Editor - Elísabet Ronaldsdóttir, ACE BULLET TRAIN editor and Iceland native Elísabet Ronaldsdóttir is widely known for her work on high-adrenaline action films such as JOHN WICK (2014), ATOMIC BLONDE (2017), DEADPOOL 2 (2018) and Marvel's SHANG CHI AND THE LEGEND OF THE TEN RINGS (2021); the first three of which were helmed by BULLET TRAIN director, David Leitch. Based on the Japanese novel Maria Beetle (published in English as Bullet Train) by Kōtarō Isaka, the film tells the story of Ladybug (Brad Pitt), a trained killer who wants to give up the life but is pulled back in by his handler Maria Beetle (Sandra Bullock).  His mission is to collect a briefcase on a bullet train heading from Tokyo to Kyoto with only a few stops in between.  Onboard the train, he and other competing assassins discover their objectives are all connected.  The question becomes, who will make it off the train alive and what awaits them at the terminal station? Editing BULLET TRAIN In our discussion with BULLET TRAIN editor, Elísabet Ronaldsdóttir we talk about: Working with a director who is also a stunt coordinator Jumping right into the action and saving the exposition for later Teaching a class in action editing Editing action in claustrophobic confines The Credits Visit ExtremeMusic for all your production audio needs Hear Elísabet talk about her work on SHANG-CHI AND THE LEGEND OF THE TEN RINGS See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Editors - Tom Costantino ACE and Hillary P. Wills THE ORVILLE: NEW HORIZONS editors Tom Costantino and Hillary Wills forged their future working relationship on the bridge of The Orville itself.  After not so subtly stalking Tom, who had already cut Season One, Hillary expressed her desire to join the Planetary Union as its newest assistant editor.  Being the master of understatement that he is, Tom casually said to Hillary, "job's yours if you want it".  Along with the rest of the editorial team, the pair would go on to collaborate on Season Two of the show (its last on Fox Television) and the third season for Hulu, dubbed "THE ORVILLE: NEW HORIZONS". Created by and starring Seth Macfarlane as series protagonist Ed Mercer, an officer in the Planetary Union's line of exploratory space vessels in the 25th century, THE ORVILLE is set on the titular spacecraft: USS Orville (ECV-197), a mid-level exploratory vessel for the Planetary Union. The show consists of adventures encountered by the ship's crew, usually involving planet exploration and visits to various parts of the galaxy. TOM COSTANTINO ACE Editor Tom Costantino is known for his work on; 48 HOURS (2004-2015), SCARRED (2007), CSI: MIAMI (2010-2012), AMERICAN NINJA WARRIOR (2014-2015) and 9-1-1 (2018-2019). HILLARY P. WILLS Assistant Editor / Editor Hillary Wills has worked on such projects as; CALL 911 (2009), VANISHED WITH BETH HOLLOWAY (2011), THE BRIEFCASE (2015) and THE NIGHT SHIFT (2016-2017). Editing THE ORVILLE: NEW HORIZONS In our discussion with the editors of THE ORVILLE, we talk about: Navigating the change between network tv and streaming Seth Macfarlane....audio post professional Taking temp effects to the limit Working with a 75-piece, excuse me, 90-piece orchestra Advice on moving up from assistant to editor The Credits Visit ExtremeMusic for all your production audio needs Download your free trial of Avid Media Composer Ultimate Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Editor - Nicholas Monsour NOPE editor Nicholas Monsour has been collaborating with writer/director Jordan Peele since their days together on the comedy sketch tv series KEY & PEELE (2015).   When the comedy team took their talents to the big screen with the Peele-penned feature, KEANU (2016), Monsour knew it would be a big leap for him to take on the editorial duties, but made his best pitch anyway.  The bet paid off and Nick found himself behind the Avid for his very first feature film.  Peele would reach out to Nick once again for his sophomore film directing venture, US (2019).  Prior to reteaming with Peele for US, Nick continued to refine his cutting chops on tv series such as; BROCKMIRE (2017), COBRA KAI (2018) and WHISKEY CAVALIER (2019). NOPE was written, directed, and co-produced by Jordan Peele under his Monkeypaw Productions banner.  It stars Daniel Kaluuya, Keke Palmer, Steven Yeun, Brandon Perea and Michael Wincott.  In the film, two ranch-owning siblings, with the help of a tech salesman and a renowned cinematographer, attempt to capture and sell video evidence of an unidentified flying object. Editing NOPE In our discussion with NOPE editor, Nicholas Monsour we talk about: His incubator post process at Universal Not sacrificing tone in favor of tempo Jaws meets The Wizard of Oz The anatomy of a "social" thriller The impact of IMAX on NOPE The Credits Visit ExtremeMusic for all your production audio needs See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Editor - Robert A. Martinez LUCY AND DESI's Robert A. Martinez has built a career working as an assistant editor and editor on documentary films like; THE BEATLES: EIGHT DAYS A WEEK - THE TOURING YEARS (206), THE APOLLO (2019), PAVAROTTI (2019) and THE BEE GEES: HOW DO YOU MEND A BROKEN HEART (2020), for which Robert received an ACE Eddie nomination.  All of these projects were great preparation for LUCY AND DESI, for which Robert has received an Emmy nomination. From director Amy Poehler, LUCY AND DESI explores the unlikely partnership and enduring legacy of one of the most prolific power couples in entertainment history. Lucille Ball and Desi Arnaz risked everything to be together.  When Lucille was finally granted the opportunity to have her own television show, she insisted that her real-life spouse, Desi, be cast as her husband. Defying the odds, they re-invented the medium, on the screen and behind the cameras. The foundation of I LOVE LUCY was the constant rupture and repair of unconditional love. What Lucy and Desi couldn’t make work with each other, they gave to the rest of the world. LUCY AND DESI is an insightful and intimate peek behind the curtain of these two remarkable trailblazers – featuring interviews with Lucie Arnaz Luckinbill, Norman Lear, Desi Arnaz Jr, Carol Burnett and Bette Midler. Editing LUCY AND DESI In our discussion with editor, Robert A. Martinez we talk about: Building a doc around newly discovered, private audio tapes of the pair The relationship between writer and editor on a documentary Telling the story through the voices of Lucy and Desi The power of ScriptSync in documentary editing Making the jump from janitor to editor The Credits Visit ExtremeMusic for all your production audio needs See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Editors – Matt Villa and Jonathan Redmond, Sound Designer/Re-recording Mixer/Supervising Sound Editor - Wayne Pashley ELVIS editors Matt Villa and Jonathan "Jono" Redmond are no strangers to director Baz Luhrmann's unique style of cinema.  For that matter, neither is Sound Designer and Re-recording mixer, Wayne Pashley.   Matt and Jono first worked together on MOULIN ROUGE! (2001) with Jono serving as 1st assistant editor and Matt doing VFX editing.  Wayne Pashley goes all the way back with Baz Luhrmann to Baz's first film, STRCITLY BALLROOM (1992).  But it was Luhrmann's THE GREAT GATSBY (2013) where Matt, Jono and Wayne first worked together on a film for the acclaimed Aussie director. Delivered in Luhrmann's trademark style of lush soundscapes and rich, high-energy visuals, ELVIS is told through the voice of  Elvis Presley's former manager, "Colonel Tom Parker".  While on his deathbed in 1997, Parker recalls how he discovered the future King of Rock and Roll and chronicles their time together throughout Elvis' ascension to icon status, as well as the downward spiral that ultimately led to Presley's death in 1977. MATT VILLA Matt Villa is known for PREDESTINATION (2014), The Great Gatsby (2013) and The Lego Batman Movie (2017). JONATHAN REDMOND Jono Redmond is known for his work as 1st assistant editor (digital) for MOULIN ROUGE! (2001) and editor for THE GREAT GATSBY (2013) and THE GET DOWN (2016-17). WAYNE PASHLEY Wayne Pashley is known for Mad Max: Fury Road (2015), The Great Gatsby (2013) and Daybreakers (2009). Editing ELVIS In our discussion with the ELVIS editors we talk about: Keeping it moving, keeping it transitional Protecting the king at all costs The three different voices of Elvis from the 50's, 60's and 70's Cutting concert performances compared to cutting the narrative Applying the "poetic glue" The Credits Visit ExtremeMusic for all your production audio needs See what's new with Avid Media Composer Subscribe to The Rough Cut for more great interviews with the heroes of the editing room! Visit The Rough Cut on YouTube!

Editors – Dean Zimmerman ACE, Kat Naranjo, Casey Cichocki and VFX Editor Brad Tobler The STRANGER THINGS editing team reunites once again to chronicle the fantasy/horror phenomenon taking place in Hawkins, Indiana; this time with a greater emphasis on the horror.  Although there was a longer break than usual between the two seasons, this tight knit team was never far apart, collaborating on the feature films, FREE GUY and THE ADAM PROJECT. Season Four of STRANGER THINGS is set in March 1986, eight months after events of the third season, the fourth season is split between different plotlines.  The first plotline takes place in Hawkins, where several teenagers are killed in mysterious ways.  The second plotline involves Mike Wheeler visiting Eleven, Will and Jonathan Byers at their new home in California.  The third plotline follows Joyce Byers and Murray Bauman, who learn that Jim Hopper may still be alive and are told to bring money to arrange for his transfer home from a Russian prison. DEAN ZIMMERMAN ACE In addition to working with the Duffer Brothers as their lead editor for STRANGER THINGS, Dean is a frequent collaborator with STRANGER THINGS director and longtime friend, Shawn Levy.  The two have been working together for over twenty years on projects like the NIGHT AT THE MUSEUM franchise, FREE GUY and THE ADAM PROJECT. KAT NARANJO Kat started her journey on Season 1 as an assistant, but over the following seasons started picking up full time editorial duties as well.  She also assisted Dean on his features, THE ADAM PROJECT and FREE GUY.  Earlier in her career, Kat assisted on HALT AND CATCH FIRE and served as post coordinator on ONE TREE HILL. CASEY CICHOCKI Casey started on STRANGER THINGS in season one as a post coordinator and then in subsequent seasons moved into assistant editing. For Season Four Casey has multiple additional editing credits. Like Kat, Casey assisted Dean on FREE GUY and THE ADAM PROJECT as well. BRAD TOBLER VFX editor Brad Tobler joined the STRANGER THINGS team in Season Three and also helped out Dean as VFX editor on FREE GUY, as well as pre-vis editor on THE ADAM PROJECT. Editing STRANGER THINGS - SEASON 4 In our discussion with the STRANGER THINGS - SEASON 4 editing team we talk about: Ramping up the VFX workload Reasons for, and benefits of, splitting the season into two parts Creating the voice of Vecna Developing a "flashback" tracker Breaking the show out into multiple storylines The Credits Visit ExtremeMusic for all your production audio needs Watch VFX Editor Brad Tobler walk you through the VFX process on Stranger Things See the STRANGER THINGS picture editing and sound team discuss Season Three Heat the O.G. interview with Dean Zimmerman ACE from 2019 Editor Dean Zimmerman ACE discusses FREE GUY Jonathan Corn and Dean Zimmerman ACE on cutting THE ADAM PROJECT See what's new with Avid Media Composer Subscribe to The Rough Cut for more great interviews with the heroes of the editing room! Visit The Rough Cut on YouTube!      

Editor - Rupert Houseman CHERNOBYL: THE LOST TAPES editor Rupert Houseman is a documentary and drama editor known for his work on; RIOTS: ONE WEEK IN AUGUST (2021), GUN NO. 6 (2018), 7/7: ONE DAY IN LONDON (2013), BEDLAM (2014), LIFE AND DEATH ROW (2014), THE DETECTIVES (2015), THE WATCHMAN (2016) and UNSPEAKABLE (2017).  In 2019 Rupert received a BAFTA award for his editing on GUN NO. 6. CHERNOBYL: THE LOST TAPES tells the full, unadulterated true story of what happened in one of the most iconic but least understood tragedies of the twentieth century.  While radio programs and scripted dramas have all told their version of events, no-one has ever made a documentary that reveals the full, shocking reality of this cataclysmic, world changing event – until now.  Using both a recently discovered hoard of dramatic footage filmed at the nuclear plant during the disaster, as well as newly-recorded, deeply personal interviews of those who were there, the film shows how Chernobyl and the cover-up that followed sparked unprecedented distrust in the authorities and gave birth to a protest movement in Ukraine which would eventually lead to the collapse of the Soviet Union. Editing CHERNOBYL: THE LOST TAPES In our discussion with editor, Rupert Houseman we talk about: Recovering and converting Soviet-era propaganda footage Breaking away from the traditional treatment of talking heads Editing footage in a language foreign to your own Having fun with aspect ratios Getting sound design advice from Bob Geldof The Credits Visit ExtremeMusic for all your production audio needs See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Editor - Mark Sanger ACE, BFE JURASSIC WORLD: DOMINION editor Mark Sanger ACE, BFE not only faced the challenge of editing a big action blockbuster, but also a film that was; a sequel to JURASSIC WORLD: FALLEN KINGDOM (2018), the sixth installment in the Jurassic Park franchise, the third and final film in the Jurassic World trilogy, and the conclusion to the storyline started in the original Jurassic Park trilogy.  Thankfully, Mark had plenty of experience working on big action franchise films.  Mark began his career as an assistant working on Bond films like ;TOMORROW NEVER DIES (1997) and THE WORLD IS NOT ENOUGH (1999), and also director Stephen Sommers' THE MUMMY (1999) and THE MUMMY RETURNS (2001).  As a lead editor, Mark helmed the Avid for TRANSFORMERS: THE LAST KNIGHT (2017), MOWGLI: LEGEND OF THE JUNGLE (2018) and POKÉMON: DETECTIVE PIKACHU (2019).  Amongst all these big films, the critical highlight of his career would come in 2014, when Mark would win the Oscar for Best Film Editing for his work on GRAVITY (2013). The plot of JURASSIC WORLD: DOMINION is this...Four years after the cataclysmic volcanic eruption on Isla Nublar and the Lockwood Estate incident, de-extinct dinosaurs freely roam the earth, causing environmental upheaval and human deaths. With government approval, Biosyn Genetics has established a dinosaur sanctuary in Italy's Dolomite Mountains where they conduct genomics research, ostensibly seeking groundbreaking pharmacological and agronomic applications.  The film stars an ensemble cast including Chris Pratt, Bryce Dallas Howard, Laura Dern, Jeff Goldblum, Sam Neill, DeWanda Wise, Mamoudou Athie, BD Wong, and Omar Sy.  Dern, Goldblum, and Neill reprise their roles from the Jurassic Park trilogy, appearing together for the first time since the 1993 film JURASSIC PARK. Editing JURASSIC WORLD: DOMINION In our discussion with editor Mark Sanger ACE, BFE we talk about: The 2nd director side hustle Working with animatronics versus VFX Presenting a proper prologue Starting with silence in your edit Listening, learning and speaking up! The Credits Get your free 100GB of media transfer at MASV Visit ExtremeMusic for all your production audio needs See which model of Avid Media Composer is right for you Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Editors – Jeff Seibenick, Andrew S. Eisen ACE, Dana E. Glauberman ACE, Dylan Firshein Editors Jeff Seibenick, Andrew S. Eisen ACE, Dylan Firshein and Dana E. Glauberman ACE got the band back together from Season One of THE MANDALORIAN to help tell the story of the legendary bounty hunter, Boba Fett. THE BOOK OF BOBA FETT follows bounty hunter Boba Fett, from THE MANDALORIAN and the STAR WARS feature films, as he establishes himself as the new crime lord of Jabba the Hutt's former territory on the planet Tatooine. JEFF SEIBENICK In addition to his work on the Star Wars shows for Disney+, Jeff has a background rich in comedy tv editing.  You can see his work on series such as; PARKS AND RECREATION, EASTBOUND & DOWN and VICE PRINCIPALS. ANDREW S. EISEN ACE Considering the cinematic approach the editing team applies to THE MANDALORIAN and THE BOOK OF BOBA FETT, it’s no surprise to see Andrew’s name in the credits of big sci-fi / action films like TRANSFORMERS: AGE OF EXTINCTION and THE GUARDIANS OF THE GALAXY VOL 2. DANA E. GLAUBERMAN ACE When she's not lending her editorial talents to the Star Wars universe, Dana is cutting films like GHOSTBUSTERS: AFTERLIFE, CREED II,  UP IN THE AIR and JUNO. DYLAN FIRSHEIN While THE MANDALORIAN and THE BOOK OF BOBA FETT are the projects that helped establish Dylan as a lead editor, he has also assisted on features like SOLO: A STAR WARS STORY, THE CLOVERFIELD PARADOX and tv series such as GREY'S ANATOMY. Editing The Book of Boba Fett In our discussion with THE BOOK OF BOBA FETT editing team of Jeff Seibenick, Andrew S. Eisen ACE, Dylan Firshein and Dana E. Glauberman ACE , we talk about: Making a stylistic departure from what we know of THE MANDALORIAN Find the performance of characters behind a mask Breathing life into a gun duel The challenge of deep fake editing Working with the relentless Robert Rodriguez The Credits Visit ExtremeMusic for all your production audio needs Listen to parts one and two from the Season One interview with The Mandalorian editors Check out the Season Two interview with the editors from The Mandalorian Editor Dana E. Glauberman ACE on cutting Ghostbusters: Afterlife A New Hope editor, Paul Hirsch ACE on turning a Camaro into Vader’s TIE fighter The Empire Strikes Back editor, Paul Hirsch ACE reflects on the film forty years later Hear editor Bob Ducsay talk about cutting The Last Jedi Listen to Maryann Brandon ACE talk about her work on The Force Awakens and The Rise of Skywalker See what's new with Avid Media Composer Subscribe to The Rough Cut for more great interviews with the heroes of the editing room! Visit The Rough Cut on YouTube!

David Hunter Jr. and Daniel Hunter David Hunter Jr., Host of POST IN BLACK, and his brother Daniel Hunter, Founder of POST IN BLACK, joined forces with Executive Producer Tatiana Johnson to create a podcast that has quickly caught fire amongst the film and tv post community.  In featuring African American creative professionals working in the world of media and entertainment, their mission is to reach out to a new generation who may not be aware that a variety of career opportunities exist for them not just in front of the camera, but behind the lens as well.  In this special edition of The Rough Cut, David and Daniel not only give us the scoop on "the guys behind the podcast", but also some new perspectives on the lack of diversity in the industry today. DAVID HUNTER JR. David Hunter Jr. is an actor, writer and producer born in Washington DC and raised in the surrounding Metro Area. His acting training began on the stage at Hampton University, a prestigious HBCU located in Hampton, Virginia. From there, David performed on stage in DC performing at the Historic Lincoln Theatre, Atlas Theatre and the DC Improv where he performed monthly with a local improv troupe. Since relocating to LA, David has voiced campaigns for Blavity, Google, Samsung along with a variety of Commercials and animated projects. He also served as the "Voice of God" for the theatre staff at the Dolby Theatre (formerly Kodak) for the Oscars for over 10 years. In 2016, David's versatility shined bright as he created, co-wrote and starred in the Web Series, "The Process". The series had 2 seasons and aired on numerous streaming platforms. In 2018, David auditioned for and was accepted into the inaugural class of the Los Angeles branch of the award-winning Identity School of Acting. While there, he was nominated for Best Actor in his group's showcase. The ability to create has allowed David to make a lane for himself that lets others see him as more than just an actor. This lead to David starting his own production company, Made For More Entertainment. Underneath the Umbrella of Made For More, David hosts a popular Podcast / Web Series called "Post In Black". This podcast highlights the work of African Americans working behind the scenes in Post Production with guests including the likes of Terilyn Shropshire (Jumping The Broom, When They See Us, The Old Guard) and Daysha Broadway (The Forty Year-Old Version, Insecure, A Black Lady Sketch Show) David has a genuine love for kids and performed Children's Theatre in the LA area for LAUSD for over 8 years with the theatre company, Enrichment Works. He has also worked as an elementary school teacher for 1st and 2nd grade as well as a middle school teacher for 6th, 7th and 8th grade. He loves to give back to the youth through the arts as well as one-on-one mentorship. DANIEL HUNTER When he's not doing his full time job of being David Hunter Jr.'s brother, Philadelphia-based Daniel works as both a sound postproduction professional as well as a driving force behind POST IN BLACK. Talking POST IN BLACK In our discussion with David Hunter Jr. and Daniel Hunter, we talk about: How you can't desire something you weren't aware of That winding road from school teacher, to tour guide, to actor, to... The time-tested approach of "thinking globally and acting locally" Sound design being just like music composing with sound effects The importance of above the line talent crediting their crews The Credits Celebrate Black excellence behind the lens by visiting POST IN BLACK. Be sure to check out MADE FOR MORE ENTERTAINMENT too Subscribe to The Rough Cut podcast and never miss an episode Leave me a message on The Rough Cut website Visit The Rough Cut on YouTube