Tahrir Hamdi is a Professor of Resistance Literature at the Arab Open University in Jordan. She is the author of the award-winning Imagining Palestine and serves as an assistant editor of Arab Studies Quarterly.National identities are inherently fluid, shaped as much by collective beliefs and cultural practices as by official borders and territory. For Palestinians, whose national status remains contested, the articulation and imagination of national identity take on particular urgency. Imagining Palestine: Cultures of Exile and National Identity (Bloomsbury, 2022) examines how Palestinian intellectuals, artists, activists, and ordinary citizens envision their homeland, engaging with the works of key figures such as Edward Said, Ghassan Kanafani, Naji al-Ali, Mahmoud Darwish, Mourid Barghouti, Radwa Ashour, Suheir Hammad, and Susan Abulhawa.Drawing on decolonial and resistance concepts—particularly Palestinian sumud—Hamdi argues that the imaginative construction of Palestine is central to the Palestinian struggle. This interdisciplinary study, rooted in critical theory, postcolonial and decolonial studies, and literary analysis, offers valuable insights for students and scholars of Palestine, Middle East studies, and Arabic literature.Imagining Palestine received the Counter Current Award at the 2023 Palestine Book Awards.Bryant Scott is a professor of English and film studies at Hamad Bin Khalifa University and Texas A&M University at Qatar. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities.Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart.Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century BritainHarriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of BrightonMorteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today I began my discussion with Dr. Adrian Perkel about his new book Unlocking The Nature of Human Aggression: A Psychoanalytic and Neuroscientific Approach (Routledge, 2024) “Aggression is to the mind what the immune system is to the body. It doesn’t seek the fight.” With this perfect mind-body analogy Dr. Perkel proposes a clear way to think theoretically and work clinically with aggression. Throughout the book he links Freud’s formulations of the psyche with contemporary physics and biochemistry. Perkel’s assertion that “Where the aggressive drive goes, so therein lies the solution to many of the psychological problems that present to us in life” is broadly summarized in three essential points:1. The aggressive drive in the human psyche has the aim of reducing stimuli and excitations brought on by internal and external impingements - it is not looking for a fight.2. What constitutes a threat or impingement is not necessarily objective - in fact it is always filtered through subjective experience and the UCS associations that are revisited repeatedly giving rise to a lens through which experience is filtered.3. This experience is driven by memory traces of experience that embed themselves in the UCS and are revisited and hence enacted in a repetitive manner.“My argument is that what wraps all those three points together is that you have life drive needs yes but they're often unfulfilled they're often frustrated and then we need a second mechanism which is what Freud called the death drive.” Acknowledging that the death drive is contentious in psychoanalysis “in neuroscience it's not contested.”I knew going into this interview that we would only discuss a few concepts and elaborations from his book. For more of Dr. Perkel’s writing and webinar on this book please go here and here.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Uncovers a powerful relationship between pathology and money: beginning in the nineteenth century, the severity of mental illness was measured against a patient’s economic productivity.Madness and Enterprise: Psychiatry, Economic Reason, and the Emergence of Pathological Value (U Chicago Press, 2024) reveals the economic norms embedded within psychiatric thinking about mental illness in the North Atlantic world. Over the course of the nineteenth century, various forms of madness were subjected to a style of psychiatric reasoning that was preoccupied with money. Psychiatrists across Western Europe and the United States attributed financial and even moral value to an array of pathological conditions, such that some mental disorders were seen as financial assets and others as economic liabilities. By turning to economic conduct and asking whether potential patients appeared capable of managing their financial affairs or even generating wealth, psychiatrists could often bypass diagnostic uncertainties about a person’s mental state.Through an exploration of the intertwined histories of psychiatry and economic thought, Nima Bassiri shows how this relationship transformed the very idea of value in the modern North Atlantic, as the most common forms of social valuation—moral value, medical value, and economic value—were rendered equivalent and interchangeable. If what was good and what was healthy were increasingly conflated with what was remunerative (and vice versa), then a conceptual space opened through which madness itself could be converted into an economic form and subsequently redeemed—and even revered.Nima Bassiri is assistant professor of literature at Duke University, where he is also the codirector of the Institute for Critical Theory.Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How does nuclear technology influence international relations? While many books focus on countries armed with nuclear weapons, this volume puts the spotlight on those who have the technology to build nuclear bombs but choose not to. These weapons-capable countries, such as Brazil, Germany, and Japan, have what is known as nuclear latency, and they shape world politics in important ways.Matthew Fuhrmann navigates a critical yet poorly understood issue by offering a definitive account of nuclear latency. He identifies global trends, explains why countries obtain nuclear latency and analyzes its consequences for international security. Influence Without Arms presents new statistical and case evidence that nuclear latency enhances deterrence, provides greater influence, and triggers conflict and arms races. The book offers a framework to explain when nuclear latency increases security and, when it incites instability, generates far-reaching implications for deterrence, nuclear proliferation, arms races, preventive war, and disarmament.Our guest is Matthew Fuhrmann, the Cullen-McFadden Professor of Political Science at Texas A&M University.Our host is Eleonora Mattiacci, an Associate Professor of Political Science at Amherst College. She is the author of "Volatile States in International Politics" (Oxford University Press, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the first part of our two-part conversation on Madison’s Notes, we speak with Frances Lee, Professor of Politics and Public Affairs at Princeton University, about her co-authored book In COVID’s Wake (Princeton UP, 2025). The book offers a comprehensive and candid political assessment of how institutions performed during the pandemic. It explores how governments, influenced by Wuhan’s lockdown, deviated from existing pandemic plans, leading to policies that often favored the “laptop class” while leaving essential workers vulnerable. Extended school closures disproportionately affected less-privileged families, and the politicization of science marginalized dissent. Lee and her co-author, Stephen Macedo, argue that future crises must uphold the values of liberal democracy: tolerance, respect for evidence, and a commitment to truth.This discussion dives into key questions raised in the book, including the importance of conducting a post-mortem of the pandemic response. Lee highlighted how polarization in the two-party system complicates evaluations of what worked and what didn’t. We also explored the role of states as “laboratories” for different responses and whether meaningful comparisons can be drawn between them. Lee reflected on why pre-existing pandemic plans were abandoned and how the pandemic strained the public’s trust in media, policy advisors, and academic institutions. The ambiguity of desired policy outcomes, she noted, often hindered rational cost-benefit analysis, further complicating the response.Lee emphasized the value of embracing complexity and ambiguity in conversations about societal and political issues. By examining the pandemic’s lessons, “In COVID’s Wake” challenges readers to consider how we can better prepare for future crises while staying true to democratic principles.Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.Contributions to and/or sponsorship of any speaker does not constitute departmental or institutional endorsement of the specific program, speakers or views presented. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The 1832 Reform Act was a landmark moment in the development of modern British politics. By overhauling the country’s ancient representative system, the legislation reshaped constitutional arrangements at Westminster, reinvigorated political relationships between the center and the provinces, and established the political structures and precedents that both shaped and hindered Britain’s slow lurch towards democracy by 1928.Mapping the State: English Boundaries and the 1832 Reform Act (U London Press, 2024) leads to a fundamental rethinking of the 1832 Reform Act by demonstrating how boundary reform and the reconstruction of England’s electoral map by the little-known 1831–1832 boundary commission underpinned this turning point in the development of the British political nation. Eschewing traditional approaches to the 1832 Reform Act, it draws from a significant new archival discovery­­—the working papers of the boundary commission—and a range of innovative quantitative techniques to provide a major reassessment of why and how the 1832 Reform Act passed, its impact on reformed politics both at Westminster and in the constituencies, and its significance to the expansion of the modern British state. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Unruly Tongue: Speech and Violence in Medieval Italy (University of Pennsylvania Press, 2025) by Dr. Melissa Vise, offers a new account of how the power of words changed in Western thought. Despite the association of freedom of speech with the political revolutions of the eighteenth century that ushered in the era of modern democracies, Dr. Vise locates the history of the repression of speech not in Europe’s monarchies but rather in Italy’s republics. Exploring the cultural process through which science and medicine, politics, law, literature, and theology together informed a new political ethics of speech, Dr. Vise uncovers the formation of a moral code where the regulation of the tongue became an integral component of republican values in medieval Europe.The medieval citizens of Italy’s republics understood themselves to be wholly subject to the power of words not because they lived in an age of persecution or doctrinal rigidity, but because words had furnished the grounds for their political freedom. Speech-making was the means for speaking the republic itself into existence against the opposition of aristocracy, empire, and papacy. But because words had power, they could also be deployed as weapons. Speech contained the potential for violence and presented a threat to political and social order, and thus needed to be controlled. Dr. Vise shows how the laws that governed and curtailed speech in medieval Italy represented broader cultural understandings of human susceptibility to speech. Tracing anthropologies of speech from religious to political discourse, from civic courts to ecclesiastical courts, from medical texts to the works of Dante and Boccaccio, The Unruly Tongue demonstrates that the thirteenth century marked a major shift in how people perceived the power, and the threat, of speech: a change in thinking about “what words do.”This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode of NBN host, Hollay Ghadery speaks with the incomparable Toronto poet Kirby in an exclusive sampler of spectacular Kirby poetry.Kirby and Hollay talk about community and about Kirby’s work including their most recent poetry collection, She (Knife|Fork|Book, 2024) as well as Poetry is Queer (Palimpsest Press, 2021). Kirby also read from some of their new work."She is a capacious city of rich human habitation, where elation is every day’s caring infusion. Her cityscapes are painted deftly—in few words, in pauses, in juxtapositions, in fond attentions, in breath and the difficulty of breath, by a poet who knows deeply that life is fragile and that age comes and alters us. She says: the world loves us back when we love it. Flowers, streets, lovers, skies, persons, walks, in/fusions. She is joy’s pronoun!" —ERÍN MOURE, Theophylline A Poetic Migration Via the Modernisms of Rukeyser, Bishop, Grimké (de Castro,Poetry is Queer is a kaleidoscope of sexual outlaws, gay icons, Sapphic poets, and great lovers—real and imagined—conjured like gateway drugs to a queer world. Claiming the word “queer” for those who self-proclaim the authority of their own bodies in defiance of church and state, Kirby pays tribute to gay touchstones while embodying both their work and joy. From gazing upon street boys with constant companion C.P. Cavafy, to end of day observances with Frank O’Hara, to mowing Walt Whitman’s grass, Poetry Is Queer is a hybrid-genre memoir like no other.About KIRBY:KIRBY’s work includes Last Licks (Anstruther Press, 2024) Behold (2023), a stage adaption of Poetry is Queer (Palimpsest Press, 2021), What Do You Want to Be Called? (Anstruther Press, 2020), & This Is Where I Get Off (Permanent Sleep Press, 2019). Their column, “The First Time” is a regular feature at Send My Love To Anyone. They are the publisher at knife | fork | book kirbyshe.comAbout Hollay Ghadery:Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cinema under National Reconstruction (Rutgers UP, 2024) calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network