Editor Evan Schiff is in studio to talk about his work on John Wick: Chapter 2 and John Wick: Chapter 3 - Parabellum. Evan talks about... - Getting and working with agents - Avoiding mid-motion cuts - Working with “stunt viz” - Keeping continuity in non-stop action - The slippery slope of temp tracks ================================= Follow Evan Schiff on Twitter and don't forget to try the new Avid Media Composer!  

Today on the Rough Cut, we get to know Tom Cross, ACE, Oscar-winning editor of Whiplash, La La Land and First Man. Tom tells us about... - Breaking into the film business via commercial editing - The advantages of being unproven and cheap - The stolen moments that helped tell the story of First Man

  In today's episode of The Rough Cut, editor Fred Raskin, ACE drops by to talk about his new film with Quentin Tarantino...Once Upon a Time in Hollywood. Fred tells us about: - Cutting the movie within the movie - Collaborating with Quentin - Working without a 3-act structure - Coming full circle at Musso & Frank - His process for editing a movie shot on film

In this episode of The Rough Cut, we talk with editor Adam Gerstel and assistant editors Rachel Schreibman and Dave Matusek from The Lion King. Adam, Rachel and Dave talk about... -Refining the VR camera tech from The Jungle Book -VR Filmmaking vs traditional CGI -Incorporating "black box" ADR -The phases of post for The Lion King -Remembering Mark Livolsi, ACE -Starting a career in editing -Another round of the "Show Friends or Show Business" game

In this edition of The Rough Cut, we podcast al fresco with Eddie Hamilton in Berlin, Germany to talk about his work on Mission:Impossible - Fallout.  Eddie shares with us his thoughts on... - The last steps to finishing a film - Incorporating different cameras and aspect ratios into a film - The editor's role “on location” - Collaborating with Tom Cruise - The classic story structure of action films - Editing in 4K - Moving projects from the edit suite to the laptop and back

The Rough Cut podcast returns with editor, Dan Lebental ACE to talk about his new film, Spider-Man: Far From Home. In this episode we talk about.... -The benefits of editing in surround sound -Using Media Composer for more of the sound mix -Working on the first movie cut in hi-def -Finding the subtext of the story in the edit room -Doing a "pre-edit" -Iron Man as the MCU prototype -Mentoring up-and-comers -The Show Friends or Show Business Game