Brit Marling, actor and filmmaker with a futuristic vision, discusses her new show, artificial intelligence in filmmaking, and her love for science fiction. She reflects on her unconventional path, meeting her collaborators, and the public outcry over the cancellation of 'The OA'. They also talk about the state of Hollywood, the power of collective action, and her directorial debut inspired by Krzysztof Kieślowski.

Writer and comedian Ziwe has made a career out of conducting charged and satirical interviews. She joins us this week to discuss her debut essay collection, Black Friend (5:45), the backstory behind her essay WikiFeet (10:19), her early affinity for broadcast news (13:06), the influence of satirists Jonathan Swift and Stephen Colbert (15:10), and her early, formative experiences working in comedy (35:05). On the back-half, Ziwe reflects on the making of her YouTube series Baited (38:06), a memorable episode with Aparna Nancherla (41:30), her pandemic pivot to IG live (43:30), and the Showtime variety show that followed (46:30). To close, a philosophy on art-making from Ira Glass (50:40) and what Ziwe hopes for in her next chapter (56:15).See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Marina Abramović is a pioneer in the field of performance art, using her body as both the subject and the medium. Today, we return to our special conversation with the legendary performer from her New York City apartment. To follow along with the works discussed, visit our guided, virtual exhibit at talkeasypod.com/marina-abramovic. We start with her healing installation in Ukraine (7:45), creating art out of hardship (12:24), a Rainer Rilke poem that shaped her childhood (15:23), and the curiosity that propels her forward (23:42) in the face of sexist attacks from the press (28:59). On the back-half, Marina reflects on her groundbreaking work in Rhythm 0 (33:39), her tolerance for pain (38:39), the deep-seated influence of her mother (39:47), finding happiness at age 75 (45:20), how her seminal piece, The Artist Is Present, lives on (47:56), and what it means to be still, together (52:30). For thoughts, reflections, and guest suggestions, drop me a line at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Writer Michael Lewis discusses the rise and fall of crypto billionaire Sam Bankman-Fried in his new book. They explore Bankman-Fried's criminal fraud case and his belief in effective altruism. Lewis reflects on the ten-day collapse of FTX and his personal connection to Sam's parents. He also discusses his own journalistic tendencies and writing the book amidst personal tragedy.

Inventive singer-songwriter Weyes Blood discusses her post-pandemic anthem and reflects on her religious upbringing, formative punk shows, and influences like Nico and Sonic Youth. She also shares insights about her nomadic young adulthood, forging her path in the music industry, and the apocalyptic feelings behind her album Titanic Rising. Natalie Merring expresses hope through these turbulent times.

Last fall, George Saunders published Liberation Day, his first short-story collection in nine years. This week, we return to our conversation with the beloved author. At the top, we discuss his process creating the book (3:40), the influence of Chekhov and Gogol (4:56), and a timely passage on democracy from “Love Letter” (8:35). Then, we unpack how he builds stories (13:30), a guiding philosophy from our first talk (14:58), and an excerpt from the titular story, “Liberation Day” (21:30). On the back-half, we talk about the power of revision through “Elliott Spencer” (27:40), the seeds of the book’s moving final story, “My House” (36:34), the ‘failures in compassion’ it reveals (40:50), Saunders’ enduring relationship with his wife (45:08), and how he hopes to continue surprising himself as a writer, at 63 (48:40).See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

One year ago, The New Yorker staff writer and critic Hua Hsu published his singular memoir entitled Stay True. Earlier this May, the autobiography won a Pulitzer Prize. Upon its paperback release, Hsu joins us to discuss the epigraph that frames the book (5:30) and his nomadic upbringing (9:45) scored by mixtapes (12:23) created by his Taiwanese father (15:14). Hsu then reflects on his arrival at UC Berkeley in the mid-90s (23:09) and how he formed an unexpected bond with a schoolmate named Ken (24:20). On the back-half, Hsu describes the horrific night that Ken’s life was taken (36:58), the aftermath of this tragedy (40:15), his attempts to make sense of the past twenty-four years in Stay True (46:20), his complicated relationship to memory (49:00) and music (58:30), and how he’s held onto hope (1:03:02) through telling this enduring story of friendship. See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Novelist Zadie Smith discusses her historical novel The Fraud and her evolving writing process. She reflects on her upbringing, the media circus around her debut novel, and her desire to reinvent herself as an artist. They also explore the nuanced politics of her work and her evolving relationship to humanism.

Writer Sandra Cisneros has been making sense of the world on the page since 1984’s The House on Mango Street. In honor of Hispanic Heritage Month, we wanted to replay our 2022 conversation with the beloved poet. We discuss her first poetry collection in 28 years, Woman Without Shame (4:40), why she chooses to write ‘dangerous’ pieces (6:18), and the significance of her poem, “My Mother and Sex” (8:38). Then, we walk through Sandra’s coming of age between Mexico and Chicago (15:16), the sixth-grade teacher that guided her entry into art (19:39), her epiphanies on class in graduate school (23:49), the “Pilsen Barrio” that shaped her seminal novel, The House on Mango Street (29:05), and how Studs Terkel informed her lifelong approach to story (30:17). On the back-half, we discuss the loves and losses that inspired Sandra’s early sensual poems (36:36), how she documented her power through “Neither Señorita nor Señora” (40:04), a painful period captured in “Year of my Death” (50:30), the day her mother visited her writer’s office in San Antonio (57:56), and why she still has more to say (and write) at age 67 (59:59).See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

For the better part of a decade, David Byrne was the front-man of Talking Heads. To celebrate the revival of Jonathan Demme’s concert film, Stop Making Sense, we’re revisiting our special talk with the legendary musician himself. At the top, we discuss how Byrne processed the pandemic in New York City (6:45), finding creativity in unlikely places (9:50), the evolution of his Broadway show ‘American Utopia’ (10:47), the influence of poet William Blake (13:00), his gift for collaboration (16:36), and the power of the song, Glass Concrete & Stone (20:54). On the back-half, he opens up about his pivot from New Wave to Latin music (23:40), getting comfortable with creating on his own terms (30:35), and why he turned to performance as a response to being neurodivergent (36:32). He also reflects on his relationship to the Talking Heads (41:30), the cross generational impact of his art (44:15), the unique interpretations of American Utopia (46:30), and how he “found the world” through making music (50:25). Purchase tickets to see Stop Making Sense in theaters here.See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.