Talkhouse Podcast

On the latest episode of the Talkhouse Podcast, host Elia Einhorn sits down with Talkhouse Film's Editor-in-Chief Nick Dawson and then Talkhouse Music Editor-in-Chief Amy Rose Spiegel (with Talkhouse editorial intern Sophie Kemp in tow!) to discuss some of their favorite moments from the past few months, which include discussions of privilege, Tom Cruise's penis, clothing essentials, stripping, among other topics. Featured here are conversations between Talib Kweli and Patterson Hood of Drive-By Truckers, comedy multihyphenates Ken Marino and Paul Scheer, Cosey Fanni Tutti from Throbbing Gristle and Patti Smith Group's Lenny Kaye, standup stalwarts Todd Barry and Chris Gethard, and more. Plus there's an unreleased outtake in which Ryley Walker and Teenage Fanclub's Norman Blake riff on the weirdness of settling back into real life after tour, and a closing moment that would move Alvin Ailey to tears. Subscribe to the Talkhouse Podcast now on iTunes or Stitcher to stay in the loop about future episodes, too!

On the latest episode of the Talkhouse Podcast, writer-director Rian Johnson (Brick, Looper) sits down with the visionary Ana Lily Amirpour, whose debut feature A Girl Walks Home Alone at Night announced her as a major talent and whose second film, The Bad Batch, is released June 23. Their wide-ranging conversation covers the breadth of the filmmaking process, from the trials of writing to post-production anxieties, and takes in cinematic boners, being a “frame fucker,” their respective metaphors for making movies, Rian's experiences making his upcoming Star Wars: The Last Jedi, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On today's episode, fingerstyle guitar wunderkind (and massive Teenage Fanclub fan) Ryley Walker chats with that legendary band's frontman, Norman Blake. Their talk takes in songwriting process, challenging oneself onstage, the excitement of collaborating with experimental musicians, studio techniques, and so much more. Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse podcasts.  — Elia Einhorn, Talkhouse Podcast host and producer.  Today's episode was recorded by Ryley and Norman, and mixed and co-produced by Mark Yoshizumi.

On the latest episode of the Talkhouse Podcast, writer-director and frequent Talkhouse contributor Jim Hemphill sits down with Lea Thompson, whose feature directorial debut, The Year of Spectacular Men, has its world premiere at the Los Angeles Film Festival on June 16. The two old friends talk about her new movie, collaborating on Jim's movie The Trouble About the Truth, Lea's memories of working on Howard the Duck, Some Kind of Wonderful and All the Right Moves (which includes a frank discussion of her and Tom Cruise's nudity!), sexism in Hollywood, Jim's lack of prowess as an actor, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

Patterson Hood (Drive-By Truckers) and Talib Kweli both make music to make a difference. On their respective new releases American Band and The Seven (Kweli’s EP in collaboration with Styles P), the lyrics directly address social and political issues. The Southern rocker and NYC rapper sat down for the Talkhouse Podcast last month and covered a lot of ground, including: Kweli’s experiences on the ground in Ferguson; Patterson’s desire to provide a visible alternative to white Southern men as bigots in the media; Dave Chappelle’s planning meeting with Saturday Night Live’s Lorne Michaels; Harry Belafonte’s attempt to make a “We Are The World”-style song with rappers for Ferguson; and so much more. Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse podcasts. — Elia Einhorn, Talkhouse Podcast host and producer. Today’s episode was recorded by Mark Yoshizumi and Patterson Hood, and mixed by Mark Yoshizumi.Want to take action? Talib Kweli recommends:Indivisible.org is a bunch of congressional staffers, people who have worked in Congress who are giving people tools to be anti Trump, whether it’s to participate in a Hill Day or to go to your local town hall and stuff like that. Indivisible.org, they’re doing great, great work.Adopt-A-State is getting people to change the demographic, change the vote in some of the red states so we can change some of the electoral college nonsense.Very important to me is Sleeping Giants. I’m not sure if they have a website but they’re on Facebook and Twitter. Sleeping Giants is a group of people ... taking on Breitbart.com ... They’re going after their advertisers and getting advertisers to pull their ads and money out of Breitbart. That’s a strategy I feel like is working.

On the latest episode of the Talkhouse Podcast, Kumail Nanjiani, the writer-star of the forthcoming The Big Sick, talks with Zoe Lister-Jones, whose Band Aid – which she wrote, produced, directed, stars in and wrote the songs for – is in now in theaters on VOD. In a conversation interrupted both by gardeners and Zoe's Band Aid co-star Adam Pally, the two multihyphenates chat about putting their real lives in their movies, working with their partners, getting in touch with their emotions, why comedies have terrible third acts, why Boardwalk Empire made enemies in New York, and what it's like to make a movie with an all-female crew. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On the latest episode of the Talkhouse Podcast, comedian and actor Paul Scheer talks with his friend and former collaborator Ken Marino, whose directorial debut, the very funny How To Be a Latin Lover, is currently in theaters. In a fascinating and often hilarious conversation, the two discuss Marino's work on his new film with Mexican comedy star Eugenio Derbez and Salma Hayek; their roots in sketch comedy (Marino found fame with The State and Scheer with Human Giant); doing diverse work as writers, directors and actors; professional competitiveness; their comic histories; Pixar bloopers; Ken's love of dance, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

For the latest episode of the Talkhouse Podcast, we invited Talkhouse Music’s editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked is the only episode of the podcast to ever be scored live: Caroline Polachek (ex-Chairlift) with Alan Palomo of Neon Indian. The episode, which originally aired in 2016, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi.Last year, Alan Palomo of Neon Indian and Chairlift’s Caroline Polachek sat down at Samsung 837 in New York City for a live Talkhouse Music Podcast recording. As Alan played ambient self-generated sounds and Caroline spun an unreleased composition for atmosphere, the friends and mutual admirers discussed what can and can’t be co-opted in the arts, experimental and pop music, the music and arts scene in Williamsburg, collaborating with siblings, eating curried cow brains in Indonesia an hour before going onstage, and so much more. Subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts.

On the occasion of her autobiography Art Sex Music's American book release, industrial music pioneer and acclaimed performance artist Cosey Fanni Tutti (Throbbing Gristle, Chris and Cosey) sat down with Patti Smith Group's Lenny Kaye to discuss her fascinating life on the margins. Their conversation, which took place at McNally Jackson bookstore in New York, takes in the rise and fall of Throbbing Gristle, transgressive art shows, a hilarious story about Tutti using "Because The Night" during her strip routine, and much more. It begins with a stage-setting reading from Art Sex Music.Many thanks to McNally Jackson and Faber and Faber for allowing Talkhouse to record and release this fantastic conversation.—Elia Einhorn, Talkhouse Music Podcast host and producer

On the latest episode of the Talkhouse Film Podcast, friends, filmmakers and fellow humanists Shannon Plumb and Azazel Jacobs get up close and personal. Snuggled in bed in a room at the Lower East Side Ludlow Hotel, the pair share a unique rapport that translates to their fascination with the human condition and the deeper understanding of human beings that informs their work. The freewheeling conversation includes how Jacobs tapped into his comedic side for his new film The Lovers, starring Debra Winger and Tracy Letts, and then transcends space and time, delving into Lenny Bruce, the Clash and the possible existence of space babies. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. The music featured in the podcast is as follows: 1. Intro / outro underscore: “Plastic Man vs. the Giant Red Phase of the Sun” – Iced Ink Episode recorded by Susan Valot and mixed by Mark Yoshizumi; the Talkhouse podcast producer is Elia Einhorn.