Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions’ actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry’s workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the early modern period, both legal and illegal maritime predation was a common occurrence, but the expansion of European maritime empires exacerbated existing and created new problems of piracy across the globe. The Problem of Piracy in the Early Modern World (Amsterdam UP, 2024) addresses these early modern problems in three sections: first, states' attempts to exercise jurisdiction over seafarers and their actions; second, the multiple predatory marine practices considered 'piracy'; and finally, the many representations made about piracy by states or the seafarers themselves. Across nine chapters covering regions including southeast Asia, the Atlantic archipelago, the North African states, and the Caribbean Sea, the complexities of defining and criminalizing maritime predation is explored, raising questions surrounding subjecthood, interpolity law, and the impacts of colonization on the legal and social construction of ocean, port, and coastal spaces. Seeking the meanings and motivations behind piracy, this book reveals that while European states attempted to fashion piracy into a global and homogenous phenomenon, it was largely a local and often idiosyncratic issue. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Michigan's African Americans played critical roles in winning the Civil War and setting millions of fellow Americans forever free. The 1st Michigan Colored Infantry Regiment, more than 1,500 strong, helped overwhelm their enemies on the battlefield. Alongside the soldiers, civilian Black men and women contributed in previously unrecognized ways to defending and extending human liberty. One such unsung hero, William Dollarson, escaped from brutal slave conditions in Natchez, became a conductor on the Underground Railroad in Detroit, and joined the staff of Michigan's preeminent general in fighting the Confederacy in Maryland and Virginia. This first-ever complete recounting coincides with the 160th anniversary of the Michigan regiment mustering into the U.S. Army. Warriors for Liberty: William Dollarson & Michigan's Civil War African Americans (Michigan Civil War Association, 2024) sheds unprecedented light on the heroism, patriotism, and fortitude of Michiganders of African descent during this tumultuous era in American history. Aided by extensive research and fresh scholarship, this volume is a breakthrough study of compelling depth and majesty. Included is a first-person account by victims of the 1863 Detroit riot that spurred greater sacrifice by Michigan's people of color in the cause of saving the Union and of emancipation. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Successful cult films like The Host and Snowpiercer proved to be harbingers for Bong Joon Ho's enormous breakthrough success with Parasite. In Bong Joon Ho (U Illinois Press, 2024), Joseph Jonghyun Jeon provides a consideration of the director's entire career and the themes, ambitions, techniques, and preoccupations that infuse his works. As Jeon shows, Bong's sense of spatial and temporal dislocations creates a hall of mirrors that challenges us to answer the parallel questions Where are we? and When are we?. Jeon also traces Bong's oeuvre from its early focus on Korea's US-fueled modernization to examining the entanglements of globalization in Mother and his subsequent films. A complete filmography and in-depth interview with the director round out the book. Insightful and engaging, Bong Joon Ho offers an up-to-date analysis of the genre-bending international director. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Alexandra Grey speaks with Karen McAuliffe about multilingual law-making.Karen is a Professor of Law and Language at Birmingham Law School in the UK. The conversation is about the important legal opinions delivered by the Advocates General at the European Court of Justice, and the effects of Advocates General drafting those opinions in their second or third language and with multilingual support staff.It builds on a chapter written by Karen McAuliffe, Liana Muntean & Virginia Mattioli in the book Researching the European Court of Justice, edited by Madsen, Nicola and Vauchez and published by Cambridge University Press in 2022.For additional resources, show notes, and transcripts, go here. You can also follow Alexandra on LinkedIn and Karen on BlueSky @profkmca.bsky.social. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the early modern period, both legal and illegal maritime predation was a common occurrence, but the expansion of European maritime empires exacerbated existing and created new problems of piracy across the globe. The Problem of Piracy in the Early Modern World (Amsterdam UP, 2024) addresses these early modern problems in three sections: first, states' attempts to exercise jurisdiction over seafarers and their actions; second, the multiple predatory marine practices considered 'piracy'; and finally, the many representations made about piracy by states or the seafarers themselves. Across nine chapters covering regions including southeast Asia, the Atlantic archipelago, the North African states, and the Caribbean Sea, the complexities of defining and criminalizing maritime predation is explored, raising questions surrounding subjecthood, interpolity law, and the impacts of colonization on the legal and social construction of ocean, port, and coastal spaces. Seeking the meanings and motivations behind piracy, this book reveals that while European states attempted to fashion piracy into a global and homogenous phenomenon, it was largely a local and often idiosyncratic issue. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One hundred years ago, Gabriel Wells, a New York bookseller, committed a crime against history. He broke up the world’s greatest book, the Gutenberg Bible, and sold it off in individual pages. In 1921, Wells’ audacity scandalized the rare-book world. The Gutenberg was the first substantial book in Europe to have been printed on a printing press. It represented the democratization of knowledge and was the Holy Grail of rare books. In Noble Fragments: The Gripping Story of the Antiquarian Bookseller Who Broke Up a Gutenberg Bible (Scribe, 2024), Michael Visontay describes how Wells’s gamble set off a chain of events that changed his family’s destiny.Interviewee: Michael Visontay is the Commissioning Editor of The Jewish Independent, and has worked as a journalist and senior editor at The Sydney Morning Herald and The Australian.Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paul Lisicky remembers when he first heard Joni Mitchell on the radio, and when he found one of her records in a bin at Korvettes. He was inspired by her musicality, her poetry, and her willingness to defy musical conventions. Nearly every one of her songs spoke to him in some way. As a budding songwriter whose music was widely performed in churches around the country, he was motivated by her superb tunings, phrasing, and melodies. Later, he focused more on lyrics and prose, hers and his own, eventually earning a master’s in creative fiction and working in the world of professional writing. He continued to follow Joni’s career and never got tired of her music, which helped him navigate the ups and downs of his life. Song So Wild and Blue: A Life with the Music of Joni Mitchell (HarperOne, 2025) is a beautiful memoir about the struggle of a gay writer intertwined with the life and career of the magnificent Joni Mitchell.Paul Lisicky grew up in southern New Jersey but has lived most of his adult life in Massachusetts and New York City. He earned bachelor's and master’s degrees in English from Rutgers University and an M.F.A. in Creative Writing from the University of Iowa Writers’ Workshop (1990). He authored seven books, including Song So Wild and Blue: A Life with the Music of Joni Mitchell, The Burning House, Famous Builder, Later, The Narrow Door, and Lawn Boy. His work has appeared in The Atlantic, BuzzFeed, Conjunctions, The Cut, Fence, The New York Times, Ploughshares, Tin House, and in many other magazines and anthologies. The recipient of a Guggenheim Fellowship, he is currently a professor of English in the Creative Writing MFA Program at Rutgers University-Camden, where he is the editor of StoryQuarterly. He lives in Brooklyn, New York and is passionate about music, animals, and travel. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

If you had some free time and a Windows PC in the 1990s, your mouse probably crawled its way to Minesweeper, an exciting watch-where-you-click puzzle game with a ticking clock and a ton of “just one more game” replayability. Originally sold as part of a “big box” bundle of simple games, Minesweeper became a cornerstone of the Windows experience when it was pre-installed with every copy of Windows 3.1 and decades of subsequent OS updates. Alongside fellow Windows gaming staple Solitaire, Minesweeper wound up on more devices than nearly any other video game in history. Sweeping through a minefield of explosive storylines, Journalist Kyle Orland reveals how Minesweeper caused an identity crisis within Microsoft, ensnared a certain Microsoft CEO with its addictive gameplay, dismayed panicky pundits, micromanagers, and legislators around the world, inspired a passionate competitive community that discovered how to break the game, and predicted the rise of casual gaming by nearly two decades.Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master’s degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design at the IU International University for Applied Science, has submitted his third dissertation at the University of Vechta, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, hosts the German local radio show Replay Value and is editor of the weekly game research newsletter DiGRA D-A-CH Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Constitutional Ratification Without Reason (Oxford UP, 2022) focuses on constitutional ratification, the procedure in which a draft constitution is submitted by its creators to the people or their representatives in an up or down vote determining implementation. Ratification is increasingly common and routinely recommended by experts. Nonetheless, it is neither neutral nor inevitable. Constitutions can be made without it and when it is used it has significant effects. This raises the central question of the book: should ratification be recommended? Put another way: is there a reason for treating the procedure as a default for the constitution-making process? Surprisingly, these questions are rarely asked. The procedure’s worth is assumed, not demonstrated, while ratification is generally overlooked in the literature. In fact, this is the first sustained study of ratification. To address these oversights, this book defines ratification and its types, explains for the first time the procedure’s effects, conceptual origins, and history, and then concentrates on finding reasons for its use. Specifically, it builds up and analyzes the three most likely normative justifications. These urge the implementation of ratification because the procedure: enables the constituent power to make its constitution; fosters representation during constitution-making; or helps create a legitimate constitution. Ultimately, these justifications are found wanting, leading to the conclusion that ratification lacks a convincing, context-independent justification. Thus, experts should not recommend ratification as a matter of course, practitioners should not reach for it uncritically, and—more generally—one should avoid the blanket application of concepts from democratic theory to extraordinary contexts such as constitution-making.Jeffrey Lenowitz is the Meyer and W. Walter Jaffe Associate Professor of Politics at Brandeis University, focusing on political theory. His research explores the the procedures uses to create new constitutions; constituent power and constitutional theory; the concept of legitimacy in the social sciences; voting ethics; and other aspects of democratic theory and institutional design. Vatsal Naresh is a Lecturer in Social Studies at Harvard University. His recent publications include co-edited volumes on Negotiating Democracy and Religious Pluralism (OUP 2021) and Constituent Assemblies (CUP 2018). Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network