Hollywood Gold

In this special edition of Hollywood Gold, we give you a post mortem of all the biggest moments from the 2024 Academy Awards! From the Emma Stone win to the epic Ryan Gosling "I'm Just Ken" moment, Daniela, Becca and special guest, Riva Marker, discuss it all!  Hosted on Acast. See acast.com/privacy for more information.

Producer Jeremy Thomas remembers the making of 1987's legendary film THE LAST EMPEROR. Jeremy was a young indie producer with an eager spirit and a history of ingenuity when iconic director Bernardo Bertolucci approached him about making a film about the last Emperor of China. Jeremy knew it would be a feat to accomplish such an undertaking, but instead of shying away from the challenge, he leaned in and got the support of the Chinese government. A true international collobration, the film's authenticity is evident and it remains a classic. Hosted on Acast. See acast.com/privacy for more information.

On this week's episode of the Hollywood Gold Podcast sponsored by Kalshi, Daniela, Becca, and Vanessa discuss the 2024 Oscars race and give their predictions. For more information on how you can participate in all the fun, head to Kalshi.com/HollywoodGold and place your first $10 bet today! Hosted on Acast. See acast.com/privacy for more information.

Producers David Hinojosa and Pamela Koffler discuss the making of last year's powerful film PAST LIVES. From first time feature director Celine Song, the film explores the themes of love and destiny through a story of immigration and reconnection. It was recently nominated for two Oscars, including Best Picture, thanks in part to the performances from leads Greta Lee and Teo Yoo. The film's path to production also speaks to the themes of destiny and timing, as the fates aligned to bring the right producers to the project at the absolute right time for it to get made. Hosted on Acast. See acast.com/privacy for more information.

Writer/producer David Hemingson reflects on the making of 2023's THE HOLDOVERS, which is nominated for 5 Oscars. An established TV writer, David didn't take it seriously at first when iconic director Alexander Payne called him about the film. Once he realized the film was going to get made and Alex suggested Paul Giamatti, David recalled how his father and Giamatti's father were friends at Yale. Together, they crafted an authentic, moving, and funny film about generational divides and finding connection in unusual circumstances. Hosted on Acast. See acast.com/privacy for more information.

Producer Jonathan Glickman joins Hollywood Gold again to discuss the making of 1995's classic romantic comedy WHILE YOU WERE SLEEPING. Made at a time when a good romcom could launch the career of an unknown actress, Sandra Bullock's star turn put her into a category alongside the likes of Julia Roberts and Demi Moore, both of whom were offered the part. As a young producer in charge of running a set for the first time, Jon Glickman had a scare when the table read was a disaster and his lead actor almost quit. Quick and effective rewrites were done and the film was a huge hit, grossing over $180 million at the box office and solidifying its place in romcom history. Hosted on Acast. See acast.com/privacy for more information.

Producer Debra Martin Chase returns to Hollywood Gold to talk about the making of 2005's THE SISTERHOOD OF THE TRAVELLING PANTS, a film that resonated (and still resonates) with countless women as it showcases the enduring value of female friendship. Based on the popular novel by Ann Brashares, Debra knew the film would need an incredible director and cast to portray the multitude of emotions within several storylines. She found that director in Ken Kwapis, but the casting was trickier as every young actress of the time was up for the sisterhood. The magic of Hollywood intervened to bring Blake Lively in as the final piece of a perfect cast. Hosted on Acast. See acast.com/privacy for more information.

Director/Producer Elizabeth Banks, who always impresses us with her vast array of talents, joins Hollywood Gold for a second time to discuss one of 2023's most talked about movies, COCAINE BEAR. Banks responded to the script as soon as she read it as she was looking for an unexpected follow up to CHARLIE'S ANGELS. The myriad difficulties of having a CGI bear as the main character were amplified by the restrictions of a film shoot in the middle of COVID. Shot in Ireland, the film has a unique feel that is an homage to monster movies of the 1980s. Hosted on Acast. See acast.com/privacy for more information.

Producers Ed Guiney and Andrew Lowe discuss the long and winding road to production for Yorgos Lanthimos' fantastical POOR THINGS, which was just nominated for a mind-blowing 11 Oscars. The producing pair had been fans of Yorgos' Greek films, and helped him successfully navigate the transition to English language films beginning with 2015's breakout THE LOBSTER. Having worked with Emma Stone on hit THE FAVORITE, Yorgos knew she would be perfect for this unconventional story of a brought back to life in a woman's body. Emma came on to produce and star, and her name helped get the movie MADE by a studio. Yorgos' ability to make actors feel comfortable and free allowed for incredible performances in a film that looks way more expensive than it was. Hosted on Acast. See acast.com/privacy for more information.

Producer Janet Yang recounts the making of 1993's groundbreaking adaptation of Amy Tan's THE JOY LUCK CLUB. After trailblazing a career path bridging the gap between American movies and Chinese audiences, Janet got her first taste of producing with Spielberg's EMPIRE OF THE SUN. Her initial experience of THE JOY LUCK CLUB was reading three chapters of the unpublished manuscript, but she knew right away that she wanted to make it into a film. An intimate tale of immigrant experiences told within the universality of familial relationships, the film achieved both critical and commercial success, despite the studio's initial reluctance to market it as an Asian film. Hosted on Acast. See acast.com/privacy for more information.