Scholarly Communication

Listen to this interview of Joshua Schimel, Professor of soil ecology at the University of California, Santa Barbara and author of Writing Science: How to Write Papers That Get Cited and Proposals That Get Funded (Oxford UP, 2011). We talk about how writing is research, and about how the Vietnam War was really just one big fat rejected manuscript.Joshua Schimel : "One of the challenges, I think, we have in science is that all the way up through university, we're being taught scientific knowledge. But that isn't really science. That's the product of science. Science is the process of learning new things. And there's this wonderful book, Ignorance: How it drives science, by Stuart Firestein, and the book is elegant in that idea of reminding people that science is about ignorance. Science is about what we don't know and how to figure it out. And so, for example, in a good Introduction to an article, you're not just trying to tell people everything we know about a field, you're trying either to identify the gap in what we know or, as the most important papers do, to locate the error in what we do know: 'We've been thinking about things this one way, but we've been wrong in some part of that thinking.' That's going to really engage the experts." Learn more about your ad choices. Visit megaphone.fm/adchoices

Artefacts, Archives, and Documentation in the Relational Museum (Routledge, 2021) provides the first interdisciplinary study of the digital documentation of artefacts and archives in contemporary museums, while also exploring the implications of polyphonic, relational thinking on collections documentation.Drawing on case studies from Australia, the United Kingdom, and the United States, the book provides a critical examination of the history of collections management and documentation since the introduction of computers to museums in the 1960s, demonstrating how technology has contributed to the disconnection of distributed collections knowledge. Jones also highlights how separate documentation systems have developed, managed by distinct, increasingly professionalised staff, impacting our ability to understand and use what we find in museums and their ever-expanding online collections. Exploring this legacy allows us to rethink current practice, focusing less on individual objects and more on the rich stories and interconnected resources that lie at the heart of the contemporary, plural, participatory ‘relational museum.’Artefacts, Archives, and Documentation in the Relational Museum is essential reading for those who wish to better understand the institutional silos found in museums, and the changes required to make museum knowledge more accessible. The book is a particularly important addition to the fields of museum studies, archival science, information management, and the history of cultural heritage technologies.Mike Jones is an archivist, historian, and collections consultant with more than 12 years of experience working with the GLAM sector (galleries, libraries, archives, and museums) on digital, archival, and public history projects. His interdisciplinary research explores the history of collections-based knowledge, and the ways in which contemporary technologies can help us to develop and maintain relationships within and between archives, collections, disciplines, and communities.Alexandra Ortolja-Baird is Lecturer in Digital History and Culture at the University of Portsmouth. She tweets at @timetravelallie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The Academic Life. You are smart and capable, but you aren’t an island and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us your suggestion on Twitter: The Academic Life @AcademicLifeNBN.In this episode you’ll hear about: how Megan became an archivist, the unusual collections she works with, why archives can be intimidating, how historians and archivists work together, and archival etiquette tips for new researchers.Our guest is: Megan Hahn Fraser, who has worked as the Assistant Curator of Manuscripts at The New-York Historical Society, the Library Director at the Independence Seaport Museum in Philadelphia, Co-Head of Collection Management at UCLA Library Special Collections in Los Angeles, and the Vice President and Marcus A. McCorison Librarian at the American Antiquarian Society in Worcester, Mass. Currently, she is working for the Research Institute for Contemporary Outlaws, a private collection of 20th century counter-culture materials based in Los Angeles. She received her Master of Information and Library Science (with a concentration in archives management) degree from Pratt Institute in 2000, and has an undergraduate degree in history from New York University. While at UCLA in 2014, Megan founded the Los Angeles Punk Rock Archive Collective, a group of archivists and others focused on acquiring collections from musicians, artists, and fans of the punk rock scene in Southern California. She has presented at the Society of American Archivists annual conference, the South by Southwest Festival, the L.A. as Subject Archives Bazaar, and the Legion of Steel Metalfest and Conference. She can be found on Twitter @mmhfraser, talking about archives, justice, and The Clash.Our host is: Dr. Christina Gessler, the co-producer of the Academic Life podcasts, and a historian of women and gender. She has a small garden.Listeners to this episode might be interested in: UCLA Library Special Collections Punk archive Research Institute for Contemporary Outlaws on Instagram For more information on how reliance on contingent labor is detrimental to the responsible stewardship of archives American Historical Association open letter to National Archives and Records Administration and retraction Society of American Archivists (SAA) Responds to the American Historical Association Priceless: How I Went Undercover to Rescue the World's Stolen Treasures by Robert K. Wittman (2010) Meetings with Remarkable Manuscripts: Twelve Journeys into the Medieval World by Christopher de Hamel (2017) Standing in their own Light: African American Patriots in the American Revolution by Judith L. Van Buskirk (2017) Indecent Advances: A Hidden History of True Crime and Prejudice Before Stonewall by James Polchin (2019) Learn more about your ad choices. Visit megaphone.fm/adchoices

In Beyond Conversation: Collaboration and the Production of Writing (Utah State UP, 2021), William Duffy revives the topic and connects it to the growing interest in collaboration within digital and materialist rhetoric to demonstrate that not only do the theory, pedagogy, and practice of collaboration need more study but there is also much to be learned from the doing of collaboration. Our conversation focuses on the processes that remain elusive during a collaborative project (and thus are difficult to teach in a classroom or recognized by the academic ecosystem), the risky accounts that live alongside collaborations, and a few ideas to think about and apply the next time you collaborate. Sarah Kearns (@annotated_sci) is an acquisition editor for an open scholarship publishing platform, a freelance science writer, and loves baking bread. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is Open Access Publishing and why is it important? Listen in as Raj Balkaran interviews Dominik A. Haas on his Fair Open Access Publishing in South Asian Studies (FOASAS) initiative which maintains a list of relevant publishers, journals, book series and other publication media. The list is available here. If you know of any other FOA publishers, journals etc. with an emphasis on Indological / South Asia-related research, or have feedback about the list, feel free to contact Dominik directly at dominik@haas.asiaDominik A. Haas, BA MA, is a DOC Fellow, Austrian Academy of Sciences and a PhD Candidate, University of ViennaRaj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The Academic Life. You are smart and capable, but you aren’t an island and neither are we. So we reached across our mentor network to bring you podcasts on everything from how to finish that project, to how to take care of your beautiful mind. Wish we’d bring on an expert about something? DM us your suggestion on Twitter: The Academic Life @AcademicLifeNBN.In this episode you’ll hear about: what a book proposal is and isn’t, why you have to write one, the importance of seeking the right “fit” for your manuscript, how to pitch a quirky book, the difference between a book’s topic and its argument, how to summarize your project in just one sentence, and a discussion of The Book Proposal Book: A Guide for Scholarly Authors (Princeton UP, 2021)Our guest is: Dr. Laura Portwood-Stacer, an experienced developmental editor and publishing consultant for academic authors. She is the author of The Book Proposal Book: A Guide for Scholarly Authors.You have to write a book proposal to get published, but most scholars receive no training on how to do so, and you may have never even seen a proposal before you’re expected to produce your own. The Book Proposal Book cuts through the mystery and guides you step by step through the process of crafting a compelling proposal and pitching it to university presses and other academic publishers. Whether you’re hoping to publish your first book or you’re a seasoned author with an unfinished proposal languishing on your hard drive, The Book Proposal Book provides honest, empathetic, and invaluable advice on how to overcome common sticking points and get your book published. It also shows why a well-conceived proposal can help lead to an outstanding book.Our host is: Dr. Christina Gessler, the co-producer of the Academic Life podcasts, and a historian of women and gender.Listeners to this episode might be interested in: The Book Proposal Book: A Guide for Scholarly Authors, by Laura Portwood-Stacer Dr. Portwood-Stacer’s Manuscript and Editing Workshops Dr. Portwood-Stacer’s website Handbook for Academic Authors, by Beth Luey Writing and Publishing Your Book: A Guide for Experts in Every Field, by Melody Herr From Dissertation to Book, by William Germano The Chicago Manual of Style: The Essential Guide for Writers, Editors, and Publishers Story Craft: The Complete Guide to Writing Narrative Nonfiction, by Jack Hart The Business of Being a Writer, by Jane Friedman Learn more about your ad choices. Visit megaphone.fm/adchoices

Helen Sword, writing champion, brings us into the word gym. Or maybe kitchen. Either way, The Writer's Diet: A Guide to Fit Prose (U Chicago Press, 2016) is a short, sharp introduction to great writing based around 5 principles:--use active verbs whenever possible;--favour concrete language over vague abstractions;--avoid long strings of prepositional phrases;--employ adjectives and adverbs only when they contribute something new to the meaning of a sentence; --reduce your dependence on four pernicious “waste words”: it, this, that, and there.There are examples of the good - William Shakespeare, Emily Dickinson, Martin Luther King Jr., John McPhee, A. S. Byatt, Richard Dawkins, Alison Gopnik, and well, the bad. But you can fix the bad - really Dr Sword's point. Dr Helen Sword received her doctorate in comparative literature from Princeton University and has lived since 2001 in New Zealand, where she is a Professor of Humanities at the University of Auckland and runs a private writing consultancy, WriteSpace Limited.Bede Haines is a solicitor, specialising in litigation and a partner at Holding Redlich, an Australian commercial law firm. He lives in Sydney, Australia. Known to read books, ride bikes and eat cereal (often). bede.haines@holdingredlich.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to this interview of Peter Kaufman, Program Manager in Strategic Initiatives and Resource Development at MIT Open Learning and author of The New Enlightenment and the Fight to Free Knowledge (Seven Stories Press, 2021). We talk about us. All of us.Peter Kaufman : "Well, I'd say this about how to bring about the change my book calls for. Take a broad look at our knowledge institutions. Define them as broadly as we can, so obviously the universities, but there are museums, there are libraries, there are archives, there are public broadcasting institutions, there are historical societies–––and just figure out ways for all of these institutions, which have so many stakeholders, so many members, so many funders, so many visitors and readers and people who absorb things emanating from these institutions–––figure out ways for all these institutions to publish more, to publish more on to the Web, because (as someone put it) 'The truth is paywalled but the lies are free.' And you know, if these knowledge institutions can band together, can commit in principle and practice to publishing more, to linking to each others' content, to citing and sourcing each others' work, then we'll be a much stronger world, we'll be a much stronger society, and we'll be a little bit better equipped the next time that the gladiators from the Monsterverse manage to gain access to the most powerful offices in the land." Daniel heads Scholarly Communication, the podcast about how knowledge gets known. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices

Listen to this interview of Alex Csiszar, professor in the Department of the History of Science, Harvard University and author of The Scientific Journal: Authorship and the Politics of Knowledge in the Nineteenth Century (U Chicago Press, 2018). We talk about the British, the French, and the Germans. No joke.Alex Csiszar : "There's this myth out there about what makes a scientist a scientist. It's that they're highly skeptical of everything. They don't believe a claim until they see it with their own eyes. But anybody who spends any kind of time in the scientific process knows this is ridiculous. Most everything that everybody believes in the sciences is stuff that they've been given to believe through reading papers, through education, through being told by their colleagues, through textbooks–––almost everything anybody in the sciences believes has come to them through trust. And the formats and genres through which a lot of that stuff comes to one's eyes matter a lot for generating that trust. Though, maybe one of the lessons of the book is that the formats and genres might matter a little less than you might at first think because there are other means, perhaps more important means, through which individuals come to trust a particular claim––and personal contacts matter a lot here. But clearly what is being discussed in a lot of the debates that I follow in this book are the means through which such trust can be established, guaranteed."Daniel heads Scholarly Communication, the podcast about how knowledge gets known. Daniel's YouTube Channel is called Write Your Research. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a turbulent political revolt against the military superpower of the early modern world, the tiny Dutch Republic managed to situate itself as the dominant printing and book trading power of the European market. The so-called Dutch Golden Age has long captured the attention of art historians, but for every one painting produced by the Dutch during the seventeenth century, at least 100 books were printed. In The Bookshop of the World: Making and Trading Books in the Dutch Golden Age (Yale UP, 2019), Andrew Pettegree and Arthur der Weduwen present the untold story of how a group of family-owned businesses transformed the economics of printing and selling and conquered the European communications economy. This printing revolution helped to turn their pluralistic population into a highly literate and engaged society. Andrew Pettegree (@APettegree) is Professor of Modern History at the University of St Andrews and Director of the Universal Short Title Catalogue. He is the author of over a dozen books in the fields of Reformation history and the history of communication including Reformation and the Culture of Persuasion (Cambridge University Press, 2005), The Book in the Renaissance (Yale University Press, 2010), The Invention of News (Yale University Press, 2014), and Brand Luther: 1517, Print and the Making of the Reformation (Penguin, 2015). Arthur der Weduwen (@A_der_Weduwen) is a British Academy Postdoctoral Research Fellow at the University of St Andrews and Deputy Director of the Universal Short Title Catalogue. He researches and writes on the history of the Dutch Republic, books, news, libraries and early modern politics. He is the author of Dutch and Flemish Newspapers of the Seventeenth Century (2 vols., Brill, 2017), and two books on early newspaper advertising in the Netherlands (both Brill, 2020). His latest project is The Library, A Fragile History, co-written with Andrew Pettegree and published by Profile in 2021.Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices