For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 VISUALS is the music of Andrew Fox. A veteran musician, Fox has released his brand of psychedelic songcraft on Nicolas Jaar‘s imprint Other People, Bruno Pronsato‘s Berlin-based label The Song Says, and now New York’s House of Feelings.  Collaborating with Dave Harrington of DARKSIDE, Michael Lovett of NZCA LINES / Metronomy, The Range & others, VISUALS filters folk, psych, and soul through a pulsing, electronic prism.  Kinetic and lyrical, this is music you can see. MUSIC MENTIONS George Martin Dolby Atmos Influences for upcoming projects (24:47): Bert Jansch Jimmy Page John Rebourn Hamza El Din Shivkumar Sharma Washington Irving William Basinski Hiroshi Yoshimura “Green” by Hiroshi Yoshimura “Surround” by Hiroshi Yoshimura Tanger Drew McDowall Coil Q&A Mozart Paco de Lucia Discovering music today (36:07): NTS Radio BBC Radio 6 WFMU Superior Elevation (Williamsburg) Record Shop (Red Hook) Radio Shop (Cron Heights) Chances With Wolves Apple Music Pitchfork The Wire First album ever purchased (41:34): “Collective Soul” by Collective Soul Most recent album purchased (44:05): “Flamenco” by Manitas De Plata Artists discovered in the past year (47:04): Arooj Aftab Camarón de la Isla Sword II Desert island discs (49:08): “Astral Weeks” by Van Morrison “Blue” by Joni Mitchell “Smoke” by White Williams Guest recs for future episodes (51:59): Maryam Turkey

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Brandon Stosuy is the co-founder and editor in chief of The Creative Independent. He previously worked as director of Editorial Operations at the online music publication, Pitchfork. Brandon curates the annual Basilica SoundScape festival in Hudson, New York, and has been a music curator at MoMA PS1 in New York City and the Broad museum in Los Angeles. For over a decade, he and the visual artist Matthew Barney have collaborated on a series of live art and music events in Long Island City. Up Is Up, But So Is Down, his anthology of downtown New York literature, was a 2006 Village Voice book of the year. Brandon is also the author of three books on creativity, Make Time for Creativity, Stay Inspired, How to Fail Successfully (all published by Abrams) and two children’s books, Music Is... and We Are Music (both published by Simon & Schuster). In November of 2024 he published the anthology, Sad Happens: A Celebration Of Tears, also on Simon & Schuster. He lives in Brooklyn with his wife and two sons. MUSIC MENTIONS 7 Seconds Minor Threat Bad Brains 3rd Street Jazz Philadelphia Record Exchange Zipperhead Tower Records Factsheet Five Maximum RocknRoll Slumberland Records Versus (band) Helium Grifters Sub Pop Records Pitchfork Trash Talk Animal Collective Moor Mother Pussy Riot From small town perspective shifts (9:15): Mark Richardson The National The Jesus and Mary Chain Chromatics Rihanna Kelly Moran The Cure Fugazi Helado Negro Caroline Polachek Chelsea Wolfe Curatorial evolution over the years (20:00): True Panther Sounds DFA Records Black Dice Grimes Gang Gang Dance Pig Destroyer Julianna Barwick Pharmakon Evian Christ Jonathan Bepler The Haxan Cloak Nick Zinner Hanif Abdurraqib Godspeed You! Black Emperor Explosions in the Sky Basilica Music Festival Justin Vernon Bon Iver The Village Voice Interpol Liturgy JD Samson Laughing Hyenas Q&A Sacred Bones Records Treefort Music Festival SXSW Cassandra Jenkins MJ Lenderman Waxahatchee Youth of Today Depeche Mode Swirlies Black Tambourine Velocity Girl Majical Clouds Horsegirl Public Enemy “Edutainment” by Boogie Down Productions Chuck D Flava Flav Pallbearer Sumac Neutral Milk Hotel Jeff Mangum Swans Discovering music today (31:00): Michael Miller Ed Park Ariel Gordon Greta Rainbow Jen Pelly Max Friedman Jeffrey Silverstein Evan Minsker Phillip Sherburne Anthony Fontana Ed Horrox 4AD First album ever purchased (41:00): “Doolittle” by The Pixies Most recent album purchased (42:28): “Come With Me If You Want To Live” by Devon Welsh Artists discovered in the past year (45:17): Marina Allen Freak Slug Aoife Nessa Frances Hannah Stratton Lucky Break Desert island discs (50:09): “Disintegration” by The Cure “Loveless” by My Bloody Valentine “69 Love Songs” by The Magnetic Fields

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Suzan Peeters (°1999) is a Belgian accordionist, composer, and experimentalist. She is constantly looking for new timbres and sound textures within the accordion, pushing its acoustic spectrum to its limits by manipulating the interplay between her body and the body of her instrument. Suzan studied classical accordion at KASK & Conservatorium in Ghent and at the Royal Danish Academy of Music in Copenhagen. She is currently studying Live Electronics at the Royal Conservatory of Brussels. MUSIC MENTIONS Eurovision Maria Kalaniemi Sara Salvérius Lausanne Underground Film & Music Festival (LUFF) Sonda Festival Q&A TLF Trio CTM “Wind” album by “CTM” Discovering music today (26:00): Concerts, friends Spotify Artists discovered in the past year (28:55): Able Noise BEX Astrid Sonne Lucy Walton First album ever purchased (33:35): “STUFF.” by Stuff. Most recent album purchased (00): “Bitterzoet” by Eefje de Visser Desert island discs (37:01): “Het Will” by Hendrik Lasure “Sweet Harmony” by TLF Trio “Grapes from the Estate” by Oren Ambarchi

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Natalie Crüe is a cultural producer, consultant, and activist leveraging arts, culture and emergent technologies for social change. She co-founded #CultureFix, a global network fostering civic engagement through creative initiatives. Natalie's work spans blockchain technology, including co-developing the Metaverse Music Festival (MVMF) and stewarding numerous grants and communities across the blockchain landscape. As founder of Web3Uncut, she leads a consultancy exploring and interrogating decentralized technologies, and recently founded a creative crowdfunding platform.

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Sébastien Devaud aka Agoria, born in Lyon on January 16, 1976 is a French electronic music producer, DJ and digital artist. Agoria started his music career in the mid-1990s and gained popularity in the early 2000s with his debut album "Blossom" released in 2003. He is known for his unique blend of techno, house, and ambient music, which has earned him a reputation as one of the most innovative and influential electronic music producers of his generation. Agoria has released several albums, EPs, and singles throughout his career, including "The Green Armchair" (2006), "Impermanence" (2011), and "Drift" (2019). He has released 5 albums with both major Universal Music, Virgin and indie labels Pias. Agoria has been an early contributor to the French electronic music scene with the creation of his own label Sapiens, and Lyon electronic music festival Les Nuits Sonores. He has also collaborated with various artists, including Tricky, Ela Minus, Carl Craig, Neneh Cherry, Noemie, Rami Khalifé and Blasé. Agoria has performed at major music festivals and clubs around the world, including Coachella, Sonar, Melt, We Love Green, 3points east,… He has also been very active and creative in the art scene, he collaborated with Philippe Parreno and Nicolas Becker on art exhibitions and performances at the Armory Park in NYC (2018), at the turbine hall of Tate Modern in London (2018), and started his own solo show in Miami Art Basel (2019). Combining art, music and science in his work, he collaborates with biologists, neuroscientists, and philosophers. He is considered the trailblazer of Biological Generative Art. Agoria’s work has been exhibited all around the world lately at major NFT events: in NYC on Times Square during NFT.NYC, in Barcelona at Sonar (co-curated by Antonia Folguera and Diane Drubay), at Refraction festival in NYC, at Proof of People show in London (curated by VerticalCrypto), and during Berlin Art Week (curated by Anika Meier) in September. Last but not least, he has been invited last March to exhibit Phytocene and share his vision about web3 in front of United Nations.

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Rising UK-based electronic artist and producer Jamie Reddington (aka Sound of Fractures) announces his groundbreaking project, "Scenes.” The interactive album invites fans to contribute their favourite memories and photographs in response to each of the record’s songs, encouraging a lean-in, emotional connection that’s been lost in our passive streaming environment. “Music isn't just about sound; it's about the memories and emotions they evoke. ‘Scenes’ is an effort to give a tangible form to this abstract connection and capture it in something we can recognise,” shares Reddington. “Each song and its accompanying ‘Scenes’ will populate a digital gallery – an archive that's a living testament to how music interacts with life moments in today's social media-dominated era." Hundreds of listeners have contributed Scenes, embarking upon what fans are calling a “journey through the rich tapestry of our inner worlds.” The BBC Radio-featured artist and web3 pioneer chooses one Scene to be each track’s primary artwork, encapsulating it as a digital collectable that forever links artist and listener. “Scenes” is Reddington’s most salient experiment to date. It builds upon a reputation based as much on championing music communities as his unique sonic signature, which blends elements of Jamie XX and Burial with found sounds like his daughter’s heartbeat. Be sure to check out Scenes here: https://scenes.soundoffractures.com/

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: ⁠https://discord.gg/sAaG6a7bv4 Farida Amadou is a self taught bass player based in Brussels, Belgium. The electric bass has been her main instrument since 2011. In 2013, she started to play a lot of different genres, including blues, jazz and hip-hop. Then Farida discovered improvisation music, a style and community she quickly embraced. In 2017, after spending a year playing bass for Belgian punk band Cocaine Piss, Farida decided to focus on her solo improvisation practice and collaborations. Since then, she’s played with folks like Steve Noble, Thurston Moore, Peter Brötzmann, and Moor Mother.

Yancey Strickler, a writer and entrepreneur known for co-founding Kickstarter and Metalabel, dives into the evolution of music and identities in the digital age. He reflects on his musical upbringing in Virginia and the impact of music journalism. The conversation explores how the internet shapes collective experiences, emphasizing the importance of preserving musical legacies amid fleeting trends. Yancey also discusses the balance between short-term gratification and long-term creative goals, encouraging authenticity and community connections in artistic expression.

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Lubomyr Melnyk is a composer and pianist of Ukrainian origin. He plays what he calls continuous music, a style whose rigorous technique shares commonality with martial arts. He's regarded as the world’s fastest piano player, capable of playing 19 and a half notes per second. It’s a skill that’s enabled him to create singular musical landscapes, where sound appears to come in swathes rather than individual notes -- a practice he’s been at it for more than sixty years.

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: ⁠https://discord.gg/sAaG6a7bv4 Karlyn is an expert in the field of music academia, podcasting, and global presentations, having built up a rich portfolio as a published author, lecturer, and researcher with engagements spanning the UK and the USA. As a sought-after panelist and presenter at conferences worldwide, Karlyn is particularly known for her contributions to discussions surrounding the significance of vinyl in contemporary music culture. Karlyn's lockdown project, "The Songs Are Spells Podcast," is a platform where she produces and hosts insightful discussions with prominent figures from the music industry. This podcast has garnered acclaim, earning praise from Sony Music as the "magical rendition of Song Exploder." As an academic, she is on the verge of completing her doctoral studies at the University of Birmingham, delving into the enduring allure of vinyl within the context of popular culture and fan engagement. Notably, her research has already yielded a published chapter in Routledge Music's Handbook of Women's Work in Music.