The Media Show

Heat pumps, net zero, decarbonisation, the Paris agreement. With less than 2 weeks to go until Cop26, we’re being deluged with detail and jargon. But how much do you actually understand about climate change? Do you even know what COP actually stands for? (It’s Conference of the Parties if you don’t). Katie Razzall asks what role the media has in educating us about climate change. Maybe you feel hectored rather than informed? Or maybe you think the media isn’t going far enough; if we now face an existential crisis, should journalists dispense with the notion of objectivity and become activists in the fight to save the planet? Guests: Daniela Chiaretti, environment reporter at Brazil’s biggest financial newspaper Valor Econômico, Natasha Clark, environment correspondent for The Sun, Tom Chivers, science editor for UnHerd, and Wolfgang Blau, co-founder of the Oxford Climate Journalism Network.Presenter: Katie RazzallStudio engineer: Tim HefferProducer: Richard Hooper

The Saudi Arabian purchase of Newcastle football club has been a huge news story. But football isn't the only area of British public life in which the Saudis play a part. The Evening Standard and The Independent can both trace their ownership back to Saudi Arabia, while in the US, media giants including Disney and Netflix have large Saudi investments. But does this actually affect the journalism we read or the television we watch? Also in the programme, the classic American music magazine Rolling Stone has launched in the UK. So why – when so many publications are shrinking – was this the right moment to launch? Guests: Vivienne Walt, correspondent at Fortune, Areeb Ullah, journalist at Middle East Eye, Sanam Vakil, Deputy Director of the Middle East and North Africa Programme at Chatham House, Jim Waterson, Media Editor at The Guardian and Darren Styles, Managing Director of Rolling Stone UK.Studio engineer: Giles AspenProducer: Hannah SanderPresenter: Katie Razzall

A global investigation and the largest leak of offshore data in history has produced the Pandora Papers. Journalists around the world have had front-page splashes on alleged corruption and money-laundering. Meanwhile in the US, a whistle-blowing former Facebook employee has appeared before Congress, accusing the company of harming democracy. And a piece in The New York Times seems to have brought down a wunderkind news organisation.But how interested are the public in these public interest stories? Is there a trick to keeping stories of this size at the top of the bulletins? And can public interest journalism still have an impact on the world?Guests: Juliette Garside, Deputy Business Editor at The Guardian; Margot Gibbs, Investigative Reporter at the International Consortium of Investigative Journalists; Ben Smith, Media Columnist at The New York Times, Alexandra Suich Bass, Senior Columnist at The Economist.Studio engineer: Donald MacDonaldProducer: Hannah SanderPresenter: Rajan Datar(Picture credit: Facebook whistle-blower Frances Haugen speaks to the US Congress. Getty Images)

It’s party conference season. Political journalists are dashing around the country from fringe event to meeting room. Politicians beyond government are having their moment in the media spotlight. So how has Labour leader Keir Starmer handled the press attention? Does he have the same level of newspaper backing that Tony Blair or Boris Johnson could count on? Also in the programme, Netflix has revealed its most watched shows. How has a Korean horror-drama claimed top spot - and where is The Crown?Guests: Aaron Bastani, co-founder of Novara Media; Jane Merrick, Policy Editor at the i newspaper; Jack Peat, founder of The London Economic; Lara O'Reilly, Media Editor at Insider.Studio engineer: Donald MacDonaldProducer: Hannah SanderPresenter: Rajan Datar

His TV audience is in the millions. His new game show launches soon on ITV. He has over 8 million followers on Twitter. And he wasn’t too bad at football either. So how did Gary Lineker become a media powerhouse? From Des Lynham's presenting tips to the effect of TV rights deals on football, Lineker tracks his transition from superstar player to Saturday night TV host. But does he ever worry his social media posts could damage the BBC's reputation for impartiality?Studio engineer: Sue MaillotProducer: Hannah SanderPresenter: Ros Atkins

The world is waiting nervously to see what kind of Afghanistan emerges. A power struggle has broken out among Taliban leaders. But much of the Western media seems to have lost interest - right at the crucial moment. So what story are they missing? And why can't some Western news outlets deal with a story as complicated as Afghanistan?Guests: Clarissa Ward, Chief International Correspondent at CNN; Sana Safi, Journalist at BBC Pashtu; Alex Shephard, Staff Writer at The New Republic; Saad Mohseni, Chief Executive of Moby Group, including Tolo News; Secunder Kermani, BBC Pakistan and Afghanistan Correspondent.Studio engineer: Duncan HannantProducer: Hannah SanderPresenter: Ros Atkins

Jack Thorne is the acclaimed screenwriter behind episodes of His Dark Materials, Shameless and Skins. In this year's MacTaggart Lecture at the Edinburgh TV Festival he set out why he believes the industry has failed disabled people "utterly and totally". Ros Atkins and guests discuss. Also in the programme, David Elstein, former Channel 5 CEO, sets out his case for the privatisation of Channel 4.Guests: Jack Thorne, screenwriter, Bryony Arnold, Co-Director of Deaf & Disabled People in TV, Cherylee Houston, actor and founder of the Disabled Artists Networking Community, Deborah Williams, executive director of the Creative Diversity Network, and David Elstein, former Channel 5 CEO.Producer: Emma WallacePresenter: Ros Atkins

To tell the story of the UK more fairly and more equitably there need to be more reporting voices outside London - that seems to be the journalistic mood of the moment. The BBC in March announced plans to shift focus from the capital in a “commitment to better reflect, represent, and serve all parts of the country". When GB News launched, it promised to “reach out to non-metropolitan audiences beyond London and engage them in our national conversation". So what does it mean to have a "non-metropolitan" bias?Guests: Lorna Willis, CEO of Archant, Nick Mitchell, Editor of NationalWorld, Ifan Morgan Jones, founder of Nation.Cymru, and Shazia Ali, The People’s NewsroomProducer: Emma WallacePresenter: Julian Worricker

Welcome to the era of the reboot. Laurence Llewellyn-Bowen doing up people’s living rooms, Ruby Wax interviewing Hollywood stars. New versions of Never Mind the Buzzcocks, Blankety Blank, Sex and the City. So why are there so many rebooted formats? Is it because the 90s and 00s were the real golden age of TV after all? Or is competition for viewers now so fierce that commissioners need trusted hits from yesteryear? Guests: Ruby Wax, broadcaster and writer; Clive Tulloh, Executive Producer of When Ruby Wax Met..., Layla Smith, Head of Objective Media Group; Mark Sammon, Executive Producer of Changing Rooms.Studio engineer: Nigel DixProducer: Hannah SanderPresenter: Julian Worricker

Social media platforms earn a fortune from our unpaid labour. Users share pictures on Instagram, tell stories on Twitter, and offer up their music on YouTube - all for free. But have the tables now turned? Patreon offers fans the ability to pay their favourite artists and writers directly. TikTok and Facebook have started offering cash to the most popular "creators". So what is the Creator Economy - and who is policing this online world? Guests: Sam Yam, co-founder of Patreon; Kaya Yurieff, tech reporter at The Information; Beckii Flint, YouTube influencer and founder of Pepper Studio, a social media marketing agency; Chris Stokel-Walker, author of TikTok Boom: China’s Dynamite App and the Superpower Race for Social Media; Kaf Okpattah, reporter at BBC Panorama.Studio engineer: Giles AspenProducer: Hannah SanderPresenter: Julian Worricker