release this fantastic conversation.—Elia Einhorn, Talkhouse Music Podcast host and producer

On the latest episode of the Talkhouse Film Podcast, friends, filmmakers and fellow humanists Shannon Plumb and Azazel Jacobs get up close and personal. Snuggled in bed in a room at the Lower East Side Ludlow Hotel, the pair share a unique rapport that translates to their fascination with the human condition and the deeper understanding of human beings that informs their work. The freewheeling conversation includes how Jacobs tapped into his comedic side for his new film The Lovers, starring Debra Winger and Tracy Letts, and then transcends space and time, delving into Lenny Bruce, the Clash and the possible existence of space babies. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. The music featured in the podcast is as follows: 1. Intro / outro underscore: “Plastic Man vs. the Giant Red Phase of the Sun” – Iced Ink Episode recorded by Susan Valot and mixed by Mark Yoshizumi; the Talkhouse podcast producer is Elia Einhorn.

On the latest episode of the Talkhouse Film Podcast, two of the funniest (and also most underappreciated) comedians around, Todd Barry and Chris Gethard, sit down for a conversation at Sonos' flagship store at 101 Greene Street in New York City. The two multihyphenates talk about their myriad projects, including Barry's newly published book Thank You for Coming to Hattiesburg, Gethard's one-person show Career Suicide (which hits HBO later this month), the Webby Gethard just won for his podcast, but focus most of their conversation on the minutiae that is the very stuff of comics' lives: clothing choices, frequent flyer miles, college gigs, life on the road. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

With the recent release of Julia Holter’s new LP In the Same Room (which features gorgeous new live-in-studio versions of songs from her last two albums) as well as an imminent new album from Broken Social Scene, we wanted to revisit the thoughtful conversation Holter and Broken Social Scene’s Kevin Drew had last summer for the Talkhouse Music Podcast. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.—Elia Einhorn, Talkhouse Music Podcast host and producerSongwriter/composer Julia Holter and Broken Social Scene’s Kevin Drew sat down backstage at Pitchfork Fest earlier this summer to discuss the difference between writing solo and with a group, how the next Broken Social Scene record needs some Bobby McFerrin-esque acapella… and a possible collaboration. Take a listen and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts.

For the latest episode of the Talkhouse Music Podcast, we invited Talkhouse Music's new editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked happens to be one of my faves, as well: Genesis Breyer P-Orridge with Laura Jane Grace. The episode, which originally aired in 2015, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi. “Transsexuals are the stormtroopers of the future.” So says Genesis P-Orridge, the iconic, visionary musician who has fronted influential bands like Psychic TV and Throbbing Gristle. While P-Orridge isn’t transgender — they* call themselves a pandrogyne — their partner in this Talkhouse Music Podcast, Against Me! frontwoman Laura Jane Grace, came out as transgender in 2012. Still, as P-Orridge points out, both musicians have done something very brave: they’ve transitioned, in one way or another, in front of their audience. And it was P-Orridge who paved the way. As Grace says here, “Someone like yourself is so important to me.” P-Orridge and Grace might hail from different generations, countries and musical communities, but they found plenty to talk about: what it was like to transition in public, the mind-body duality, paranormal phenomena, the perennial bathroom problem, the perennnial airport screening problem, courage, death, Caitlyn Jenner, a hilarious exchange about what to wear on stage, dealing with photographers who want you to show your boobs, and what P-Orridge calls “a gradual shift in the way that gender and sexuality are perceived in our species.” This is one of the more fascinating and potentially visionary exchanges we’ve ever had on the Talkhouse Podcast. It’s also one of the more risqué, so if you’re easily offended, maybe you’ll want to check out one of our other podcasts. * A word about pronouns: P-Orridge call themselves “we” because they feel at one with their late wife Lady Jaye. Much more about that in the podcast.

On the latest episode of the Talkhouse Music Podcast, we look back on winter 2017. Talkhouse Music Podcast host Elia Einhorn and Talkhouse Music Editor-In-Chief Amy Rose Spiegel discuss some of their favorite moments from the podcast, including Starita and A Tribe Called Quest’s Jarobi White remembering Phife Dawg, Xenia Rubinos and Digable Planets’ Ladybug Mecca on intersectional feminism, the Flaming Lips’ Wayne Coyne asking Prince Paul about De La Soul’s industry-changing sampling issues, and the Smiths’ Andy Rourke and Joy Division and New Order’s Peter Hook on the first time they saw each other. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer

On the occasion of the episode becoming a Webby Award honoree, Talkhouse podcast producer Elia Einhorn and Talkhouse Film's Editor-in-Chief Nick Dawson revisit the very special conversation from 2016 between hip-hop star, actor and longtime Pee-wee Herman fan Kid Cudi and Pee-wee himself, Paul Reubens. In addition to the full original talk between the two — which touches on how they first met, Reubens' journey to bring Pee-wee Herman back to the big screen, Cudi's strong dislike of skunks (and recent encounter with a mountain lion), and a discussion by both of future creative projects — you get to listen to the full backstory of how this unlikely episode came together. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

On the latest episode of the Talkhouse Film Podcast, Talkhouse podcast producer Elia Einhorn and Talkhouse Film's Editor-in-Chief, Nick Dawson, look back on the some of best moments from episodes recorded in the first quarter of 2017. Highlights include: Portlandia's Fred Armisen and Carrie Brownstein talking Wikipedia errors; Penelope Spheeris looking back on directing Donald Trump in The Little Rascals; Neal Brennan on how he and Seth Meyers thought they had “conquered” Trump through satire; Kirsten Johnson asking Agnès Varda about her favorite colors; and Morgan Spurlock and Louis Theroux discussing porn and Nipplegate. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.